2024 Materials and Techniques of Post-Tonal Music by Stephen Kostka, chapters 1-8 EXAM 92 QUESTIONS AND ANSWERS

2024 Materials and Techniques of Post-Tonal Music by Stephen Kostka, chapters 1-8 EXAM 92 QUESTIONS AND ANSWERS / 2024 Materials and Techniques of Post Tonal Music 5th Edition Kostka Solutions Manual C1 cycle - ANSWER-0 1 2 3 4 5 6 7 8 9 10 11 (chromatic scale) C4 cycle - ANSWER-0 4 8 or 1 5 9 (augmented triad) C3 cycle - ANSWER-0 3 6 9 or 1 4 7 10 (fully diminished seventh chord) post-tonal - ANSWER-music that does not follow the traditional conventions of tonal harmony chromatic mediant relationship - ANSWER-when two triads or chords are of the same quality and their roots are a major third or minor third apart pitch class - ANSWER-any of the 12 notes of the equal-tempered scale regardless of spelling or octave placement double chromatic mediant relationship - ANSWER-third related triads or chords of opposite quality and sharing no pitch classes asymmetric meter - ANSWER-using odd numbers like 5 and 7 on the top complex meter - ANSWER-transforming a traditional time signature by using a nonstandard metric accent fractional time signatures - ANSWER-the top number is a fraction additive rhythm - ANSWER-a short note value remains constant but is used in groups of unpredictably varying lengths tritone relationships - ANSWER-root movement between tritones real sequence - ANSWER-a sequence in which the pattern is transposed exactly brief tonicizations - ANSWER-a new root exists for a short period without modulating suspended tonality - ANSWER-passages that are tonally ambiguous non-functional chord successions - ANSWER-chords that do nothing to help establish the key voice-leading chords - ANSWER-goal-directed motion in individual voices rather than an attempt to express some traditional harmonic progression unresolved dissonances - ANSWER-often the juxtaposition of apparently independent musical ideas with no attempt to put them into a traditional context