3D Modeling & Animation A
Primer 1st Edition
ST
SOLUTIONS
UV
IA
MANUAL
_A
PP
Magesh Chandramouli
RO
────────────────────────────────────────────────────
Comprehensive Solutions Manual for
VE
Instructors and Students
D?
© Magesh Chandramouli. All rights reserved. Reproduction or distribution without
permission is prohibited.
?
© DreamsHub
, Solutions Manual for 3D Modeling & Animation: A Primer (1st Edition)
Magesh Chandramouli
ISBN: 9781498764919
ST
UNIT 1: PRODUCTION PIPELINE AND CONCEPTUAL
FOUNDATIONS
1. Production Pipeline and Pre-Production
2. Conceptual Foundations: Basic Building Blocks
UV
3. Ideation, Visual Expression, and Elements of Art
UNIT 2: MODELING TECHNIQUES AND APPROACHES
4. Modeling – Part I: Categories and Approaches
5. Modeling – Part II: Curve-Based and Other Modeling Techniques
IA
UNIT 3: ANIMATION PRINCIPLES AND PRACTICES
6. Animation – Part I: Brief History and Basics
_A
7. Animation – Part II: Animation Types
UNIT 4: CHARACTER DEVELOPMENT AND SCENE COMPLETION
8. Character: Design, Rigging, & Animation
9. Lighting
PP
10. Form, Composition, and Rendering
RO
VE
D?
?
© DreamsHub
, Solutions Manual for 3D Modeling &
Animation A Primer, 1e by Magesh
Chandramouli (All Chapters)
CHAPTER I
SOLUTIONS TO END OF CHAPTER QUESTIONS
ST
PART I
TRUE/FALSE
1. The first step in Pre-production involves working on the computer to create your
UV
model.
True False
Feedback: True. Modeling is the process of creating or recreating the physical form
of an object.
IA
2. A rendering can be thought of as a visually-narrated script.
True False
Feedback: A storyboard can be thought of as a visually-narrated script.
_A
3. In a typical feature film, the 1.5 or 2 hours of movie that you see in a theater have
actually been edited from a hundred thousand feet of film.
True False
Feedback: True. In a typical feature film, the 1.5 or 2 hours of movie that you see in
PP
a theater have actually been edited from a hundred thousand feet of film.
4. Digital animation and modeling today have borrowed immensely from the
traditional crafts such as opera, play, theater, puppetry, etc.
True False
RO
Feedback: True. Digital animation and modeling today have borrowed immensely
from the traditional crafts such as opera, play, theater, puppetry, etc.
5. The more detailed a storyboard, the clearer the communication.
True False
VE
Feedback: True. The more detailed a storyboard, the clearer the communication.
6. You do not need to be an artist to be good at storyboarding.
True False
Feedback: True. You do not need to be an artist to be good at storyboarding.
D?
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, 7. A storyboards consists of a sequence of static images displayed with a
simultaneous musical score or sound track.
True False
Feedback: False. An animatic consists of a sequence of static images displayed
with a simultaneous musical score or sound track.
8. An animatic, also known as a story reel, is also used to pitch an idea to a client.
True False
ST
Feedback: True. An animatic, also known as a story reel, is also used to pitch
an idea to a client.
9. The production pipeline represents the basic framework used to develop the
UV
animation.
True False
Feedback: True. The production pipeline represents the basic framework used
to develop the animation.
IA
10. According to SMART, at the very simplest form, an animation would typically
require a style, monitor, animation, rendering, and test reel.
True False
Feedback: False. According to SMART, at the very simplest form, an animation
_A
would typically require a story, model, animation, rendering, and tweak.
11. Normally, a long shot shows the face or the head of the character in clear view.
True False
Feedback: False. A close up shot shows the face or the head of the character in clear
PP
view
12. Camera Location refers to the angle or the direction in which the camera is
facing. True False
RO
Feedback: False. Camera orientation refers to the angle or the direction in which the
camera is facing.
13. Segment is the last step in the 5S breakdown
True False
VE
Feedback: False. Segment is the second step in the 5S breakdown.
14. Framing height (or camera framing) is the distance between the camera and
the character, and is actually more about how much of the character is viewed by
or shown to the audience.
D?
True False
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Primer 1st Edition
ST
SOLUTIONS
UV
IA
MANUAL
_A
PP
Magesh Chandramouli
RO
────────────────────────────────────────────────────
Comprehensive Solutions Manual for
VE
Instructors and Students
D?
© Magesh Chandramouli. All rights reserved. Reproduction or distribution without
permission is prohibited.
?
© DreamsHub
, Solutions Manual for 3D Modeling & Animation: A Primer (1st Edition)
Magesh Chandramouli
ISBN: 9781498764919
ST
UNIT 1: PRODUCTION PIPELINE AND CONCEPTUAL
FOUNDATIONS
1. Production Pipeline and Pre-Production
2. Conceptual Foundations: Basic Building Blocks
UV
3. Ideation, Visual Expression, and Elements of Art
UNIT 2: MODELING TECHNIQUES AND APPROACHES
4. Modeling – Part I: Categories and Approaches
5. Modeling – Part II: Curve-Based and Other Modeling Techniques
IA
UNIT 3: ANIMATION PRINCIPLES AND PRACTICES
6. Animation – Part I: Brief History and Basics
_A
7. Animation – Part II: Animation Types
UNIT 4: CHARACTER DEVELOPMENT AND SCENE COMPLETION
8. Character: Design, Rigging, & Animation
9. Lighting
PP
10. Form, Composition, and Rendering
RO
VE
D?
?
© DreamsHub
, Solutions Manual for 3D Modeling &
Animation A Primer, 1e by Magesh
Chandramouli (All Chapters)
CHAPTER I
SOLUTIONS TO END OF CHAPTER QUESTIONS
ST
PART I
TRUE/FALSE
1. The first step in Pre-production involves working on the computer to create your
UV
model.
True False
Feedback: True. Modeling is the process of creating or recreating the physical form
of an object.
IA
2. A rendering can be thought of as a visually-narrated script.
True False
Feedback: A storyboard can be thought of as a visually-narrated script.
_A
3. In a typical feature film, the 1.5 or 2 hours of movie that you see in a theater have
actually been edited from a hundred thousand feet of film.
True False
Feedback: True. In a typical feature film, the 1.5 or 2 hours of movie that you see in
PP
a theater have actually been edited from a hundred thousand feet of film.
4. Digital animation and modeling today have borrowed immensely from the
traditional crafts such as opera, play, theater, puppetry, etc.
True False
RO
Feedback: True. Digital animation and modeling today have borrowed immensely
from the traditional crafts such as opera, play, theater, puppetry, etc.
5. The more detailed a storyboard, the clearer the communication.
True False
VE
Feedback: True. The more detailed a storyboard, the clearer the communication.
6. You do not need to be an artist to be good at storyboarding.
True False
Feedback: True. You do not need to be an artist to be good at storyboarding.
D?
Page 1 of 8
?
Downloaded by: tutorsection | Want to earn $1.236
Distribution of this document is illegal extra per year?
, 7. A storyboards consists of a sequence of static images displayed with a
simultaneous musical score or sound track.
True False
Feedback: False. An animatic consists of a sequence of static images displayed
with a simultaneous musical score or sound track.
8. An animatic, also known as a story reel, is also used to pitch an idea to a client.
True False
ST
Feedback: True. An animatic, also known as a story reel, is also used to pitch
an idea to a client.
9. The production pipeline represents the basic framework used to develop the
UV
animation.
True False
Feedback: True. The production pipeline represents the basic framework used
to develop the animation.
IA
10. According to SMART, at the very simplest form, an animation would typically
require a style, monitor, animation, rendering, and test reel.
True False
Feedback: False. According to SMART, at the very simplest form, an animation
_A
would typically require a story, model, animation, rendering, and tweak.
11. Normally, a long shot shows the face or the head of the character in clear view.
True False
Feedback: False. A close up shot shows the face or the head of the character in clear
PP
view
12. Camera Location refers to the angle or the direction in which the camera is
facing. True False
RO
Feedback: False. Camera orientation refers to the angle or the direction in which the
camera is facing.
13. Segment is the last step in the 5S breakdown
True False
VE
Feedback: False. Segment is the second step in the 5S breakdown.
14. Framing height (or camera framing) is the distance between the camera and
the character, and is actually more about how much of the character is viewed by
or shown to the audience.
D?
True False
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?
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Distribution of this document is illegal extra per year?
