CTVA 300 UNIT Study Guide Exam 1 And 2 –
Questions With Precise Solutions
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Terms in this set (102)
what was the aspect ratio old standard NTSC: 1.33:1
of your parents' NON-HD - HD ratio: 1.75:1
television
what's the compositional widescreen frames leave almost half of the frame's
difference between a width
close up in 1.33:1 frame
and same sized close up
in a widescreen frame?
what are widescreen ratios greater than 1.33:1. THEY WERE 1.85:1. this was
aspect ratios? back in the ol' 1950's
what is the aspect ratio of 1.33:1
the viewfinder in a 35mm
motion picture camera?
what is the aspect ratio of 1.33:1
the 35mm negative into
which an anamorphic
image squeezed?
- (most common)THEATRICAL FILMS= 1.85:1
what are some typical - WIDER THEATRICAL SCREEN= 2.40:1
aspect ratios for film and - TELEVISION AND COMPUTER= 1.33:1 (usually in
television images? this ratio)
- HD TV= 1.78:1 or 16x9
prevents light from striking the top and bottom
matted camera
portions of the frame
, take extremely wide fields of view and squeeze their
anamorphic lens info onto the 1.33 film stock
(BIG area TO SMALL lens)
think of a square within the frame; draws attention to
the newly framed subject.
frame within a frame
NO DIVIDERS
the arrangement of objects, shapes, people,
composition
whatever in the frame
geometric center the spot most distant from the the frame edges
when the subject of an image coincides with the
geometric center of the frame
centered composition
HAS SYMMETRY
also known as "potential energy" or "dynamism."
most cinema images are constructed around a visual
decentered composition
subject or object that's not
positioned at the frame's geometric center
is made in order to keep a subject in or near the
center, or in or near some other specific part of
reframing
the frame. aka THE CAMERA MOVES WITH THE
SUBJECT TO KEEP IN FRAME
what are some of the Centered. And that centering contributes to the
functions of centered film's tone and, importantly, unifies the film
compositions in
Rushmore
what is the difference in - centered - is organized in a symmetrical way
dynamism between a - decentered - most cinema images are constructed
centered an a around a visual subject or object
decentered image? How - extremely decentered - introduces a strong visual
about an extremely tension
decentered image?
Questions With Precise Solutions
Save
Terms in this set (102)
what was the aspect ratio old standard NTSC: 1.33:1
of your parents' NON-HD - HD ratio: 1.75:1
television
what's the compositional widescreen frames leave almost half of the frame's
difference between a width
close up in 1.33:1 frame
and same sized close up
in a widescreen frame?
what are widescreen ratios greater than 1.33:1. THEY WERE 1.85:1. this was
aspect ratios? back in the ol' 1950's
what is the aspect ratio of 1.33:1
the viewfinder in a 35mm
motion picture camera?
what is the aspect ratio of 1.33:1
the 35mm negative into
which an anamorphic
image squeezed?
- (most common)THEATRICAL FILMS= 1.85:1
what are some typical - WIDER THEATRICAL SCREEN= 2.40:1
aspect ratios for film and - TELEVISION AND COMPUTER= 1.33:1 (usually in
television images? this ratio)
- HD TV= 1.78:1 or 16x9
prevents light from striking the top and bottom
matted camera
portions of the frame
, take extremely wide fields of view and squeeze their
anamorphic lens info onto the 1.33 film stock
(BIG area TO SMALL lens)
think of a square within the frame; draws attention to
the newly framed subject.
frame within a frame
NO DIVIDERS
the arrangement of objects, shapes, people,
composition
whatever in the frame
geometric center the spot most distant from the the frame edges
when the subject of an image coincides with the
geometric center of the frame
centered composition
HAS SYMMETRY
also known as "potential energy" or "dynamism."
most cinema images are constructed around a visual
decentered composition
subject or object that's not
positioned at the frame's geometric center
is made in order to keep a subject in or near the
center, or in or near some other specific part of
reframing
the frame. aka THE CAMERA MOVES WITH THE
SUBJECT TO KEEP IN FRAME
what are some of the Centered. And that centering contributes to the
functions of centered film's tone and, importantly, unifies the film
compositions in
Rushmore
what is the difference in - centered - is organized in a symmetrical way
dynamism between a - decentered - most cinema images are constructed
centered an a around a visual subject or object
decentered image? How - extremely decentered - introduces a strong visual
about an extremely tension
decentered image?
