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Music 262 Fact Test 1 Questions with Verified Correct Answers

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Music 262 Fact Test 1 Questions with Verified Correct Answers

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Music 262 Fact Test 1 Questions with Verified
Correct Answers
Béla Bartók (1881-1945)

ethnomusicologist, fused folk music and art music, anti-Romantic tendency

Music for Strings, Percussion, and Celesta (1936), 3rd mvt

folk techniques: melody played in octaves over a drone, 2 pentatonic scales; symmetry, arch

form; tone clusters; polytonality

Dmitri Shostakovich (1906-75)

worked within the Soviet system: some of his compositions have been interpreted as pro-

Soviet; however, he experienced conflicts with the regime

Lady Macbeth of Mtsensk (1934)

western modernist elements, e.g. collage-like treatment of style

5th Symphony (1937), 2nd mvt

Socialist-Realist symphony; subtle Mahler allusions, coded critique; stylistic allusion

Charles Ives (1874-1954)

studied music with his father; independently conceived many of the developments of

European avant-garde music

influence of Ives' father

experimentation; music is about substance, not the "manner" of expression; overtly

misogynist

The Unanswered Question (1906-08; revised 1930-35)

, experimental; program music; musical juxtapositions; self-parody

Amy Beach (1867-1944)

prodigy/excellent pianist, but focused on composition after marrying; principal influence was

Brahms

Gaelic Symphony (1894-96)

set out to prove that a woman could write a symphony; critical response to Dvořák's New

World Symphony; setting of an Irish tune; theme is developed before it is presented in full;

complete command of late 19th-century orchestration, harmony, and texture

Florence Price (1887-1953)

graduated from the New England Conservatory; studied composition with (George W.)

Chadwick; Music Department Chair at Clark University

Price's compositional maturity

moved to Chicago in 1927; large genres; first Black woman to have a work performed by a

major U.S. orchestra

Symphony No. 3 in C Minor (1938-39)

4 movements, stylistic heterogeneity reminiscent of neoclassicism

Symphony No. 3, first movement

Wagnerian/Brucknerian opening, vernacular qualities, sonata form/clear outlines, features

typical of European modernism

Ragtime

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