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  • CCEA
  • Music
  • Unit A2 1 - Making and Appraising Music
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Unit A2 1 - Making and Appraising Music
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An table that outlines of most A2 networks (all but Bernstein and Masses that aren't Byrd)

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Title Composer Time sig. Key Form Period
‘Thule, The Period of Cosmography’ Thomas Weelkes 2/2 EbM Through composed Renaissance
‘The Andalusian Merchant’ Thomas Weelkes 2/2 EbM Through composed Renaissance
‘I rage’ George Frederick Handel C Compound time BbM Through Composed Late Baroque
‘O Ruddier than the Cherry’ George Frederick Handel C Compound time Gm Ternary Late Baroque
‘Widmung’ Robert Schumann 3/2 AbM Ternary Late Romantic
‘Ich grolle nicht’ Robert Schumann C Compound CM Ternary Late Romantic
‘Simple Gifts’ Aaron Copland 2/4 AbM Ternary Modern
‘I bought me a cat’ Aaron Copland 2/4 FM Strophic Modern
‘Nuages’ Claude Debussy 6/4, superimposition Bm Loose Ternary Modern-Impressionism
‘Le Tombeau de Couperin-Minuet’ Maurice Ravel 3/4 GM Minuet-Ternary Modern-Neoclassicism
‘Le Tombeau de Couperin-Rigaudon’ Maurice Ravel 4/4 CM Ternary Modern-Neoclassicism
‘Concerto for Orchestra-Introduction’ Bela Bartok 3/4 FM Modern-Nationalism
‘Mass for Five Voices: Kyrie’ William Byrd C Compound Cm Through Composed Renaissance
‘Mass for Five Voices: Agnus Dei’ William Byrd C Compound Cm Through Composed Renaissance

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Subject
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