SAMPADA LEVEL 4 THEORY CONTENT WITH COMPLETE SOLUTIONS 100% VERIFIED!!!! LATEST UPDATE ALREADY GRADED A+

SAMPADA LEVEL 4 THEORY CONTENT WITH COMPLETE
SOLUTIONS 100% VERIFIED!!!! LATEST UPDATE ALREADY GRADED
A+



Amsa / Vadi Swaras - (ANSWER)Amsa Swara: the swara of prime importance and dominance (jeeva
swara) in a raga-"Bahulatva prayogeshu amsa lakshanam"



Vadi Swara: the "king" or root swara in a raga (the specialty of a raga depends on vadi swaram)



Examples of Vadi Swaras:

- G in Shankarabharnam

- M in Hindolam

-N in Kalyani



Samvadi Swaras - (ANSWER)Samvadi Swara: a swara that has a concordant effect with the vadi swara.
Samvadi swara pairs are at either sruthi (Trayodasa Navantarao), so they are in consonance.
Samavdi swaras are compared to the prime minister to the king.



Ex: Suddha M and P from Adhara shadja are at 9 and 13 intervals



Chart of Shadja and P-



S: P:

Suddha R - Suddha D

Chatusruti R - Chatusruthi D

Sadharna G - Kaisiki N

Antara G - Kakali N

Suddha M - Tara S

*and so on



Chart of S and Suddha M-

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S: M:

Suddha R - Prati M

Chatusruthi R - P

Sadharna G - Suddha D

Antara G - Chatusruthi D

Suddha M - Kaisiki N

*and so on



Vivadi Swaras - (ANSWER)Vivadi Swaras- these swaras produce a discordant effect along with the vadi
swara. Composers have to use vivadi swaras in appropriate phrases to avoid a dissonant effect and
disharmony. Vivadi swaras are 2 sruthis higher than the preceding note. There are 4 vivadi swaras:



1) Suddha G

2) Shatsruthi R

3) Suddha Nishadam

4) Shatsruthi D



Position on Chart (only includes placement of 4 notes):



Chatusruthi R- Suddha G

Sadharana G- Shatsruthi R

Chatusruthi D- Suddha Nishadam

Kaisiki Nishadam- Shatsruthi D



Ragas with 1 or more vivadi swaras are known as vivadi ragams: Ex: Nata ragam- Shatsruthi R