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FIL 2552 Final Review UPDATED Actual Exam Questions and CORRECT Answers

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FIL 2552 Final Review UPDATED Actual Exam Questions and CORRECT Answers According to the film, Edwin S. Porter discovered that cutting separate shots together could create a story - CORRECT ANSWER- According to the film, this is TRUE. According to history, this is FALSE. According to the film, Edwin S. Porter was the first to use intercutting in his film Life of the American Fireman - CORRECT ANSWER- According to the film, this is TRUE. According to history, this is FALSE

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FIL 2552 Final Review UPDATED Actual
Exam Questions and CORRECT Answers
According to the film, Edwin S. Porter discovered that cutting separate shots together could
create a story - CORRECT ANSWER✔✔- According to the film, this is TRUE. According to
history, this is FALSE.


According to the film, Edwin S. Porter was the first to use intercutting in his film Life of the
American Fireman - CORRECT ANSWER✔✔- According to the film, this is TRUE.
According to history, this is FALSE.


According to the film, D.W. Griffith established the tenants of classical film editing -
CORRECT ANSWER✔✔- According to the film, this is TRUE. According to history, this is
FALSE.


According to the film, Russian filmmakers in the 20s edited in a different way than America,
one that manipulated what the audiences felt - CORRECT ANSWER✔✔- According to the
film, this is TRUE. According to history, this is FALSE.


According to the film, Jean-Luc Godard invented jump-cutting in 1960 with Breathless -
CORRECT ANSWER✔✔- According to the film, this is TRUE. According to history, this is
FALSE.


Which of these techniques is George Melies NOT said to have introduced into cinema -
CORRECT ANSWER✔✔- Cut ins


In Stop Thief, the original screen direction creates a problem in the geography of the space.
What two statements are tru regarding why this is? - CORRECT ANSWER✔✔- 1. The
viewer has to create a corner for the subjects to round between shots 1 and 2.
2. The viewer has to assume a jump in time between shots 2 and 3.


If a scene starts wide in the _______ and then goes closer to a(n) _______ this breakdown of
scene space would be an example of _______ - CORRECT ANSWER✔✔- 1. Mater
2. Insert
3. Analytical editing

, An abrupt and purposefully jarring cut from image to another with no transition, typically
used to startle the audience - CORRECT ANSWER✔✔- Smash cut


The interruption of a continuous sequence by cutting into a view of something else, then
typically cutting back to the original sequence - CORRECT ANSWER✔✔- Flash cut



The gradual fading transition from one image to another - CORRECT ANSWER✔✔-
Dissolve


A dissolve transition to or from a black image - CORRECT ANSWER✔✔- Fade in/Out


Intentional use of shots of the same subject in disconituous motion - CORRECT
ANSWER✔✔- Jump cut



Which of these claims from D.W. Griffith are NOT accurate - CORRECT ANSWER✔✔- 1.
Producer of all great Biograph successes
2. Founded the modern technique of the art
3. Introduced include the large or close-up figures
4. Introduced the switchback (cross-cutting)
5. Introduced sustained suspense
6. Introduced the fade out


ALL THESE CLAIMS ARE FALSE


Check all that apply to Montage Theory - CORRECT ANSWER✔✔- 1. Agitprop
2. Based on communication to masses
3. One Shot + One Shot = New Media
4. Developed in Russia


A mental phenomenom caused by the juxtaposition of two shots - CORRECT ANSWER✔✔-
The Kuleshov Effect

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