Modern
Post Theatre
Post-1994
The
Tshepong: Last
Testament
, ⑰
Modernism
->
despises classification, structure, truth
->
Subverts/challenges ideologies, beliefs,
-> creates multiple truths -> multiperspectives
↳ multiexploration
teristics
·
Deconstruction/subversion
3
-
breaking down the truth/idea In 'shepang'
and
putting itback
together >viewing of
s ex as a
loving thing
to form whole deconstruction blame
of
a new
meaning ->
Supermarketof styles
·
Ih'Tshepang'
combination of
styles
-
Realism
·
Epic theate
wine, bread, carvings
->
-
narration
·
Absurdism
->
existential situation
↳) two ostracised
characters wait
in a barren landscape
->
dep characters
Intertextuality
·
-reference to other
literatures
i.e the Bible
narratives
·
Rejection master
of
-> follows multiple stories
is
Ruth's, Simon's, Alfreds
·
Fragmentation
from the next
->
jumping one story to
↳ achronological structure
Simon jumps from to
i.e one
story
the next.
Post Theatre
Post-1994
The
Tshepong: Last
Testament
, ⑰
Modernism
->
despises classification, structure, truth
->
Subverts/challenges ideologies, beliefs,
-> creates multiple truths -> multiperspectives
↳ multiexploration
teristics
·
Deconstruction/subversion
3
-
breaking down the truth/idea In 'shepang'
and
putting itback
together >viewing of
s ex as a
loving thing
to form whole deconstruction blame
of
a new
meaning ->
Supermarketof styles
·
Ih'Tshepang'
combination of
styles
-
Realism
·
Epic theate
wine, bread, carvings
->
-
narration
·
Absurdism
->
existential situation
↳) two ostracised
characters wait
in a barren landscape
->
dep characters
Intertextuality
·
-reference to other
literatures
i.e the Bible
narratives
·
Rejection master
of
-> follows multiple stories
is
Ruth's, Simon's, Alfreds
·
Fragmentation
from the next
->
jumping one story to
↳ achronological structure
Simon jumps from to
i.e one
story
the next.
