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Summary of all lectures, seminars, presentations and terms for the course: Introduction to the Archaeology of classical antiquity

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Summary of all lectures, seminars, presentations and terms for the course: Introduction to the Archaeology of classical antiquity!

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Hoorcollege 1: What is Classical?
General use:
●​ Ageless
●​ Model for later generations (time-tested)
●​ Refined
History:
●​ Generally: “Classical Antiquity”
●​ Specifically: “The Classical period in Greece” (480-323 BC)
Art History:
●​ Naturalism
●​ Controlled and superior (“Olympian”)
●​ Emotionally balanced (negative: devoid of emotion)


Classis (Latin)
●​ The census class division of Roman citizens (also: highest of these classes)
‘Classical’
●​ Term appears in mid-18th c.
●​ Circulated widely by J.W. von Goethe and his contemporaries ca. 1800 to speak of
“classical antiquity” and the classical age in Athens in particular.


Left: The Calf-bearer (Moschophoros)
Ca. 560, Athenian Acropolis




Right: Kritios Boy
-​ 490-480 (Persian Wars)
-​ Hair
-​ Counter poise stance
(contrapposto)
-​ “Ethos”--> character, sense of an
inner life

,Classical Period
●​ Ca. 490-480 BCE (Persian Wars) to ca. 323 BCE (death of Alexander the Great)
●​ (Emotionally) balance​​ ​ ​ ​ The Spear-bearer (Doryphoros)
●​ Rhythm
●​ Order
●​ Controlled and superior (“Olympian”)
●​ Naturalism

The first humanist:
Protagoras from Abdera


”In each case there are two
opposite views”

ca. 490-420 BC




Minoans




-​middle bronze age→ marine style
-​2100-1600 BCE
-​Palaces in Crete→ they were powerhubs, centers of redistribution. Linear A
-​Pithos: large storage container
-​Crete: many references to Bulls (fresco, rhyton)
-​Lost influence about 1600: buildings collapsed because of earthquakes and mainland
invaders.
Mycenaeans:
-​ take over aspects from Minoans

, -​ 1600-1050
-​ conquest of Minoan Crete in 1450 BCE
-​ palaces on the mainland
-​ linear B
-​ burial culture: burial mounts and tholos (beehive) after 1450.




-​ king was the ruler of the religion
-​ figurines were found
-​ pottery: at first like Minoan sea creatures, then more geometric, more abstract, but
warrior scenes as well.




The end of the Bronze Age
●​ Mass migration. Most of these kingdoms collapsed
●​ Hittites in Anatolia--> Ugarit harbor town. Destroyed by the Sea people.
●​ Migration of the Sea Peoples--> 1210 Mycenae and then clockwise until 1177 in the Nile
delta.
●​ New type of small ship causes the migration.

, Hoorcollege 2a: the Early Iron Age Period and Style




Early Iron Age
●​ Disappearance of palatial culture
●​ Warlords
●​ Limited architectural remains
●​ Limited utensils
●​ “Fluchtburgen” -> people move away from the coast
and live on relatively easily defendable hilltops
●​ Peak sanctuaries
●​ Burials → cremation
●​ Introduction of iron
○​ From Anatolia, via Cyprus
●​ Colonization of Asia Minor and Cyprus


Sub-Mycenaean
Ca. 1070-1025 BCE
Pottery: Minoan and Mycenaean
●​ Mycenaean Buttery employs shapes native to the mainlands, such as the stirrup jar,
the two handled drinking cup, and tall kylix (cup) , but was clearly influenced by
Minoan painted motives after the conquest of Knossos in 1450. Motives have
travelled but have also been adapted to differing tastes.
●​ Abstract ornament and horizontal bands, as well as highly stylized warriors, hunters,
and chariot scenes, are common on Mycenaean pottery.

Table of contents

  1. 01 Hoorcollege 1: What is Classical? 1
  2. 02 Classical Period 2
  3. 03 Minoans 2
  4. 04 Hoorcollege 2a: the Early Iron Age Period and Style 4
  5. 05 Early Iron Age 4
  6. 06 Sub-Mycenaean 4
    1. Pottery: Minoan and Mycenaean 4
  7. 07 Proto-Geometric 5
  8. 08 Lefkandi Centaur 5
  9. 09 Geometric 5
    1. Colonization 6
    2. Past and present: defining oneself 6
    3. The Greek sanctuary 6
  10. 10 Late Geometric 7
  11. 11 Hoorcollege 2b: The Early Iron Age and Cultural Developments 7
    1. Heroes 7
    2. Writing 7
    3. Early temples 7
  12. 12 Votive gifts 9
    1. Gifts to the gods 9
  13. 13 Hoorcollege 3a: Narrative in Archaic Greek art 10
  14. 14 Development of Greek Art 10
  15. 15 Exekias 10
    1. Attic pottery 11
    2. Patrons and pottery 11
  16. 16 The Vix-vase 11
  17. 17 Hoorcollege 3b: monumentality 12
    1. Egypt 12
  18. 18 Architecture 12
    1. The Peplos Kore 12
    2. Kore from Chios 12
  19. 19 Sculpture 12
    1. Monumental sculpture and aristocratic prestige: kourai and korai 12
  20. 20 Hoorcollege 4a: revolution 15
  21. 21 Revolution in Athens 15
  22. 22 508/7: Democracy 15
  23. 23 Altar of the twelve gods 15
  24. 24 Agora 15
    1. Civic spaces and civic heroes in Athens 15
  25. 25 Ostracism 16
  26. 26 Stoa Basileios (Royal Stoa) 16
  27. 27 Treasury of the Athenians 16
  28. 28 Hoorcollege 4b: the Classical Moment 16
  29. 29 The Acropolis 16
    1. Classical Athens: The Akropolis 17
  30. 30 The Classical Style 17
    1. From the dynamic to the intellectual: a mid century revolution? 17
  31. 31 The “Riace” Bronzes 18
  32. 32 The Andokides painter 18
  33. 33 The Berlin Painter 18
  34. 34 Hoorcollege 5a: the Athenian Century 19
    1. Impact of Peloponnesian War 19
  35. 35 Pericles 19
  36. 36 Theatre of Dionysus 20
    1. The theater 20
  37. 37 Hoorcollege 5b: the Periclean Building Program 20
  38. 38 Pheidias and the Periclean Building Program (447-406) 20
  39. 39 The Great Temple of Athena (also Hekatompedon, later Parthenon) 20
    1. Parthenon 21
    2. Ground plan 23
    3. Optical Effects 23
    4. Pediment (triangular gable) 23
    5. Frieze 23
  40. 40 Temple of Apollo Epikourios 24
  41. 41 Hoorcollege 6a: Philip II and the Rise of Macedon 24
  42. 42 Greeks and Macedonians 24
  43. 43 Healing cult 24
    1. Human and divine 24
  44. 44 Late Classical Sculpture 25
  45. 45 Praxiteles 25
    1. Intimacy and awe 25
    2. Copies of Greek sculpture 26
  46. 46 Development of Greek Art 27
  47. 47 Hoorcollege 6b: the Age of Alexander 27
  48. 48 Alexander the Great 27
  49. 49 Alexander 27
    1. Alexander 27
  50. 50 Alexander Tetradrachm 28
  51. 51 Painting 28
  52. 52 Mosaics 28
  53. 53 Stag Hunt 28
  54. 54 Portraits 28
  55. 55 Lysippos 29
    1. The nude body: toil and care 29
  56. 56 “Farnese” Hercules 30
  57. 57 Satyr and baby Dionysos 30
  58. 58 Hoorcollege 7a: Hellenism and Monarchy 30
  59. 59 The Pharos of Alexandria 30
  60. 60 The Colossus of Rhodes 30
  61. 61 Tyche 30
  62. 62 Hoorcollege 7b: Artistic trends in the Hellenistic age 31
  63. 63 Three-dimensional sculpture 31
  64. 64 Farnese Bull 31
  65. 65 Hellenism as a melting-pot culture 31
  66. 66 Absurdism and voyeurism 31
  67. 67 Hermaphrodite 32
  68. 68 Monument of Aemilius Paullus 32
  69. 69 Altar of Domitius Ahenobarbus 32
    1. Census 32
    2. Sacrifice to Mars 33
    3. Full relief 34
  70. 70 Individualism and Idealism 34
  71. 71 Fayum Portraits 34
  72. 72 Verism 34
  73. 73 Development of Greek Art 35
  74. 74 Summary seminars 36
  75. 75 Archaeology: Definition 36
  76. 76 Methods of archaeology 36
  77. 77 Archaeological terms with regards to relative dating 36
  78. 78 Classical archaeology 36
    1. Methods (selection) 37
  79. 79 Archaeological theory: A very brief introduction 37
    1. Both method and theory are part of ‘methodology’ 37
    2. Why do we need theory? 37
  80. 80 1) Culture-historical archaeology 37
  81. 81 2) Processual archaeology 37
  82. 82 3) Post-processual archaeology 37
  83. 83 4) Archaeological theory today 38
  84. 84 Tijdlijn ontwikkeling pottery 38
  85. 85 Bronze Age 38
    1. Early bronze age (3100-2100 BC) 38
    2. Middle bronze age (2100-1600 BC) 38
    3. Late bronze age (1600-1070 BC) 38
  86. 86 Early Iron Age (Dark Age) 38
    1. Submycenean (1070-1025 BC) 38
    2. Protogeometric (1025-900 BC) 38
    3. Early Geometric (900-850 BC) + Middle Geometric (850-760 BC) 39
    4. Late Geometric (760-700 BC) 39
  87. 87 Archaic 39
    1. Early Archaic/Orientalizing (700-600 BC) 39
    2. Middle Archaic (600-520 BC) 39
    3. Late Archaic (520-480 BC) 39
  88. 88 Classical (480-323 BC) 40
  89. 89 Timeline sculptures 40
  90. 90 Bronze Age (3100-1070 BC) 40
  91. 91 Early Iron Age (1070-700 BC) 40
  92. 92 Archaic (700-480 BC) 41
  93. 93 Classical (480-323 BC) 42
  94. 94 Hellenistic (323-31 BC) 44
    1. Hellenistic baroque style 44
  95. 95 Roman (31-) 44
  96. 96 Summary presentations 44
  97. 97 The Taureador Fresco 44
  98. 98 Troy: myth and reality 45
  99. 99 The identity of Korai 45
  100. 100 The Erechtheion 46
  101. 101 The Tomb of Philip II 46
  102. 102 The Alexander portrait on coinage 46
  103. 103 Ivory Rhytons of Nisa 47
  104. 104 The serpent column 47
  105. 105 Appendix of late additions because I cannot be fucked putting it all in the right place 47
  106. 106 Terms: 48

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Publisher: 09 februari 2015 ISBN: 9781139984805 Edition: Unknown

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