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OCR A Level English Literature: Ibsen & Rossetti complete notes

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This presentation is everything you need to know going into your exam. Organised by assessment objective, here you will find; easy-to-remember quotes, interesting context points, widely-applicable critics, and points of comparison for the two writers to make your discussion in the exam well-rounded and comprehensive.

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Drama and poetry pre-
1900
Component 1, Section 2

,Response (AO1) - 12.5%


Context (AO3) - 50%


Comparison (AO4) - 25%


Interpretations (AO5) - 12.5%

, Response (AO1)
Ar ticulate infor med, personal
and creative responses to literar y
texts, using associated concepts
and ter minology, and coherent,
accurate wr itten expression

, o In ‘From the Antique’, we find Rossetti in a lethargic mood –
embracing nihilism and longing for death. This is reflected through use
of caesura to slow the pace of the poem, thereby enhancing its
weariness.
o The poem explores the plight of middle-class women – Middle-class
Victorian women existed in comfort (for the most part) but lacked any
real freedom. The existence afforded to them was dull and monotonous
– a sort of existential drudgery.



‘go and come’
This inverted collocation contributes to the sense of lethargy
in the poem by creating a sense of discomfort.


‘Doubly blank is the woman’s lot’
This oxymoronic phrase from ‘From the Antique’ appears to
be the product of the life afforded to middle-class Victorian women - a
sort of existential drudgery.These women lived lives of relative comfort,
yet lacked the autonomy required to create meaning in their own lives.
Instead, they existed to complete endless tasks and reach milestones (e.g.
marriage) but were limited in what they could accomplish beyond
domestic activities and childrearing. Therefore, this poem can be
understood as the product of an existence limited to the confines of a
Pg. 1 ‘gilded cage’.

Table of contents

  1. 01 Default Section 1
    1. Slide 1: Drama and poetry pre-1900 1
    2. Slide 2: Assessment objectives 2
  2. 02 AO1 3
    1. Slide 3: Response (AO1) 3
    2. Slide 4: From the Antique 4
    3. Slide 5: Goblin Market 5
    4. Slide 6 6
    5. Slide 7: Maude Clare 7
    6. Slide 8: No, Thank You, John 8
    7. Slide 9: Shut Out 9
    8. Slide 10 10
    9. Slide 11: Uphill 11
    10. Slide 12: Soeur Louise de la Misericorde 12
    11. Slide 13: A Doll’s House 13
    12. Slide 14: Act 1 14
    13. Slide 15: Act 2 15
    14. Slide 16: Act 3 16
    15. Slide 17 17
  3. 03 AO3 18
    1. Slide 18: Context (AO3) 18
    2. Slide 19: Rossetti 19
    3. Slide 20 20
    4. Slide 21: Ibsen 21
    5. Slide 22: Religion 22
    6. Slide 23: Marriage 23
  4. 04 AO4 24
    1. Slide 24: Comparison (AO4) 24
    2. Slide 25: Religion 25
    3. Slide 26: Gender & Sexuality 26
    4. Slide 27: Marriage 27
    5. Slide 28: Society 28
    6. Slide 29: Style 29
  5. 05 AO5 30
    1. Slide 30: Interpretations (AO5) 30
    2. Slide 31: Marxism 31
    3. Slide 32: Feminist 32
    4. Slide 33: Stagings 33
    5. Slide 34: Critical Views – Rossetti 34
    6. Slide 35 35
    7. Slide 36: Critical Views – Ibsen 36
    8. Slide 37 37
    9. Slide 38: Critical Views – Society 38

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May 10, 2026
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