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A Level English Lit Edexcel Metaphysical Poetry revision pack

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This revision resource is designed for the EDEXCEL A Level English Literature "Metaphysical Poets" section. This resource is the perfect revision starter, containing detailed analysis of the conceit, language and form. Context and themes are also listed. Contains the following poems: The Flea – John Donne 3 The Good-Morrow – John Donne 5 Love (III) (Love bade me welcome) – George Herbert 7 A Hymn to God the Father – John Donne 8 Batter my Heart – John Donne 9 The Sun Rising – John Donne 10 Woman’s Constancy – John Donne 11 ‘At the Round Earth’s Imagined Corners’ – John Donne 13 ‘Death Be Not Proud’ – John Donne 15 Song (Go, and catch a falling star) – John Donne 16 The Apparition – John Donne 18 Elegy: To His Mistress Going to Bed – John Donne 20 A Valediction of Weeping – John Donne 22 A Nocturnal Upon St Lucy’s Day Being The Shortest Day – John Donne 24 The Pulley – George Herbert 26 The Collar – George Herbert 28 Redemption – George Herbert 30 Song: To Lucasta Going to the Wars – Richard Lovelace 31 A Letter to Her Husband – Anne Bradstreet 33 A Song: (Ask me no more where Jove bestows) – Thomas Carew 35 To the Nymph Complaining for the Death of her Fawn – Andrew Marvell 37 To his Coy Mistress – Andrew Marvell 39 To My Mistress Sitting by a River’s Side: An Eddy – Thomas Carew 41 The Definition of Love – Andrew Marvell 42 Unprofitableness – Henry Vaughan 43 To My Excellent Lucasia, on Our Friendship – Katherine Phillips 46 A Dialogue of Friendship Multiplied – Katherine Phillips 47 Orinda to Lucasia– Katherine Phillips 49

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Metaphysical Poetry
Revision Pack




Table of Contents
The Flea – John Donne...................................................................................................................................3
The Good-Morrow – John Donne...................................................................................................................5
Love (III) (Love bade me welcome) – George Herbert.....................................................................................7
A Hymn to God the Father – John Donne.......................................................................................................8
Batter my Heart – John Donne.......................................................................................................................9
The Sun Rising – John Donne.......................................................................................................................10
Woman’s Constancy – John Donne..............................................................................................................11

1

,‘At the Round Earth’s Imagined Corners’ – John Donne................................................................................13
‘Death Be Not Proud’ – John Donne.............................................................................................................15
Song (Go, and catch a falling star) – John Donne.........................................................................................16
Elegy: To His Mistress Going to Bed – John Donne.......................................................................................20
A Valediction of Weeping – John Donne......................................................................................................22
A Nocturnal Upon St Lucy’s Day Being The Shortest Day – John Donne........................................................24
The Pulley – George Herbert........................................................................................................................26
The Collar – George Herbert........................................................................................................................28
Redemption – George Herbert.....................................................................................................................30
Song: To Lucasta Going to the Wars – Richard Lovelace...............................................................................31
A Letter to Her Husband – Anne Bradstreet.................................................................................................33
A Song: (Ask me no more where Jove bestows) – Thomas Carew.................................................................35
To the Nymph Complaining for the Death of her Fawn – Andrew Marvell....................................................37
To his Coy Mistress – Andrew Marvell.........................................................................................................39
To My Mistress Sitting by a River’s Side: An Eddy – Thomas Carew..............................................................41
The Definition of Love – Andrew Marvell.....................................................................................................42
Unprofitableness – Henry Vaughan.............................................................................................................43
To My Excellent Lucasia, on Our Friendship – Katherine Phillips...................................................................46
A Dialogue of Friendship Multiplied – Katherine Phillips..............................................................................47
Orinda to Lucasia– Katherine Phillips...........................................................................................................49
The Flea – John Donne...................................................................................................................................3
The Good-Morrow – John Donne...................................................................................................................5
Love (III) (Love bade me welcome) – George Herbert.....................................................................................7
A Hymn to God the Father – John Donne.......................................................................................................8
Batter my Heart – John Donne.......................................................................................................................9
The Sun Rising – John Donne.......................................................................................................................10
Woman’s Constancy – John Donne..............................................................................................................11
‘At the Round Earth’s Imagined Corners’ – John Donne...............................................................................13
‘Death Be Not Proud’ – John Donne.............................................................................................................15
Song (Go, and catch a falling star) – John Donne.........................................................................................16
The Apparition – John Donne.......................................................................................................................18
Elegy: To His Mistress Going to Bed – John Donne.......................................................................................20
A Valediction of Weeping – John Donne......................................................................................................22
A Nocturnal Upon St Lucy’s Day Being The Shortest Day – John Donne........................................................24
The Pulley – George Herbert........................................................................................................................26
The Collar – George Herbert........................................................................................................................28

2

,Redemption – George Herbert.....................................................................................................................30
Song: To Lucasta Going to the Wars – Richard Lovelace..............................................................................31
A Letter to Her Husband – Anne Bradstreet.................................................................................................33
A Song: (Ask me no more where Jove bestows) – Thomas Carew.................................................................35
To the Nymph Complaining for the Death of her Fawn – Andrew Marvell....................................................37
To his Coy Mistress – Andrew Marvell.........................................................................................................39
To My Mistress Sitting by a River’s Side: An Eddy – Thomas Carew..............................................................41
The Definition of Love – Andrew Marvell.....................................................................................................42
Unprofitableness – Henry Vaughan.............................................................................................................43
To My Excellent Lucasia, on Our Friendship – Katherine Phillips..................................................................46
A Dialogue of Friendship Multiplied – Katherine Phillips..............................................................................47
Orinda to Lucasia– Katherine Phillips..........................................................................................................49




The Flea – John Donne
Conceit:

o The flea, linked with the contextual theory of blood mixing expresses the potential of a relationship –
in stanza 1 it is suggested that blood mixed between two so sex would not matter, between 1 st and 2nd
woman threatens to swat the flea and Donne suggests that there are three lives in the flea so it would
be sacrilege to kill it as it would be suicide in their marriage temple, in stanza 3 woman kills the flea but
donne turns the victory on her head suggesting her lack of care shown towards the flea equates to the
lack of honour she will experience if she has sex with him

Language:

o Imperatives – “Mark but this flea, and mark in this”  dramatic opening – no voice of women, male
argument – ambiguous, stain on women?, stressed syllables suggest speakers insistence and
foreshadows frustration
o Syntax – “Me it sucked first, and now sucks thee” – male first, relationship only for male needs -
orthographic reference in which “sucked” looks like “fucked” to Elizabethan readers – Chiasmus,
symbolic of blood joining together, present participle, heat of moment, harsh monosyballic verbs
o “A sin, nor shame, nor loss of maidenhead” – tricolon, links to Donne’s rhetoric training,
o Semantic field of sexual language in Stanza 1 e.g., “maidenhead”, “sucked”, “swells” – alluding to male
erection
o Conversational tone – “alas” ect
o Semantic field of religious imagery – “marriage bed and marriage temple” – reinforces the validity of
Donne’s argument, suggesting God approves it
3

, o Personification – “living walls of jet” – euphemism for the womb
o Colour imagery – “purpled thy nail” – royal colour purple – woman gains prestige sleeping with Donne
o Rhetorical questioning – “in blood of innocence?” – Donne’s rhetoric training highlighted as he
formulates his argument in the present
o Imagery of trinity – religion makes argument respectable but half rhymes highlight how his argument is
flawed

Form:

o 6 line then triplet – consistent highlighting his persistence – triplet compliments content - three
distinct entities, man, woman, flea – witty
o Unconvential sonnet – rhyming couplets
o Iambic pentameter then moves to iambic tetrameter then talking about convention
o AABBCCDDD – relentless consistency of argument – rhyme joined together suggesting they should be
together

Context:

o Fleas common symbols in Renissance poetry, based on ital amoretti
o Ideas of the Holy Trinity
o Renissance belief of blood mixing during sexual intercourse

Themes:

o Love + Lust, loss of innocence, male domination




4

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