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Un Chien Andalou (1929) illustrates what Breton terms ‘the omnipotence of the dream’.
In his first surrealist manifesto from 1924, Breton writes: “Surrealism is based on the belief in the superior reality of certain forms of association heretofore neglected, in the omnipotence of the dream, and in the disinterested play of thought”. The omnipotence of the dream is, in essence, the immense power of the dream and the dreamer, as well as the superiority of the dream over reality. It is precisely such omnipotent subconscious forces and dream images Luis Bunuel and Salvador Dali ...
- Essay
- • 13 pages •
In his first surrealist manifesto from 1924, Breton writes: “Surrealism is based on the belief in the superior reality of certain forms of association heretofore neglected, in the omnipotence of the dream, and in the disinterested play of thought”. The omnipotence of the dream is, in essence, the immense power of the dream and the dreamer, as well as the superiority of the dream over reality. It is precisely such omnipotent subconscious forces and dream images Luis Bunuel and Salvador Dali ...
The performance of gender in John Lyly’s play Galatea (2012) and The Roaring Girl (2011) by Thomas Middleton and Thomas Dekker.
This essay will look at the performance of gender in two plays: John Lyly’s play Galatea (2012) and The Roaring Girl (2011) by Thomas Middleton and Thomas Dekker. When discussing the performance of gender in these two plays, it is important to note that they deal with two different types of cross-dressing.
- Essay
- • 8 pages •
This essay will look at the performance of gender in two plays: John Lyly’s play Galatea (2012) and The Roaring Girl (2011) by Thomas Middleton and Thomas Dekker. When discussing the performance of gender in these two plays, it is important to note that they deal with two different types of cross-dressing.