FILM 5 EXAM QUESTIONS ANSWERED CORRECTLY LATEST UPDATE 2026
Design - Answers The process by which the look of the settings, props, lighting, and actors is
determined. Set design, decor, prop selection, lighting setup, costuming, makeup, and hairstyle design
all play a role in shaping the overall design.
Production Designer - Answers A person who works closely with the director, art director, and
director of photography in visualizing the movie that will appear on the screen. The production
designer is both an artist and an executive and is responsible for the overall design concept (the look
of the movie—its individual sets, locations, furnishings, props, and costumes) and for supervising the
heads of the many departments (art, costume design and construction, hairstyling, makeup,
wardrobe, location, and so on) that create that look.
Setting - Answers The time and space in which a story takes place.
On Location - Answers Shooting in an actual interior or exterior location away from the studio.
Decor - Answers The color and textures of the interior decoration, furniture, draperies, and curtains.
Properties - Answers Also known as props. Any object handled by actors on-screen.
Props - Answers Also known as properties. Any object handled by actors on-screen.
Set Dressing - Answers Objects and applications used to create the look of the environment in which
the filmed action takes place. Set dressing may include curtains, paint, carpets, and any object visible
in the area, such as furniture, books, knickknacks, and other objects or decorations.
Prop Master - Answers The member of the production design crew responsible for selecting and
maintaining props and for ensuring that props are properly prepared and placed prior to shooting.
Set Decorator - Answers A person in charge of the countless details that go into furnishing and
decorating a set.
Costume - Answers The clothing worn by an actor in a movie; sometimes called wardrobe.
Prosthetics - Answers Synthetic materials attached to an actor's face or body to change the actor's
appearance.
Makeup Artist - Answers A person responsible for using makeup to enhance or alter an actor's
appearance.
Motion Capture - Answers Also known as mocap, motion tracking, or performance capture. A process
in which the movements of objects or actors dressed in special suits are recorded as data that
computers subsequently use to render the motion of CGI characters on-screen.
Storyboard - Answers A shot-by-shot breakdown that combines sketches or photographs of how each
shot is to look and written descriptions of the other elements that are to go with each shot, including
dialogue, sound, and music.
Hard Light - Answers Light that shines directly on the subject.
Soft Light - Answers Light that is scattered or diffused so that it does not follow a direct path between
the light source and the subject.
Lighting Ratio - Answers The relationship and balance between illumination and shadow—the balance
between key light and fill light. If the ratio is high, shadows are deep, and the result is called low-key
lighting. If the ratio is low, shadows are faint or nonexistent and illumination is even, and the result is
called high-key lighting.
Three-point-system - Answers Also known as three point lighting. Perhaps the best-known lighting
convention in feature filmmaking, a system that uses three sources of light—key light, fill light, and
backlight—each aimed from a different direction and position in relation to the subject. The three-
point system allows filmmakers to control the ratio between illumination and shadow.
Key Light - Answers The primary source of illumination in a shot. Positioned to one side of the camera,
it creates deep shadows, which are modified by the fill light.
Fill Light - Answers Lighting, positioned at the opposite side of the camera from the key light, that can
fill in the shadows created by the brighter key light. Fill light may also come from a reflector board.
Backlight - Answers Also known as rim light. Lighting positioned behind the subject and the camera,
used to create highlights on the subject as a means of separating it from the background. When the
subject is positioned directly between the backlight and the camera, the subject is thrown into
silhouette. Using shadows to eliminate recognizable surface detail abstracts the character, which can
make him or her (or it) more frightening or impressive, depending on the context of the story at that
moment.
Low key lighting - Answers Lighting that creates strong contrasts; sharp dark shadows, and an overall
gloomy atmosphere.
Design - Answers The process by which the look of the settings, props, lighting, and actors is
determined. Set design, decor, prop selection, lighting setup, costuming, makeup, and hairstyle design
all play a role in shaping the overall design.
Production Designer - Answers A person who works closely with the director, art director, and
director of photography in visualizing the movie that will appear on the screen. The production
designer is both an artist and an executive and is responsible for the overall design concept (the look
of the movie—its individual sets, locations, furnishings, props, and costumes) and for supervising the
heads of the many departments (art, costume design and construction, hairstyling, makeup,
wardrobe, location, and so on) that create that look.
Setting - Answers The time and space in which a story takes place.
On Location - Answers Shooting in an actual interior or exterior location away from the studio.
Decor - Answers The color and textures of the interior decoration, furniture, draperies, and curtains.
Properties - Answers Also known as props. Any object handled by actors on-screen.
Props - Answers Also known as properties. Any object handled by actors on-screen.
Set Dressing - Answers Objects and applications used to create the look of the environment in which
the filmed action takes place. Set dressing may include curtains, paint, carpets, and any object visible
in the area, such as furniture, books, knickknacks, and other objects or decorations.
Prop Master - Answers The member of the production design crew responsible for selecting and
maintaining props and for ensuring that props are properly prepared and placed prior to shooting.
Set Decorator - Answers A person in charge of the countless details that go into furnishing and
decorating a set.
Costume - Answers The clothing worn by an actor in a movie; sometimes called wardrobe.
Prosthetics - Answers Synthetic materials attached to an actor's face or body to change the actor's
appearance.
Makeup Artist - Answers A person responsible for using makeup to enhance or alter an actor's
appearance.
Motion Capture - Answers Also known as mocap, motion tracking, or performance capture. A process
in which the movements of objects or actors dressed in special suits are recorded as data that
computers subsequently use to render the motion of CGI characters on-screen.
Storyboard - Answers A shot-by-shot breakdown that combines sketches or photographs of how each
shot is to look and written descriptions of the other elements that are to go with each shot, including
dialogue, sound, and music.
Hard Light - Answers Light that shines directly on the subject.
Soft Light - Answers Light that is scattered or diffused so that it does not follow a direct path between
the light source and the subject.
Lighting Ratio - Answers The relationship and balance between illumination and shadow—the balance
between key light and fill light. If the ratio is high, shadows are deep, and the result is called low-key
lighting. If the ratio is low, shadows are faint or nonexistent and illumination is even, and the result is
called high-key lighting.
Three-point-system - Answers Also known as three point lighting. Perhaps the best-known lighting
convention in feature filmmaking, a system that uses three sources of light—key light, fill light, and
backlight—each aimed from a different direction and position in relation to the subject. The three-
point system allows filmmakers to control the ratio between illumination and shadow.
Key Light - Answers The primary source of illumination in a shot. Positioned to one side of the camera,
it creates deep shadows, which are modified by the fill light.
Fill Light - Answers Lighting, positioned at the opposite side of the camera from the key light, that can
fill in the shadows created by the brighter key light. Fill light may also come from a reflector board.
Backlight - Answers Also known as rim light. Lighting positioned behind the subject and the camera,
used to create highlights on the subject as a means of separating it from the background. When the
subject is positioned directly between the backlight and the camera, the subject is thrown into
silhouette. Using shadows to eliminate recognizable surface detail abstracts the character, which can
make him or her (or it) more frightening or impressive, depending on the context of the story at that
moment.
Low key lighting - Answers Lighting that creates strong contrasts; sharp dark shadows, and an overall
gloomy atmosphere.
