MUI 221 FINAL PREP QUESTIONS & ANSWERS
false
NOT STANDARD. EVER. works made for hire do not include songs - Answers
:language specifying that songs composed are "work made for hire" is standard in most
exclusive term songwriter agreements
B,
is usually considered on a case by case basis - Answers :copyright infringement:
it is something that is really not of great consequence to the industry
is usually considered on a case by case basis
not of great consequence to the industry
something that is extremely clear and obvious
Digital Millennium Copyright Act
anyone that has cracked software= criminal, anti-piracy - Answers :The current
copyright law has been amended many times. Which amendment "makes it a crime to
circumvent antu-piracy measures that are built into commercial software?
No Electronic Theft Act
none of the answers
Digital Performance Right in Sound Recordings Act
Audio Home Recording Act
Digital Millennium Copyright Act
to perform the copyrighted work privately - Answers :The "Six Exclusive Rights" include
all EXCEPT
to perform copyrighted work publicly
to display the copyrighted work publicly
,to perform the copyrighted work privately
to prepare derivative works based on copyrighted works
to reproduce the copyrighted work in copies of phonorecords
one-time job that is considered "work made for hire"
OWNED by the publisher, the owner surrendered their right to any derivative work.
Composer transferred their rights - Answers :An arranger is hired by a publisher to do
an arrangement of a copyrighted work. This arrangement will be:
owned by the composer of the original work on which arrangement is based
part of the public domain
one-time job that is considered "work made for hire"
copyrighted by the arranger
record labels
"if labels getting this $$, some should go to artists even if they are not recouped" =
created SOUND EXCHANGE. First actual performance P royalty. - Answers :The 1995
Digital Performance Right in Sound Recordings Act has a provision that performance
royalties must be paid, for the first time in the US, to:
composers
publishers
record labels
arrangers
recording studios
she has no choice, there is nothing she can do.
Once you agree to work made for hire (that is a contract), anything written is the
property of whoever you agreed to do it with. They own it, you can never get it back.
Work made for hire is always someone elses. - Answers :A composer has written a
song under a work made for hire agreement. She has waited for 2 years for the
publisher #1 to do something with it, but so far she has seen no results. She has
, decided that she can get much better results from publisher #2, who has promised that
they will really push the song. What are her options?
she has no choice, there is nothing she can do.
She will need a lawyer to effect the transfer, as these arrangements are very technical
it is very simple: she should inform publisher #1 that she would like to recover the
copyright and when accompanied, assign to publisher #2.
none of the answers is correct
IT HAS ALWAYS BEEN ALLOWED! Copyright law has no jurisdiction over the stuff in
the privacy of your home. HOWEVER when you start to share it, it does. Recording off
air (NPX Filter) can record FM broadcast the best way. - Answers :Which amendment
made it legal to record music off the radio, in the privacy of your own home?
No Electronic Theft Act
none of the answers is correct
Digital Millennium Copyright Act
Audio Home Recording Act
Digital Performance Right in Sound Recordings Act
record label
remember... DPRinSRA
the publisher = circle C - Answers :Who owns the "circle P" copyright?
composer
producer
record label
arranger
publisher
False - Answers :When trying to monetize content, it is probably best to concentrate on
the domestic market, since the US generates the majority of the world-wide royalties
false
NOT STANDARD. EVER. works made for hire do not include songs - Answers
:language specifying that songs composed are "work made for hire" is standard in most
exclusive term songwriter agreements
B,
is usually considered on a case by case basis - Answers :copyright infringement:
it is something that is really not of great consequence to the industry
is usually considered on a case by case basis
not of great consequence to the industry
something that is extremely clear and obvious
Digital Millennium Copyright Act
anyone that has cracked software= criminal, anti-piracy - Answers :The current
copyright law has been amended many times. Which amendment "makes it a crime to
circumvent antu-piracy measures that are built into commercial software?
No Electronic Theft Act
none of the answers
Digital Performance Right in Sound Recordings Act
Audio Home Recording Act
Digital Millennium Copyright Act
to perform the copyrighted work privately - Answers :The "Six Exclusive Rights" include
all EXCEPT
to perform copyrighted work publicly
to display the copyrighted work publicly
,to perform the copyrighted work privately
to prepare derivative works based on copyrighted works
to reproduce the copyrighted work in copies of phonorecords
one-time job that is considered "work made for hire"
OWNED by the publisher, the owner surrendered their right to any derivative work.
Composer transferred their rights - Answers :An arranger is hired by a publisher to do
an arrangement of a copyrighted work. This arrangement will be:
owned by the composer of the original work on which arrangement is based
part of the public domain
one-time job that is considered "work made for hire"
copyrighted by the arranger
record labels
"if labels getting this $$, some should go to artists even if they are not recouped" =
created SOUND EXCHANGE. First actual performance P royalty. - Answers :The 1995
Digital Performance Right in Sound Recordings Act has a provision that performance
royalties must be paid, for the first time in the US, to:
composers
publishers
record labels
arrangers
recording studios
she has no choice, there is nothing she can do.
Once you agree to work made for hire (that is a contract), anything written is the
property of whoever you agreed to do it with. They own it, you can never get it back.
Work made for hire is always someone elses. - Answers :A composer has written a
song under a work made for hire agreement. She has waited for 2 years for the
publisher #1 to do something with it, but so far she has seen no results. She has
, decided that she can get much better results from publisher #2, who has promised that
they will really push the song. What are her options?
she has no choice, there is nothing she can do.
She will need a lawyer to effect the transfer, as these arrangements are very technical
it is very simple: she should inform publisher #1 that she would like to recover the
copyright and when accompanied, assign to publisher #2.
none of the answers is correct
IT HAS ALWAYS BEEN ALLOWED! Copyright law has no jurisdiction over the stuff in
the privacy of your home. HOWEVER when you start to share it, it does. Recording off
air (NPX Filter) can record FM broadcast the best way. - Answers :Which amendment
made it legal to record music off the radio, in the privacy of your own home?
No Electronic Theft Act
none of the answers is correct
Digital Millennium Copyright Act
Audio Home Recording Act
Digital Performance Right in Sound Recordings Act
record label
remember... DPRinSRA
the publisher = circle C - Answers :Who owns the "circle P" copyright?
composer
producer
record label
arranger
publisher
False - Answers :When trying to monetize content, it is probably best to concentrate on
the domestic market, since the US generates the majority of the world-wide royalties
