Written by students who passed Immediately available after payment Read online or as PDF Wrong document? Swap it for free 4.6 TrustPilot
logo-home
Other

TFM 160 UNIT 1 STUDY GUIDE

Rating
-
Sold
-
Pages
5
Uploaded on
17-03-2026
Written in
2025/2026

TFM 160 UNIT 1 STUDY GUIDE

Institution
TFM 160
Course
TFM 160

Content preview

TFM 160 UNIT 1 STUDY GUIDE

implicit meaning - Answers -lies below the surface of a movie's story, is closest to our
everyday sense of the words meaning

Explicit meaning - Answers -The above surface of a movie, association, connection, or
inference that a view makes on the basis of the explicit meanings available on the
surface

How is implicit and explicit like onions and ogre - Answers -Onions have multiple
layers. Ogers are like onions because they have somemting below the surface

How can implicit and explicit meaning apply to Juno - Answers -The "implicit meaning"
of Juno could be a teenage girl faced with a difficult decision, and makes a step towards
adult hood.

Formal Analysis - Answers -dissects the complex cinematography, sound, composition,
design, movement, performance, and editing orchestrated by creative directors to
understand how to story, mood, and meaning was convaed

Cinematic language - Answers --The visual (and oral) vocabulary
-composed of myriad integrated techniques and concepts
-Connects the viewer to the story

Form - Answers -means by which the subject is expressed and experienced (How it is
presented)

Alternate approaches to analysis - Answers -exposes the implicit and hidden meaning
that inform our understanding of the cinematic function with popular culture as well as
the influences on popular cultural movies

Why is cinematic language "invisible" - Answers -early filmmakers created a cinematic
language that draws upon the way we interpret visual information in our real lives.
Allowing the audience pick up on things without the director saying anything. (In Juno
there are many shots from the bottom to show Juno as triumphant

Shot - Answers -an uninterrupted run of the camera. A shot can be as short or long as
the director wants, it can not exceed the length of the film stock in the camera

cut - Answers -A direct change from one shot to another, as a result of cutting

Editing - Answers -the process by which the editor combines and coordinates individual
shots into a cinematic whole.

close-up - Answers -a shot that shows a part of the body fully in frame

, fade in/fade out - Answers -a transitional device where a shot fades in out from a black
field or from a color film

low angle shot - Answers -made with the camera below the action, normally places the
subject in a position of importance

cutting action - Answers -connecting one shot to the next

protagonist - Answers -The primary character whose pursuit of the goal provides the
structural foundation of a movies story

motif - Answers -a recurring visual, sound, or narrative element that impacts meaning
and significance (In Juno it would be the group of boys running or the chair)

theme - Answers -a shared public idea, like a metaphor,

what is the difference between form and content - Answers -Content: the subject of an
artwork
Form: the means by which the subject is expressed

how do movies use patterns to convey meanings - Answers -movies use patterns to
confuse the audience and lead them in one direction and then change the storyline and
leave them unprepared

parallel editing - Answers -technique that makes different lines of action appear to be
occurring simultaneously. HAs the effect to create and set the mood.

What are the three fundamental principles of film form? - Answers --movies depends on
light
-movies provide an illustration of movement
- movies manipulate space and time in a unique way (done by the power of editing)

how do movies manipulate space - Answers -movies manipulate time by doing slow
motion or extream compression of vast swaths of time.

realism - Answers -an insert in or concern for the actual or real

anti realism - Answers -an interest in or concern for the abstract, speculative, or
fantistic

verisimilitude - Answers -a convincing appearance of truth

persistence of vision - Answers -the process by which the human brain retains an
image for a fraction of a second longer than the eye records it

Written for

Institution
TFM 160
Course
TFM 160

Document information

Uploaded on
March 17, 2026
Number of pages
5
Written in
2025/2026
Type
OTHER
Person
Unknown

Subjects

$12.99
Get access to the full document:

Wrong document? Swap it for free Within 14 days of purchase and before downloading, you can choose a different document. You can simply spend the amount again.
Written by students who passed
Immediately available after payment
Read online or as PDF

Get to know the seller

Seller avatar
Reputation scores are based on the amount of documents a seller has sold for a fee and the reviews they have received for those documents. There are three levels: Bronze, Silver and Gold. The better the reputation, the more your can rely on the quality of the sellers work.
Greaterheights Birkbeck, University of London
View profile
Follow You need to be logged in order to follow users or courses
Sold
1143
Member since
4 year
Number of followers
882
Documents
19599
Last sold
4 days ago

4.0

221 reviews

5
121
4
43
3
24
2
11
1
22

Trending documents

Recently viewed by you

Why students choose Stuvia

Created by fellow students, verified by reviews

Quality you can trust: written by students who passed their tests and reviewed by others who've used these notes.

Didn't get what you expected? Choose another document

No worries! You can instantly pick a different document that better fits what you're looking for.

Pay as you like, start learning right away

No subscription, no commitments. Pay the way you're used to via credit card and download your PDF document instantly.

Student with book image

“Bought, downloaded, and aced it. It really can be that simple.”

Alisha Student

Frequently asked questions