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Samenvatting

Summary International Communication

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2020/2021

A summary of the course International Communication + host speakers. Based on slides and notes. Passed with 17/20 in June

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Aantal pagina's
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2020/2021
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International Communication
Class 1: Introduction...................................................................................................................................... 3
1.1 The news about news......................................................................................................................................3
1.2 How China is changing your internet..............................................................................................................3
1.3 Representation of other cultures....................................................................................................................3
1.4 What is international communication?..........................................................................................................4
a. Closely related concepts...............................................................................................................................4
b. Flows and stories..........................................................................................................................................4
c. Why study global communication?..............................................................................................................5

Class 2: Modernization................................................................................................................................... 5
2.1 Introduction.....................................................................................................................................................5
2.2 DC paradigms..................................................................................................................................................5
a. What are (DC) paradigms?............................................................................................................................5
2.3 Modernization: historical context...................................................................................................................6
2.4 Modernization: how is development conceived?............................................................................................6
a. Three approaches within modernization paradigm:....................................................................................6
b. Modernization: role of communication.......................................................................................................8
c. Modernization: policy orientation................................................................................................................9
d. Modernization: critiques..............................................................................................................................9
e. Responses to the critiques.........................................................................................................................10

Class 3: Participatory Paradigm.................................................................................................................... 10
3.1 How is development conceived?...................................................................................................................10
3.2 Two types of participation............................................................................................................................11
3.3 Communication, media & participation........................................................................................................11
a. Policy...........................................................................................................................................................12
3.4 Critique on this paradigm.............................................................................................................................12
3.5 Current relevance..........................................................................................................................................13
3.6 Conclusion.....................................................................................................................................................13

Class 4: ICT4D............................................................................................................................................... 13
4.1 Introduction...................................................................................................................................................13
4.2 From diffusion to participation.....................................................................................................................13
a. From digital divide to digital inequalities...................................................................................................14
b. From diffusion to participation...................................................................................................................15
4.3 Living Labs.....................................................................................................................................................15
a. Example: Zone-IT research in Tanzania & South Africa..............................................................................16
4.4 Conclusions....................................................................................................................................................17

Class 5: ICT4D and SDG’s.............................................................................................................................. 17
5.1 Multiplicity paradigm....................................................................................................................................17
5.2 Human development.....................................................................................................................................18
5.3 Sustainable development..............................................................................................................................18

1

,Class 6: Disadvantaged woman and mobile phones in S-Africa......................................................................19
6.1 Main argument.............................................................................................................................................19
6.2 The Leisure Divide.........................................................................................................................................19
6.3 Research........................................................................................................................................................20
Set up and question........................................................................................................................................20
Results............................................................................................................................................................20
Women’s mental models on gender and ICT.................................................................................................21
What is next?..................................................................................................................................................22

Class 7: Cultural and Media Imperialism Theories.........................................................................................22
7.1 Critical Political Economy..............................................................................................................................22
Global critical political economy of communication......................................................................................22
Role of communication..................................................................................................................................22
Dependency: role of communication.............................................................................................................23
7.2 Institutional aspects of transnational media, of media imperialism............................................................23
Work from Herbert Schiller............................................................................................................................23
Conclusion on shiller: the US..........................................................................................................................23
7.3 Cultural effects of transnational media products and consumers................................................................24
7.4 Impact of media imperialism on news flows (‘70s)......................................................................................24
7.5 Global CPE critique........................................................................................................................................24
7.6 CPE & internet...............................................................................................................................................25

Class 8: TV Formats & transnationalization of TV.......................................................................................... 25
8.1 Defining TV formats......................................................................................................................................25
8.2 TV format trade: context, history & developments......................................................................................26
8.3 Adapting (or localization) of TV formats.......................................................................................................26
8.4 Format production and distribution conglomerates.....................................................................................27
8.5 Formats & globalization: next questions......................................................................................................27

Class 9: Globalization theories...................................................................................................................... 28
9.1 Definitions.....................................................................................................................................................28
9.2 Globalization, culture and power..................................................................................................................29
Castells: Network............................................................................................................................................29
Appadurai: Cultural Hybridization..................................................................................................................29
Tomlison: Cultural hybridization....................................................................................................................30

Class 10: Transnational flows in the online environment: the age of Netflix..................................................30
10.1 Transnational Flows Theory........................................................................................................................30
Global..............................................................................................................................................................31
Cultural studies...............................................................................................................................................31
Media economics...........................................................................................................................................32
10.2 Online Flows................................................................................................................................................32
The now golden age of TV?............................................................................................................................32
10.3 Netflix..........................................................................................................................................................33
Continuity vs change......................................................................................................................................33
10.4 Online transnational flows: conclusion.......................................................................................................33



2

,Class 1: Introduction
1.1 The news about news
US News coverage (2007)
o 79% US – 21% Irak – 1% Russia, China & India (probably higher now)  focus on US and
countries it’s in conflict with
o focus on local news or news that has direct economic or political influence
Reasons: foreign bureaus closed; only Reuters, AP and AFP are left  foreign news is rewritten
from AP and Reuters  problem: (news)concentration: only 3 voices
Global communication
o localization of news in globalizing times (global news  last 15-10 years)
o role of geo-political proximity: we’re interested on that was has an impact on our own
country
 f.e. Congo, Trump (strong relations between US & EU), S. Africa & Brazil covid variants

1.2 How China is changing your internet
We often look at ICT’s from a Western point of view, but China has taken a different developmental
path
o has not allowed Western players into its markets
o has an ‘intranet’: It’s surveilled
o developed ‘alternative services’, f.e. WeChat
o is now becoming a player in other markets, f.e. TikTok, Aliexpress,..
o some of its applications are more advanced than in the West
Global communication is about..
o learning from other countries; cross-influences over borders
o comparative communication: ‘what’s different between; what’s happening in x vs y?’
China’s major new market for Hollywood
o rise of China’s middle class – preference for US movies ( pirate market)
o import quota for US movies (also present in other markets)
o adaptation of content to fit in China’s ‘logic’ (f.e. nothing bad about China)- no direct
obligation
o Chinese versions of block-buster movies
Global communication
o adaptation of content in international markets not uncommon
 ‘de-nationalization’: minimizing local aspects of content to appeal to international
markets & audiences, f.e. Japanese manga which is denationalized (Japanese elements
are taken out)
 localization: adaptation of global content to appeal to a specific cultural group
 often remakes or local adaption of global formats, f.e. reality shows (BB,
Temptation), Married at First Sight, Boer zkt Vrouw,..
 less risk because it already proved to be successful

1.3 Representation of other cultures
Disney has a long history of producing in different times, distributing internationally,..
 how do we portray cultures/people? how has this portrayal influenced what we know about
other cultures?
 e.g. video of Donald Duck (western, brings tech) and Goofy (wild)
‘How to read Donald Duck’
o Donald Duck is a reflection of the Western capitalist ideology
o establishing of hegemonic ideas about capitalism, race and gender

3

, 1.4 What is international communication?
‘International’ refers to ‘processes that occur among states’, like in international relations
A critique on taking ‘nation state’ as a defining element
o states are becoming less important because of globalization and liberalization
o international and supra-national organizations  policy level
o media tech are global in scope  Internet is a global network
o diaspora communities  transnational media, f.e. Turkish people in Belgium still watch
Turkish TV
‘State’ is still an important defining element in terms of production, distribution and consumption
o US/UK protectionist tendencies – economic, geographic (borders)
o internet control and censorship are increasing worldwide
 internet is becoming less and less global: geographically controlled, f.e. China, Iran,
Ethiopia
Definition: information flow of values, norms, culture and information between and the effects for
individuals, groups, states and regions

A. CLOSELY RELATED CONCEPTS
Global communication
o most fashionable term, but somewhat misleading: image of 1 world, 1 homogenized society
o connotation of 1-world community
 world is still a highly uneven place, both within and between countries
 most communication is local
 audiences in general prefer local content (but is shifting to global (because of OTT))
 news is in general mainly local
 social media are global in scope, but local in use (and local versions) (started as
global use), f.e. you’re connected with mostly local people you know on social media
 glocal communication: mix between global and local
o ‘communication can be seen as an agent of globalizing processes in economic, political and
social-cultural fields that interconnect large numbers of people across the globe’
Intercultural communication (not part of this course)
o focus on communication in different cultural contexts
o focus on the individual skills (verbal and non-verbal) to communicate
o strong focus on language/culture/interpretation
o less focus om technical medium transporting communication

B. FLOWS AND STORIES
Flows = motion
o Castells: ‘society is constructed around flows’
o information, goods, money flow across borders
 multi-directionality of movement (Hamelink)
 linear, circular, top-down, bottom-up, engineered and spontaneous
 BUT flows are highly uneven; inclusion/exclusion
Stories
o learn and create meaning from stories
o stories move over borders
 dominant stories (Hollywood, Netflix, CNN, Reuters)
 counter-stories (local actors, indie movies, alternative news)
o flow of ideas, opinions, observations, knowledge, information, data, sounds, images



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