Aspects of Comedy (1B)

'The comedic genre always satirises religion and never takes it seriously.' To what extent do you agree with this view? Incorporating The Importance of Being Earnest and the AQA Comedy Poetry Anthology.

5.0

(1)

3 pages

Written in 2018/2019

thomasbaines0

‘Comedic literature celebrates the resourcefulness and power of female characters.’ To what extent do you agree with this view? Incorporating The Importance of Being Earnest and the AQA Comedy Poetry Anthology.

4.0

(3)

3 pages

Written in 2018/2019

thomasbaines0

‘Comedic literature entertains rather than instructs: it aims only to please.’ To what extent do you agree with this view? Incorporating The Importance of Being Earnest and the AQA Comedy Poetry Anthology.

5.0

(3)

4 pages

Written in 2018/2019

thomasbaines0

'Comedies leave readers and audiences with a final sense of joy' To what extent do you agree with this view? Incorporating The Importance of Being Earnest and the AQA Comedy Poetry Anthology.

3.3

(3)

3 pages

Written in 2018/2019

thomasbaines0

'Comedy is rooted in absurdity.' To what extent do you agree with this view? Incorporating The Importance of Being Earnest and the AQA Comedy Poetry Anthology.

4.5

(2)

3 pages

Written in 2018/2019

thomasbaines0

'Comedic literature only represents marriage in negative ways.' To what extent do you agree with this view? Incorporating The Importance of Being Earnest and the AQA Comedy Poetry Anthology.

5.0

(1)

3 pages

Written in 2018/2019

thomasbaines0

Spanning a range of Twelfth Night's themes and characters within the overall lens of comedy, this bundle of 12 exemplar essays from both sections of the paper provide a clear indication of what must be written to achieve an A* in the AQA English Literature A Level.

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12 items

thomasbaines0

Act 2, Scene 3; Maria devises a plan to ridicule the household's steward, Malvolio.

5.0

(1)

5 pages

Written in 2018/2019

thomasbaines0

Act 1, Scene 4; the Duke Orsino sends Cesario (Viola in disguise) to woo the Countess Olivia.

4.7

(3)

2 pages

Written in 2018/2019

thomasbaines0

Act 3, Scene 1; Olivia declares her love for Cesario (Viola in disguise).

5.0

(2)

3 pages

Written in 2018/2019

thomasbaines0

Act 4, Scene 2; Feste visits Malvolio during his imprisonment, disguised as Sir Topas.

-

3 pages

Written in 2018/2019

thomasbaines0

Act 3, Scene 4; Malvolio professes his love for Olivia.

5.0

(1)

3 pages

Written in 2018/2019

thomasbaines0

Act 4, Scene 2; Feste visits Malvolio during his imprisonment, disguised as Sir Topas.

5.0

(2)

5 pages

Written in 2018/2019

thomasbaines0

'In Twelfth Night, the discomfort of the characters always excites laughter rather than concern.' To what extent do you agree with this view?

4.8

(4)

3 pages

Written in 2018/2019

thomasbaines0

'Because Malvolio is the comic villain of the play, it is impossible for audiences to sympathise with him'. To what extent do you agree with this view?

4.8

(4)

3 pages

Written in 2018/2019

thomasbaines0

'In Twelfth Night, love is always presented as an irrational and uncontrollable force.' To what extent do you agree with this view?

5.0

(4)

3 pages

Written in 2018/2019

thomasbaines0

‘In Twelfth Night, love causes complications but leads ultimately to joy.’ To what extent do you agree with this view?

4.7

(3)

3 pages

Written in 2018/2019

thomasbaines0

‘Twelfth Night disrupts ideas of class, status and gender.’ How far do you agree with this view of the play?

5.0

(3)

3 pages

Written in 2018/2019

thomasbaines0

‘In Twelfth Night, men are presented as having a greater depth of feeling than women.’ To what extent do you agree with this view?

4.4

(7)

3 pages

Written in 2018/2019

thomasbaines0

'Misunderstandings and deceptions are at the heart of comedies.' To what extent do you agree with this view? Incorporating The Importance of Being Earnest and the AQA Comedy Poetry Anthology

4.0

(1)

3 pages

Written in 2018/2019

thomasbaines0