COM3705
PORTFOLIO: SEMESTER 2 2022
TERMS OF USE:
By making use of this document, you agree to:
• Use this resource for research, learning, and comparison purposes
only.
• Not misread, replicate, or reproduce the contents of this paper as
being your own.
• Accept fully the repercussions if this document is misused or
plagiarised.
, TABLE OF CONTENTS PAGE
1 INTRODUCTION 1
2 INTERNATIONAL COMMUNICATION MEDIA ENTERTAINMENT 1
2.1 Piracy as a threat versus piracy as an underground channel 1
through which cultural globalisation can operate
2.2 The main arguments in Tristan Mattelart’s article 3
3 THE REPRESENTATION OF AFRICA IN WESTERN MEDIA 4
4 INTERNATIONAL FILM INDUSTRIES 7
5 CONCLUSION 9
SOURCES CONSULTED 10
PORTFOLIO: SEMESTER 2 2022
TERMS OF USE:
By making use of this document, you agree to:
• Use this resource for research, learning, and comparison purposes
only.
• Not misread, replicate, or reproduce the contents of this paper as
being your own.
• Accept fully the repercussions if this document is misused or
plagiarised.
, TABLE OF CONTENTS PAGE
1 INTRODUCTION 1
2 INTERNATIONAL COMMUNICATION MEDIA ENTERTAINMENT 1
2.1 Piracy as a threat versus piracy as an underground channel 1
through which cultural globalisation can operate
2.2 The main arguments in Tristan Mattelart’s article 3
3 THE REPRESENTATION OF AFRICA IN WESTERN MEDIA 4
4 INTERNATIONAL FILM INDUSTRIES 7
5 CONCLUSION 9
SOURCES CONSULTED 10
