CTVA 300 EXAM 1 & 2 Questions and Answers Latest Update .

CTVA 300 EXAM 1 & 2 Questions and
Answers Latest update 2026-2027
MatteI-ICORRECTIANSWERSI-widescreen,ItoIcreateI1.85:1
AnamorphicIlensI-ICORRECTIANSWERSI-
AIcameraIlensIthatIcompressesItheIhorizontalIaxisIofIanIimageIorIaIprojectorIlensIthatI"unsqu
eezes"IsuchIanIimageItoIproduceIaIwidescreenIimage.
FrameIwithinIaIframeI-ICORRECTIANSWERSI-
UsingIanIobjectIwithIaIframeIlikeIaIwindowIorIaIdoorItoIcreateIaIframedIimage
What'sItheIcompositionalIdifferenceIbetweenIaIclose-
upIinIaI1.33:1IframeIandIaIsameIsizedIclose-upIinIaIwidescreenIframe?I-
ICORRECTIANSWERSI-

widescreenIframeIconsistsIofI1.85:1IframeIinIaIcloseIupIandI1.33:1IinIaIwidescreen
WhatIwasItheIaspectIratioIofIyourIparents'IstandardInon-HDItelevision?I-
ICORRECTIANSWERSI-1.33:1

WhatIisItheIaspectIratioIofItheIviewfinderIinIaI35mmImotionIpictureIcamera?I-
ICORRECTIANSWERSI-1.33:1

WhatIisItheIaspectIratioIofItheI35mmIfilmInegativeIontoIwhichIanIanamorphicIimageIisIsquee
zed?I-ICORRECTIANSWERSI-1.33:1
WhatIareIsomeIofItheIfunctionsIofIsurfaceIdividers?IOfIaIframeIwithinIaIframe?I-
ICORRECTIANSWERSI-DrawIfocus,IchangeIframeIsize,IcontrastIshotItoIshot

CompositionI-ICORRECTIANSWERSI-
theIarrangementIofIobjects,Ishapes,Ipeople,IwhateverIinItheIframe
GeometricICenterI-ICORRECTIANSWERSI-centerIofIframe
CenteredIcompositionI-ICORRECTIANSWERSI-subjectIinItheIcenter
DecenteredIcompositionI-ICORRECTIANSWERSI-subjectIoff-center
ReframingI-ICORRECTIANSWERSI-movingItheIcameraIaroundItoIkeepItheIsubjectIinIfocus
DescribeIyourIreactionItoItheIcenteredIcompositionsIfoundIinIthisIunitI-
ICORRECTIANSWERSI-pleasingItoItheIeye,IbutIunnatural

WhatIareIsomeIofItheIfunctionsIofIcenteredIcompositionsIinIRushmore?I-
ICORRECTIANSWERSI-ToIcreateIorganizationIandIunifyItheIfilm

WhatIisItheIdifferenceIinIdynamismIbetweenIaIcenteredIandIaIdecenteredIimage?I-
ICORRECTIANSWERSI-

MoreItensionIandIenergyIisIfeltIinIaIdecenteredIimageIthanIinIaIcenteredIone
HowIaboutIanIextremelyIdecenteredIimage?I-ICORRECTIANSWERSI-moreItension
WhatIareIsomeIofItheIeffectsIofIreframingIonItheIvisualIdynamicsIofIaImovingIimage?I-
ICORRECTIANSWERSI-

toImakeIitIfeelIthatItheIsubjectIisIstillIcenteredIevenIthoughItheyIareImovingIaround.
WhatIdifferenceIwouldIthereIbeIbetweenIaIsceneIinIwhichIaIcharacterImovedIsignificantlyIinIf
rontIofIaIstaticIcameraIversusIthatIsameImovementIshotIwithIaIreframingIcamera?I-
ICORRECTIANSWERSI-theIsubjectIwouldIfeelIdecenteredIandImakeImoreItension.

BalancedIcompositionI-ICORRECTIANSWERSI-
BalancenedIaroundIaIcenter,IweightIisIequalIonIbothIsides

, UnbalancedIcompositionI-ICORRECTIANSWERSI-strongIweightItoIoneIside
ImpliedIBalanceI-ICORRECTIANSWERSI-
noIphysicalIobjectIinIframeIbutIweIknowIsomethingIisIthere
IsIaIbalancedIimageInecessarilyIcentered?IIsIaIcenteredIimageInecessarilyIbalanced?IWhy
?IOrIwhyInot?I-ICORRECTIANSWERSI-noIandIno,IitIdependsIonIwhereItheIweightIis
WhyIisItheIimageIofIDianeILaneIlookingIrightI(below)INOTIaIparticularlyIgoodIexampleIofIanIu
nbalancedIcomposition?I-ICORRECTIANSWERSI-
thereIisIimpliedIweightIbecauseIofIwhereIsheIisIlooking
What,IaccordingItoItheIunit,IisIaImovie?I-ICORRECTIANSWERSI-
aImovieIisIhowIitIisImade,InotItheIstory
WhatIdoesIBresson'sIAuIhazardIBalthazarIsuggestIaboutItheIroleIofIactingIinIanIaudience'sIe
ngagementIwithIaIfilm?I-ICORRECTIANSWERSI-
audiencesIimportIontoItheirIcharactersItheIemotionalIlivesItheyIthoughtIwouldIbeIappropriat
eIgivenItheIsituationsIthoseIcharactersIfindIthemselvesIin
DescribeILevIKuleshov'sIeditingIexperiments.IWhatIdoItheyIsuggestIaboutItheInatureIofIfilm
making?I-ICORRECTIANSWERSI-
theIaudienceImakesIassumptionsIandIconnectionsIbasedIonIjuxtaposedIimagesItoImakeIaIs
tory
WhatIisItheIdefaultIorientationIofIlineIinITheIOutsiders?I-ICORRECTIANSWERSI-
slightIdiagonal
HowIisIorientationIofIlineIusedItoIstructureITheIOutsiders?I-ICORRECTIANSWERSI-
createIdynamism,Itension,IvisualIenergy
HowIisIorientationIofIlineIusedItoIvaryItheIvisualIrhythmIinITheIOutsiders?I-
ICORRECTIANSWERSI-

shotsIinIDarrell'sIhomeIareIvertical,IandIonItheIcountrysideIthey'reIhorizontal
AtIwhatIpointsIdoIverticalIlinesIdominateItheIlinearIdesignIofITheIOutsiders?I-
ICORRECTIANSWERSI-Darrell'sIhome

WhatIis(are)ItheIfunction(s)IofIthoseIverticals?I-ICORRECTIANSWERSI-strongIauthoritative
AtIwhatIpointsIdoIhorizontalIlinesIdominateItheIlinearIdesignIofITheIOutsiders?I-
ICORRECTIANSWERSI-DuringIpeacefulItimesIorIdreamIsequences

WhatIis(are)ItheIfunction(s)IofIthoseIhorizontals?I-ICORRECTIANSWERSI-
toIshowItheIgoodItimes
NameIatIleastIfiveIwaysItheIfilmmakersIcreateItheIdiagonalIlinesIseenIinItheIimagesIreproduc
edIfromITheIOutsidersIinIthisIunit?I-ICORRECTIANSWERSI-
LinesIonIaIpaper,IlineIofIeyeIsight,IcantedIangle,IlayingIdiagonally,IheightIofItheIcharactersIhe
ads
WhatIisItheIdefaultIqualityIofIlineIinITheIOutsiders?I-ICORRECTIANSWERSI-
straightIdiagonals
HowIisIqualityIofIlineIusedIinITheIOutsiders?I-ICORRECTIANSWERSI-toIunifyItheIfilm
DescribeItheImanipulationIofIlineIinItheIsceneIinIwhichIPonyboyIdreamsIaboutIhisIparents.I-
ICORRECTIANSWERSI-

ShowsIhorizontalsItoIshowIaIpeacefulIhappyItimeIthenIchangesItoIdiagonalsIwhenItheIcarIge
tsIhitIbyIaItrainIthenIdiagonalsIagainIwhenIheIwakesIup.
How,IinIgeneral,IdoesIlineIfunctionIinITheIOutsiders?I-ICORRECTIANSWERSI-
CreateIunityIandIvisualIenergy,IandIdifferencesIinIthisIcreateIrhythm
NormalIangleI-ICORRECTIANSWERSI-cameraIisIlevel