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d d d d d d d d d
1. Thedminddanddimaginationdofdthedspectatordisdwheredthedfinaldstepdindthed d processdindtheatredoccurs.
a. imaginative
b. critical
c. creative
d. artistic
ANSWER: c
REFERENCES:d A-Head:dIntroductiondtodChapterd2
2. Theatredrequiresdmored betweendtheddirectordanddthedaudiencedthanddoesdfilm.
a. engagement
b. discussion
c. interaction
d. collaboration
ANSWER: d
REFERENCES:d A-Head:dExperiencingdadPerformance
3. Becausedadtheatricaldperformancedisda(n)d
event,dconditionsdsurroundingdandddefiningditdplaydadroledi
ndhowdthedaudiencedresponds.
a. artistic
b. collaborative
c. entertaining
d. social
ANSWER: d
REFERENCES:d A-Head:dExperiencingdadPerformance
4. ThedtypicaldaudiencedmemberdofdadBroadwaydplaydisdfromdthed dclass.
a. well-to-dodmiddle
b. working
c. drama
d. lower
ANSWER: a
REFERENCES:d A-Head:dWhodIsdthedAudience?
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d d d d d d d d d
5. Mostdnot-for-profitdtheatresdindthedUniteddStatesdaredoftendsaiddtodattractdspectatorsdwhodaredprimarilyd
.
a. overd70dyearsdold
b. underd12dyearsdold
c. middledaged
d. adolescents
ANSWER: c
REFERENCES:d A-Head:dWhodIsdthedAudience?
6. ThedTheatredCommunicationdGroup,dInc.’sd“FreedNightdofdTheatre”dprogramdisddesigneddtodhelpdtheatresd .
a. getdstudentsdintodthedtheatre
b. providedticketsdtodpoordpeople
c. attractdnewdpotentialdaudiencedmembersdanddhelpdtheatresdbuilddtheirdaudiencedbase
d. reducedthednumberdofdmatineedperformances
ANSWER: c
REFERENCES:d A-Head:dWhodIsdthedAudience?
7. Somedtheatresdhaveddevelopeddexpansivedwebsitesdfordtoday’sdonlinedculturedtodprovidedinformation,doftendwithdan
emphasisdond content.
a. visual
b. textual
c. audio
d. Nonedofdthesedchoicesdisdcorrect.
ANSWER: a
REFERENCES:d A-Head:dWhodIsdthedAudience?
8. Developingdadcriticaldeyedfordtheatredcandbedvieweddasdinvolvingdwhichdthree-stepdprocess?
a. Understandingdthedcircumstancesdofdthedplay,dtalkingdtodothersdaboutdthedplay,dwritingdaboutdthedplay
b. Readingdreviewsdofdadproduction,dhavingdaddiscussiondwithdtheddramatist,dreadingdthedplay
c. Attendingdadstagingdofdthedplay,dtalkingdtodtheddirector,dtalkingdtodthedplaywright
d. Havingdthedexperiencedofdthedplay,danalyzingdthedexperience,danddthendcommunicatingdone’sdresponsedto
anotherdperson
ANSWER: d
REFERENCES:d A-Head:dThedAudiencedanddCriticaldPerspective
CengagedLearningdTesting,dPowereddbydCogner Paged2
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d d d d d d d d d
9. WhichdofdthedfollowingdisdNOTdadtypedofdcriticdmentioneddindChapterd2dofdThedEssentialdTheatre?
a. Bloggers
b. Newspaper
c. Tweeters
d. Television
ANSWER: c
REFERENCES:d A-Head:dThedAudiencedanddCriticaldPerspective
10. Whichdofdthedfollowingdisdonedofdthedcoredproblemsdfacingdthedcritic?
a. Understanding
b. Effectiveness
c. Ultimatedworth
d. Alldofdthesedchoicesdaredcorrect.
ANSWER: d
REFERENCES:d A-Head:dThedAudiencedanddCriticaldPerspective
11. WhichdofdthesedisdNOTdtypicallydconsidereddonedofdthedbasicdquestionsdthedcriticdneedsdtodanswer?
a. Whatdweredthedplaywright,ddirector,danddotherdtheatredartistsdtryingdtoddo?
b. Howdwellddiddthedplaywright,ddirector,danddotherdtheatredartistsddodwhatdtheydweredtryingdtoddo?
c. Howdvaluabledwasdthedexperience?
d. Isdthedexperiencedofdthedplaydworthdthedcostdofdthedticket?
ANSWER: d
REFERENCES:d A-Head:dThedAudiencedanddCriticaldPerspective
12. Theredaredmanydadditionaldquestionsdthatdandinformeddanddperceptivedreviewerdcandaskdofdthedexperiencedofdatten
dingdadproduction.dWhichdchoicedbelowdrepresentsdonedofdthesedadditionaldquestionsdlisteddindThedEssentialdTheat
re?
a. Shoulddothersdseedthedplay?dWhy?
b. Diddthedplaywrightddeservedtodhavedthedinvestmentdindthisdproductiondofdthedplay?
c. Diddthedactorsdremaindtruedtodthedintentdofdthedplaywright?
d. Diddtheddirectordremaindtruedtodthedintentdofdthedplaywright?
ANSWER: a
REFERENCES:d A-Head:dThedBasicdProblemsdofdCriticism
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d d d d d d d d d
1. Thedminddanddimaginationdofdthedspectatordisdwheredthedfinaldstepdindthed d processdindtheatredoccurs.
a. imaginative
b. critical
c. creative
d. artistic
ANSWER: c
REFERENCES:d A-Head:dIntroductiondtodChapterd2
2. Theatredrequiresdmored betweendtheddirectordanddthedaudiencedthanddoesdfilm.
a. engagement
b. discussion
c. interaction
d. collaboration
ANSWER: d
REFERENCES:d A-Head:dExperiencingdadPerformance
3. Becausedadtheatricaldperformancedisda(n)d
event,dconditionsdsurroundingdandddefiningditdplaydadroledi
ndhowdthedaudiencedresponds.
a. artistic
b. collaborative
c. entertaining
d. social
ANSWER: d
REFERENCES:d A-Head:dExperiencingdadPerformance
4. ThedtypicaldaudiencedmemberdofdadBroadwaydplaydisdfromdthed dclass.
a. well-to-dodmiddle
b. working
c. drama
d. lower
ANSWER: a
REFERENCES:d A-Head:dWhodIsdthedAudience?
CengagedLearningdTesting,dPowereddbydCogner Paged1
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mynursytest.store
,DOWNLOAD THE Test Bank for Essential Theatre 11th Edition Brockett
d d d d d d d d d
5. Mostdnot-for-profitdtheatresdindthedUniteddStatesdaredoftendsaiddtodattractdspectatorsdwhodaredprimarilyd
.
a. overd70dyearsdold
b. underd12dyearsdold
c. middledaged
d. adolescents
ANSWER: c
REFERENCES:d A-Head:dWhodIsdthedAudience?
6. ThedTheatredCommunicationdGroup,dInc.’sd“FreedNightdofdTheatre”dprogramdisddesigneddtodhelpdtheatresd .
a. getdstudentsdintodthedtheatre
b. providedticketsdtodpoordpeople
c. attractdnewdpotentialdaudiencedmembersdanddhelpdtheatresdbuilddtheirdaudiencedbase
d. reducedthednumberdofdmatineedperformances
ANSWER: c
REFERENCES:d A-Head:dWhodIsdthedAudience?
7. Somedtheatresdhaveddevelopeddexpansivedwebsitesdfordtoday’sdonlinedculturedtodprovidedinformation,doftendwithdan
emphasisdond content.
a. visual
b. textual
c. audio
d. Nonedofdthesedchoicesdisdcorrect.
ANSWER: a
REFERENCES:d A-Head:dWhodIsdthedAudience?
8. Developingdadcriticaldeyedfordtheatredcandbedvieweddasdinvolvingdwhichdthree-stepdprocess?
a. Understandingdthedcircumstancesdofdthedplay,dtalkingdtodothersdaboutdthedplay,dwritingdaboutdthedplay
b. Readingdreviewsdofdadproduction,dhavingdaddiscussiondwithdtheddramatist,dreadingdthedplay
c. Attendingdadstagingdofdthedplay,dtalkingdtodtheddirector,dtalkingdtodthedplaywright
d. Havingdthedexperiencedofdthedplay,danalyzingdthedexperience,danddthendcommunicatingdone’sdresponsedto
anotherdperson
ANSWER: d
REFERENCES:d A-Head:dThedAudiencedanddCriticaldPerspective
CengagedLearningdTesting,dPowereddbydCogner Paged2
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d d d d d d d d d
9. WhichdofdthedfollowingdisdNOTdadtypedofdcriticdmentioneddindChapterd2dofdThedEssentialdTheatre?
a. Bloggers
b. Newspaper
c. Tweeters
d. Television
ANSWER: c
REFERENCES:d A-Head:dThedAudiencedanddCriticaldPerspective
10. Whichdofdthedfollowingdisdonedofdthedcoredproblemsdfacingdthedcritic?
a. Understanding
b. Effectiveness
c. Ultimatedworth
d. Alldofdthesedchoicesdaredcorrect.
ANSWER: d
REFERENCES:d A-Head:dThedAudiencedanddCriticaldPerspective
11. WhichdofdthesedisdNOTdtypicallydconsidereddonedofdthedbasicdquestionsdthedcriticdneedsdtodanswer?
a. Whatdweredthedplaywright,ddirector,danddotherdtheatredartistsdtryingdtoddo?
b. Howdwellddiddthedplaywright,ddirector,danddotherdtheatredartistsddodwhatdtheydweredtryingdtoddo?
c. Howdvaluabledwasdthedexperience?
d. Isdthedexperiencedofdthedplaydworthdthedcostdofdthedticket?
ANSWER: d
REFERENCES:d A-Head:dThedAudiencedanddCriticaldPerspective
12. Theredaredmanydadditionaldquestionsdthatdandinformeddanddperceptivedreviewerdcandaskdofdthedexperiencedofdatten
dingdadproduction.dWhichdchoicedbelowdrepresentsdonedofdthesedadditionaldquestionsdlisteddindThedEssentialdTheat
re?
a. Shoulddothersdseedthedplay?dWhy?
b. Diddthedplaywrightddeservedtodhavedthedinvestmentdindthisdproductiondofdthedplay?
c. Diddthedactorsdremaindtruedtodthedintentdofdthedplaywright?
d. Diddtheddirectordremaindtruedtodthedintentdofdthedplaywright?
ANSWER: a
REFERENCES:d A-Head:dThedBasicdProblemsdofdCriticism
CengagedLearningdTesting,dPowereddbydCogner Paged3
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