Raphael Special Topics 397
Self Portrait ca. 1506. Oils on panel. Florence Periods.
Done in Florence after being introduced by DaVinci. Implementation of moveme
the Duke of Urbino portrait, as a message, a point of bonding, friendship, and loy
Duke's friend". Male bonding.
La Donna Velata 1515 Oil on Canvas, Rome Period
The Mond Crucifixion, 1503, Oil on Panel
Raphael's first signed work. Simplified influence from Perugino. Cutting out extr
bombardment to focus on a singular idea: Jesus's death on Good Friday. For the
chapel. m
The Marriage of the Virgin, 1504, Oil on Panel
The Baglioni Entombment of Christ, 1507, Oil on Panel
Part of an alterpiece. Included a predella featuring the image Faith Hope and Cha
the Church of S. Francesco al Prato in Perugia
, An allegory vision of a knight 1504 oil on panel
It could be part of a set with the Three Graces. Looks French and courtly compa
classicism of three graces. Hue oriented. Accommodating an interest in life studie
Building forms with the color.
The Three Graces, 1504, Oil on Panel
Raphael's exploration of the female nude figure, fashionable and popular subject.
on what to do with color through Perugino. Moving into a type of tonal painting
contrasts of hue. Color theory focus, using color beyond what is descriptive but i
intellectual. Ultra classical
Predella
the painted or sculpted lower portion of an altarpiece that relates to the subjects
portion
object d'art
Item of artistic value
Central Plan Church
a church focused around a central on a central point, usually utilizing a square or
Leda and The Swan (after Leonardo da Vinci) 2nd Version
1506. Oil on panel. Influenced after da Vinci's version. However, in Raphael's ver
Self Portrait ca. 1506. Oils on panel. Florence Periods.
Done in Florence after being introduced by DaVinci. Implementation of moveme
the Duke of Urbino portrait, as a message, a point of bonding, friendship, and loy
Duke's friend". Male bonding.
La Donna Velata 1515 Oil on Canvas, Rome Period
The Mond Crucifixion, 1503, Oil on Panel
Raphael's first signed work. Simplified influence from Perugino. Cutting out extr
bombardment to focus on a singular idea: Jesus's death on Good Friday. For the
chapel. m
The Marriage of the Virgin, 1504, Oil on Panel
The Baglioni Entombment of Christ, 1507, Oil on Panel
Part of an alterpiece. Included a predella featuring the image Faith Hope and Cha
the Church of S. Francesco al Prato in Perugia
, An allegory vision of a knight 1504 oil on panel
It could be part of a set with the Three Graces. Looks French and courtly compa
classicism of three graces. Hue oriented. Accommodating an interest in life studie
Building forms with the color.
The Three Graces, 1504, Oil on Panel
Raphael's exploration of the female nude figure, fashionable and popular subject.
on what to do with color through Perugino. Moving into a type of tonal painting
contrasts of hue. Color theory focus, using color beyond what is descriptive but i
intellectual. Ultra classical
Predella
the painted or sculpted lower portion of an altarpiece that relates to the subjects
portion
object d'art
Item of artistic value
Central Plan Church
a church focused around a central on a central point, usually utilizing a square or
Leda and The Swan (after Leonardo da Vinci) 2nd Version
1506. Oil on panel. Influenced after da Vinci's version. However, in Raphael's ver
