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PEARSON EDEXCEL LEVEL 3 GCE 8MT0/41 MUSIC TECHNOLOGY ADVANCED SUBSIDIARY COMPONENT 4: PRODUCING AND ANALYSING

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PEARSON EDEXCEL LEVEL 3 GCE 8MT0/41 MUSIC TECHNOLOGY ADVANCED SUBSIDIARY COMPONENT 4: PRODUCING AND ANALYSING

Institution
PEARSON EDEXCEL LEVEL 3 GCE 8MT0/41 MUSIC TECHNOLO
Course
PEARSON EDEXCEL LEVEL 3 GCE 8MT0/41 MUSIC TECHNOLO

Content preview

PEARSON EDEXCEL LEVEL 3 GCE 8MT0/41 MUSIC TECHNOLOGY
ADVANCED SUBSIDIARY COMPONENT 4: PRODUCING AND ANALYSING
Please check the examination details below before entering your candidate information
Candidate surname Other names


Centre Number Candidate Number




Pearson Edexcel Level 3 GCE
Friday 23 May 2025
8MT0/41
Morning (Time: 1 hour 45 minutes Paper
plus 10 minutes setting up time) reference

Music Technology 🟐 🟐


Advanced Subsidiary
COMPONENT 4: Producing and Analysing

You must have: Figure 1 for Question 6 (enclosed), 2025 Pearson Total Marks
audio/MIDI files, headphones or monitor speakers, digital audio
workstation (DAW) and MIDI keyboard.




Setting up time
Open a new project in your DAW using 16 bit/44.1 kHz sample rate.

• candidate number’ (e.g. comp4_1234) in the folder
••
Save the project
designated as ‘comp4_your
by your centre.
Set the metronome to 150 bpm.

• Import ‘bass.wav’ to a new track in your DAW, aligned with the beginning of bar 1.
Ensure that the bass is audible and begins at beat 1 of bar 2. Ensure the bass plays in time with the

•Instructions
metronome
You must notduring
openthethefirst
paper4 bars.
until instructed to do so by the invigilator.


•• Use black ink or ball-point pen.

••
Fill in the boxes at the top of this page with your name, centre number and candidate number.
Answer all questions.
Answer the questions in the spaces provided


••
– there may be more space than you need.
Save your audio files for Questions 2, 3, 4 and 5 within the 1 hour 45 minutes examination time.

••
You must ensure that the left and right earpieces of your headphones are worn correctly.
Access to a calculator or calculator software is not permitted.
Access to the internet or local network is not permitted.
Information
•• The total mark for this paper is 84.
The marks for each question are shown in brackets
– use this as a guide as to how much time to spend on each question.



Advice
Read each question carefully before you start to answer it.
•• Try to answer every question.
Check your answers if you have time at the end.
Turn over


P73008A
©2025 Pearson Education Ltd.
Y:1/1/1/1

, SECTION A
Answer ALL questions. Write your answers in the spaces provided.




DO NOT WRITE IN THIS AREA
Some questions must be answered with a cross in a box . If you change your mind about an
answer, put a line through the box and then mark your new answer with a cross .

Question 1 is about the bass part.
1 (a) (i) The bass is a combination of picked electric bass and a synth sound.

Identify the synth sound used.
(1)
A Detuned sawtooth

B Sine sub bass
C Square wave

D Wobble bass
(ii) Complete the following sentence by selecting the two most appropriate




DO NOT WRITE IN THIS AREA
terms.
(2)
Many plug-in instruments use ....................................... to imitate

acoustic instruments. Synthesiser plug-ins are often modelled on classic

................................................................................ synthesisers from the 1970s.

analogue compressors condensers

cut-off microphone samples

(b) State three advantages of using MIDI bass.
(3)

1 . . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . . . . .................
DO NOT WRITE IN THIS AREA

2 . . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . . . .. . .. . .. . .. . .. . .. . . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . .................



3 . . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . .................




2
■■■■

, (c) The table below shows the grid editor for the bass part in bar 14.

Position MIDI channel Note Velocity Length
DO NOT WRITE IN THIS AREA




14 1 1 1 16 A1 127 001 0

14 1 3 1 16 A1 87 001 0

14 2 1 1 16 A1 87 001 0

14 2 3 1 16 A1 87 001 0

14 3 1 1 16 A1 127 001 0

14 3 3 1 16 A1 87 001 0

14 4 1 1 16 A1 87 001 0

14 4 3 1 16 A1 87 001 0
DO NOT WRITE IN THIS AREA




(i) State the editing technique used to give the note positions shown.
(1)

. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . ......................


(ii) Explain why the velocity values have been chosen.
(2)

. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . ......................



. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . . . . .. . .. . .. . .. . .. . .. . .. . .. . . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. .. . . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . .. . . ......................



(Total for Question 1 = 9 marks)
DO NOT WRITE IN THIS AREA




3
■■■■ Turn over

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Institution
PEARSON EDEXCEL LEVEL 3 GCE 8MT0/41 MUSIC TECHNOLO
Course
PEARSON EDEXCEL LEVEL 3 GCE 8MT0/41 MUSIC TECHNOLO

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Uploaded on
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Number of pages
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Written in
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Type
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