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COM 107 Exam 1 Questions and Verified Answers

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COM 107 Exam 1 Questions and Verified Answers

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Institution Communications

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COM 107 Exam 1 Questions and Verified Answers

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COM 107 Exam 1 Questions and
Verified Answers
CommunicationII-IICORRECTIIRESPONSEII-
TheIIprocessIIofIIcreatingIIsymbolIIsystemsIIthatIIconveyIIinformationIIandIImeaningII(forIIexampleIIlan
guage,IIfilm,IIcomputerIIcodes)
CultureII-IICORRECTIIRESPONSEII-
TheIIsymbolsIIofIIexpressionIIthatIIindividuals,IIgroups,IIandIIsocietiesIIuseIItoIImakeIIsenseIIofIIdailyIIlife
IIandIItoIIarticulateIItheirIIvalues;IIaIIprocessIIthatIIdeliversIItheIIvaluesIIofIIaIIsocietyIIthroughIIproductsII

orIIotherIImeaning-makingIIforms.
MassIIMediaII-IICORRECTIIRESPONSEII-TheIIculturalIIindustries-IItheIIchannelsIIofIIcommunication-
IIthatIIproduceIIandIIdistributeIIsongs,IInovels,IInews,IImovies,IIonlineIIcomputerIIservices,IIandIIotherII

culturalIIproductsIItoIIaIIlargeIInumberIIofIIpeople.
MassIICommunicationII-IICORRECTIIRESPONSEII-
TheIIprocessIIofIIdesigningIIandIIdeliveringIIculturalIImessagesIIandIIstoriesIItoIIdiverseIIaudiencesIIthr
oughIImediaIIchannelsIIasIIoldIIasIItheIIbookIIandIIasIInewIIasIItheIIInternet.
DigitalIICommunicationII-IICORRECTIIRESPONSEII-
Images,IItexts,IIandIIsoundsIIthatIIuseIIpulsesIIofIIelectricIIcurrentIIorIIflashesIIofIIlaserIIlightIIandIIareIIco
nvertedII(orIIencoded)IIintoIIelectronicIIsignalsIIrepresentedIIasIIvariedIIcombinationsIIofIIbinaryIInum
bers,IIonesIIandIIzeros;IItheseIIsignalsIIareIIthenIIreassembledII(decoded)IIasIIaIIpreciseIIreproductionII
ofIIaIITVIIpicture,IIaIImagazineIIarticle,IIorIIaIItelephoneIIvoice.
BloggersII-IICORRECTIIRESPONSEII-
PeopleIIwhoIIpostIIcommentaryIIonIIpersonalIIandIIpoliticalIIopinion-basedIIWebIIsites.
SendersII-IICORRECTIIRESPONSEII-
TheIIauthors,IIproducers,IIagencies,IIandIIorganizationsIIthatIItransmitIImessagesIItoIIreceivers.
MessagesII-IICORRECTIIRESPONSEII-
TheIItexts,IIimages,IIandIIsoundsIItransmittedIIfromIIsendersIItoIIreceivers.
MassIIMediaIIChannelII-IICORRECTIIRESPONSEII-
Newspapers,IIbooks,IImagazines,IIradio,IImovies,IITV,IIandIIInternet.
ReceiversII-IICORRECTIIRESPONSEII-TheIItargetsIIofIImessagesIIcraftedIIbyIIsenders.
GatekeepersII-IICORRECTIIRESPONSEII-
Editors,IIproducers,IIandIIotherIImediaIImanagersIIwhoIIfunctionIIasIImessageIIfilters,IImakingIIdecisio
nsIIaboutIIwhatIItypesIIofIImessagesIIactuallyIIgetIIproducedIIforIIparticularIIaudiences.

, FeedbackII-IICORRECTIIRESPONSEII-ResponsesIIfromIIreceiversIItoIItheIIsendersIIofIItheIImessages.
SelectiveIIExposureII-IICORRECTIIRESPONSEII-
TheIIphenomenonIIwherebyIIaudiencesIIseekIImessagesIIandIImeaningsIIthatIIcorrespondIItoIItheirIIpr
eexistingIIbeliefsIIandIIvalues.
ConvergenceII-IICORRECTIIRESPONSEII-
TheIIfirstIIdefinitionIIinvolvedIItheIItechnologicalIImergingIIofIImediaIIcontentIIacrossIIvariousIIplatfor
msII(seeIIalsoIIcrossIIplatform).IITheIIsecondIIdefinitionIIdescribesIIaIIbusinessIImodelIIthatIIconsolidat
esIIvariousIImediaIIholdingsIIunderIIoneIIcorporateIIumbrella.
CrossIIPlatformII-IICORRECTIIRESPONSEII-
AIIparticularIIbusinessIImodelIIthatIIinvolvesIIaIIconsolidationIIofIIvariousIImediaIIholdings-
IIsuchIIasIIcableIIconnection,IIphoneIIservice,IItelevisionIItransmission,IIandIIinternetIIaccess-

IIunderIIoneIIcorporateIIumbrellaII(alsoIIknownIIasIIconvergence)

NarrativeII-IICORRECTIIRESPONSEII-
TheIIstructureIIunderlyingIImostIImediaIIproducts,IIitIIincludesIItwoIIcomponents:IItheIIstoryII(whatIIha
ppensIItoIIwhom)IIandIItheIIdiscourseII(howIItheIIstoryIIisIItold).
HighIICultureII-IICORRECTIIRESPONSEII-
AIIsymbolicIIexpressionIIthatIIhasIIcomeIItoIImeanII"goodIItaste";IIoftenIIsupportedIIbyIIwealthyIIpatro
nsIIandIIcorporateIIdonors,IIitIIisIIassociatedIIwithIIfineIIartII(suchIIasIIballet,IItheIIsymphony,IIpainting,II
andIIclassicalIIliterature),IIwhichIIisIIavailableIIprimarilyIIinIItheatersIIandIImuseums.
LowIICultureII-IICORRECTIIRESPONSEII-
AIIsymbolicIIexpressionIIsupposedlyIIalignedIIwithIItheIIquestionableIItastesIIofIItheII"masses",IIwhoIIe
njoyIItheIIcommercialII"junk"IIcirculatedIIbyIItheIImassIImedia,IIsuchIIasIIsoapIIoperas,IIrockIImusic,IItalk
IIradio,IIcomicIIbooks,IIandIImonsterIItruckIIpulls.

ModernIIPeriodII-IICORRECTIIRESPONSEII-
AIItermIIforIIdescribingIIaIIhistoricalIIeraIIspanningIItheIItimeIIfromIItheIIriseIIofIItheIIindustrialIIRevoluti
onIIinIItheII18thIIandII19thIIcenturiesIItoIItheIIpresent;IIitsIIsocialIIvaluesIIincludeIIcelebratingIItheIIindivi
dual,IIbelievingIIinIIrationalIIorder,IIworkingIIefficiently,IIandIIrejectingIItradition.
ProgressiveIIEraII-IICORRECTIIRESPONSEII-
AIIperiodIIofIIpoliticalIIandIIsocialIIreformIIthatIIlastedIIfromIItheII1890sIItoIItheII1920s.
PostmodernIIPeriodII-IICORRECTIIRESPONSEII-
AIItermIIforIIdescribingIIaIIcontemporaryIIhistoricalIIeraIIspanningIItheII1960sIItoIItheIIpresent;IIitsIIsoci
alIIvaluesIIincludeIIopposingIIhierarchy,IIdiversifyingIIanIIrecyclingIIculture,IIquestioningIIscientificIIrea
soning,IIandIIembracingIIparadox.
MediaIILiteracyII-IICORRECTIIRESPONSEII-
AnIIunderstandingIIofIItheIImassIIcommunicationIIprocessIIthroughIItheIIdevelopmentIIofIIcritical-
thinkingIItools-IIdescription,IIanalysis,IIinterpretation,IIevaluation,IIandIIengagement-

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Uploaded on: November 11, 2025
Number of pages: 7
Written in: 2025/2026
Type: Exam (elaborations)
Contains: Questions & answers

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