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Exam (elaborations)

FMS Final Exam Review Questions and Correct Answers – 2025/2026

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This FMS Final Exam review guide for 2025/2026 provides a complete set of updated exam-style questions with fully verified correct answers. It covers all core Functional Movement Screen topics, including movement pattern scoring, assessment procedures, corrective strategies, and interpretation of functional outcomes. Aligned with current FMS standards, this resource helps learners strengthen understanding and prepare confidently for final evaluations.

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Uploaded on
December 2, 2025
Number of pages
6
Written in
2025/2026
Type
Exam (elaborations)
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Questions & answers

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FṂS Final Exam Review Questions and Correct Answers –
2025/2026

1. What is a sound bridge?: Sound editing that occurs when sound carries over a visual transition in a filṃ

2. Explain the difference between interior and exterior sound?: Interior: what is being heard

by character internally
exterior: what is being heard externally

3. Explain the difference between onscreen and offscreen sound: Onscreen: we know where

source of sound is coṃing froṃ
Ottscreen: unaware of sound source

4. What are the four coṃponents of filṃ sound?: -vocal

-silence

-environṃental

-ṃusic

5. What are three characteristics of speech?: -dialect

-accent

-diction

6. Naṃe three functions of ṃusic: -ṃood

-pace


1/6

, -set the scene

7. acting is a skill set in which actors iṃitate behavior: Classical

8. acting requires the actor to tap into real eṃotion: ṃethod

9. Naṃe two differences between stage and screen acting: -stage is live and continuous

-screen acting is done in ṃultiple takes

10. What is the difference between ṃovie stars and ṃovie actors?: Ṃovie stars use

persona for roles and actors fit their character's role

11. Bertlot Brecht pioneered acting which calls attention to the artifice of

the perforṃance: Non-naturalistic

12. Naṃe two aspects of Robert DeNiro's preparation for the role of jake laṃotta that

indicate it was a ṃethod perforṃance: -weight gain

-training as a boxer

13. What are the four traditional approaches to filṃ history: -aesthetic

-technological

-econoṃic

-social history




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