OFFICIAL OAE 006 Exam with
Accurate Solutions
Color - ANS-Element of art
Produced when light reflects off of an object and hits the eye
Line - ANS-Element of Art
Point moving across space
Shape - ANS-Element of Art
Two-dimensional, flat, or limited to height and width
Form - ANS-Element of Art
Three-Dimensional geometric figure
Texture - ANS-Element of Art
Refers to how things feel, or look as if they might feel if touched
Value - ANS-Element of Art
The lightness or darkness of a color
Space - ANS-Element of Art
Refers to the emptiness or area between, around, above, below, or within objects
Color, Line, Shape, Form, Texture, Value, Space - ANS-Elements of Art
One Point Linear Perspective - ANS-A version of linear perspective in which there is
only one vanishing point in the composition
2 Point Linear Perspective - ANS-2 vanishing points in a composition in which you view
objects from the corner
Isometric Perspective - ANS-A system using diagonal parallel lines to communicate
depth
In this technique, all objects appear at the same size regardless of distance
Popular in traditional Japanese Art
Trimetric Perspective - ANS-The direction of viewing is such that all of the three axes of
space appear unequally foreshortened
All three angles have different degrees of foreshortening relative to their length
All angles where the axes meet will be different in this type of drawing
,Balance - ANS-Principle of Design
A condition in which different elements are equal or in the correct proportions
There are three types of visual balance: symmetry, asymmetry, and radial
Creates unity
Contrast - ANS-Principle of Design
Refers to the arrangement of opposite elements (light vs . dark colors, rough vs. smooth
textures, large vs. small shapes, etc.)
Unity - ANS-Principle of Design
Related to the sense of wholeness that results from the successful combination of the
component elements of an artwork
Created by balance and repetition
Variety - ANS-Principle of Design
Concerned with diversity or contrast
Achieved by using different shapes, sizes, and/or colors in a work of art
Rhythm - ANS-Principle of Design
Indicates movement
Created by the careful placement of repeated elements in a work of art to cause a visual
tempo or beat
Repetition - ANS-Principle of Design
Some graphic elements are repeated throughout the entire design
Creates unity
Movement - ANS-Principle of Design
Used to create the look and feeling of action and to guide the viewer's eye throughout
the work of art
Pattern - ANS-Principle of Design
The geometric arrangement of objects in space
Harmony - ANS-Principle of Design
Creates unity by stressing the similarities of separate but related parts
Emphasis - ANS-Principle of Design
Arranging the design to highlight specific components
Establishes focus
Balance, Contrast, Unity, Emphasis, Repetition, Rhythm, Variety, Movement, Pattern,
Harmony - ANS-Principles of Design
Hot pressed paper - ANS-Papers are hard and smooth
, Best suited to detail work with pen or hard pencil They are not very absorbent
Cold Pressed Paper - ANS-The most common
Have moderate surface texture and absorbency and accept the widest range of media
Rough paper has a pronounced surface texture and is most commonly used with
watercolor or ink washes
Graphite Pencils - ANS-They are a mix of graphite and clay mixed together. The more
clay that is mixed with the graphite the lighter in value the pencil is (H Pencils)
B pencils have more graphite in them and
less clay making them softer creating darker values.
Charcoal Sticks - ANS-A dry drawing medium made from charred twigs, usually vine or
willow.
Compressed Charcoal - ANS-Charcoal ground to a powder and compressed into chalk-
like sticks
Offers deeper, richer blacks than stick charcoal, but is harder to erase
Powdered Charcoal - ANS-Produced by rolled blotting paper in pencil form, very hard
and suitable when a variety of tonal effects are desired.
Non-Waterproof Ink - ANS-Provides an effect similar to watercolor in that these absorb
into the paper and dry to a matte finish
The color range is relatively small
Fixative - ANS-A light, liquid varnish sprayed over finished charcoal or pastel drawings
to prevent smudging
Bamboo Brushes - ANS-Offers greatest range of flexibility as determined by brush size,
pressure, amount of ink applied, dilution of ink and angle of brush to paper
Stippling - ANS-Dots spaced close or far apart to suggest darker or lighter areas
Cross hatching - ANS-The use of overlapping parallel lines to convey darkness or
lightness
Foreshortening - ANS-The use of perspective to represent in art the apparent visual
contraction of an object that extends back in space at an angle to the perpendicular
plane of sight
Gesture Drawing - ANS-The drawing of lines quickly and loosely to show movement in a
subject.
Contour Drawing - ANS-Shows the edges of figures or objects
Drawn slowly to capture every detail including folds, wrinkles, and details
Accurate Solutions
Color - ANS-Element of art
Produced when light reflects off of an object and hits the eye
Line - ANS-Element of Art
Point moving across space
Shape - ANS-Element of Art
Two-dimensional, flat, or limited to height and width
Form - ANS-Element of Art
Three-Dimensional geometric figure
Texture - ANS-Element of Art
Refers to how things feel, or look as if they might feel if touched
Value - ANS-Element of Art
The lightness or darkness of a color
Space - ANS-Element of Art
Refers to the emptiness or area between, around, above, below, or within objects
Color, Line, Shape, Form, Texture, Value, Space - ANS-Elements of Art
One Point Linear Perspective - ANS-A version of linear perspective in which there is
only one vanishing point in the composition
2 Point Linear Perspective - ANS-2 vanishing points in a composition in which you view
objects from the corner
Isometric Perspective - ANS-A system using diagonal parallel lines to communicate
depth
In this technique, all objects appear at the same size regardless of distance
Popular in traditional Japanese Art
Trimetric Perspective - ANS-The direction of viewing is such that all of the three axes of
space appear unequally foreshortened
All three angles have different degrees of foreshortening relative to their length
All angles where the axes meet will be different in this type of drawing
,Balance - ANS-Principle of Design
A condition in which different elements are equal or in the correct proportions
There are three types of visual balance: symmetry, asymmetry, and radial
Creates unity
Contrast - ANS-Principle of Design
Refers to the arrangement of opposite elements (light vs . dark colors, rough vs. smooth
textures, large vs. small shapes, etc.)
Unity - ANS-Principle of Design
Related to the sense of wholeness that results from the successful combination of the
component elements of an artwork
Created by balance and repetition
Variety - ANS-Principle of Design
Concerned with diversity or contrast
Achieved by using different shapes, sizes, and/or colors in a work of art
Rhythm - ANS-Principle of Design
Indicates movement
Created by the careful placement of repeated elements in a work of art to cause a visual
tempo or beat
Repetition - ANS-Principle of Design
Some graphic elements are repeated throughout the entire design
Creates unity
Movement - ANS-Principle of Design
Used to create the look and feeling of action and to guide the viewer's eye throughout
the work of art
Pattern - ANS-Principle of Design
The geometric arrangement of objects in space
Harmony - ANS-Principle of Design
Creates unity by stressing the similarities of separate but related parts
Emphasis - ANS-Principle of Design
Arranging the design to highlight specific components
Establishes focus
Balance, Contrast, Unity, Emphasis, Repetition, Rhythm, Variety, Movement, Pattern,
Harmony - ANS-Principles of Design
Hot pressed paper - ANS-Papers are hard and smooth
, Best suited to detail work with pen or hard pencil They are not very absorbent
Cold Pressed Paper - ANS-The most common
Have moderate surface texture and absorbency and accept the widest range of media
Rough paper has a pronounced surface texture and is most commonly used with
watercolor or ink washes
Graphite Pencils - ANS-They are a mix of graphite and clay mixed together. The more
clay that is mixed with the graphite the lighter in value the pencil is (H Pencils)
B pencils have more graphite in them and
less clay making them softer creating darker values.
Charcoal Sticks - ANS-A dry drawing medium made from charred twigs, usually vine or
willow.
Compressed Charcoal - ANS-Charcoal ground to a powder and compressed into chalk-
like sticks
Offers deeper, richer blacks than stick charcoal, but is harder to erase
Powdered Charcoal - ANS-Produced by rolled blotting paper in pencil form, very hard
and suitable when a variety of tonal effects are desired.
Non-Waterproof Ink - ANS-Provides an effect similar to watercolor in that these absorb
into the paper and dry to a matte finish
The color range is relatively small
Fixative - ANS-A light, liquid varnish sprayed over finished charcoal or pastel drawings
to prevent smudging
Bamboo Brushes - ANS-Offers greatest range of flexibility as determined by brush size,
pressure, amount of ink applied, dilution of ink and angle of brush to paper
Stippling - ANS-Dots spaced close or far apart to suggest darker or lighter areas
Cross hatching - ANS-The use of overlapping parallel lines to convey darkness or
lightness
Foreshortening - ANS-The use of perspective to represent in art the apparent visual
contraction of an object that extends back in space at an angle to the perpendicular
plane of sight
Gesture Drawing - ANS-The drawing of lines quickly and loosely to show movement in a
subject.
Contour Drawing - ANS-Shows the edges of figures or objects
Drawn slowly to capture every detail including folds, wrinkles, and details
