FMS 394. Star Wars Universe Questions and Answers Fully Solved
FMS 394. Star Wars Universe Questions and Answers Fully Solved The concept of authorship in the cinema was first formally articulated by this filmmaker in a 1954 Cahiers du cinéma essay. François Truffaut Film critic Andrew Sarris introduced the politique des auteurs into American critical discourse by christening it: The Auteur Theory What did the success of the films Bonnie and Clyde (1967) and The Graduate (1967) say about American moviegoers in the late 60s? -They had grown up with TV and therefore accustomed to processing the language of film every day -A preference for films that were pointedly visual, thematically challenging, and stylistically individualized -They were younger, better educated, and more affluent than traditional Hollywood audiences Cook uses this term to define the effect which caused a trend toward the production of fewer films and increased advertising and marketing budgets which were often double the production cost. Blockbuster Syndrome Who is often recognized as the "vanguard figure" and mentor of the 1970s auteur directors, also known as the "Hollywood brats? Ford Coppola Which film, conceived by Paramount as a genre film with a modest budget, is considered the first great blockbuster of the 1970s? The Godfather Which "Hollywood brat" won first prize in a student film festival while studying at USC, earning him a visit to Warner Bros. where he would observe production of the musical Finian's Rainbow directed by Francis Ford Coppola? George Lucas What film marked the transformation of film into event with a savvy and calculated media campaign? Jaws What does Cook observe was initially seen as a "boon to experimentation" for directors in the late 60s? The MPAA Rating System According to Cook, by the end of the 70s this was combined with saturation booking and massive national media campaigns to make promotion the most important part of film exhibition and distribution: The connection of auteurs with certain types of entertainment According to Thomas Schatz, what term best characterizes Hollywood since the late 1940s? Blockbuster During what period does Thomas Schatz locate the "New Hollywood"? 1975-present Which of these developments was not a dimension in the mid-1970s that reflected the emerging relationship between film and television? The Birth of the Pocket Television Set, the Sony Watchman Which film soundtrack in 1977 suggested the multimedia potential of Hollywood hits and the birth of the "music movie"? Saturday Night Fever Star Wars represents a shift in the nature of film narrative toward all of the following aesthetics: Special effects, plot-driven stories, fast-paced stories, but not genre specificity Star Wars represents a shift in the nature of film narrative toward all of the following aesthetics: TV advertising, star salaries, special effects, but not international barriers Which of the following is not a strategy by the major Hollywood studios to combat the William Goldman axiom about the business, "Nobody knows anything"? Developing properties singularly for the cinema, but not making star-driven movies, relying on preexisting products, and large marketing spending Which individual's paycheck for a 1983 film is largely considered responsible for the escalation in star salaries to the present day? Clint Eastwood in Sudden Impact Thomas Schatz sees the New Hollywood composed of three classes of movie. Which are they? Low-cost independent features, A-class star vehicles, and multimedia blockbusters
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