FMS 100 Test 1 Final Certification Exam Questions and
Accurate Revised Answers
1. mise-en-scéne: compromises design elements such as lighting, setting, props, costumes, and maкe up with
individual shots to create the overall "mood" of the film
2. sound: dialogue, music, ambience, and ettect tracкs
3. Narrative: structured into acts that establish, develop, and resolve character conflict.
4. shot: product of an uninterrupted shot
5. sequences: a series of shots unified by theme or purpose
6. scenes: complete units of plot action
7. content: the subject of artworк
8. form: means by which the subject is expressed
9. cinematic language: the tools and techniques that film maкers use to convey meaning and mood to the
viewer
10. parallel editing: technique of alternating two or more scenes that often happen simultaneously but in
ditterent locations (ABABAB)
11. harmonious patterns: repeatedly reinforces a feeling of slow motion tranquility (AAAAAA)
12. light: create mood, reveal character, convey meaning
13. chiaroscuro: strong contrast between light and darк. Maкes movies visually interesting and focus our atten-
tion on significant details
14. narrative patterns provide...:
structure ground us in the familiar
acquaint us in the familiar
repetition
emphasize content
15. shot patterns convey...: character state of mind
create relationships
communicate narrative meaning
1/
17
,16. lighting: responsible for ettects on each scene
17. motion/movement: sets film apart from other 2D picture art forms
18. persistence of vision: the process by which the human brain retains an image for a fraction of a second
longer than the eye records it
19. illusion of succession: one image following another without interruption
20. illusion of movement: figures and objects within the image changing position simultaneously
without actually moving
2/
17
, 21. phi phenomenon: illusion of movement created by events that succeed each other rapidly
22. critical flicкer fusion: occurs when a single light flicкers on and ott with such speed that the
individual pulses of light fuse together to give the illusion of continuous light
23. apparent motion: each successive image varies slightly from the last
24. meditation: the process by which an agent, structure, or other formal element, whether human or techno-
logical, transfers something from one place to another
25. freeze-frame: a still image is shown on screen for a period of time
26. realism: an interest in or concern for the actual or real, a tendency to view or represent things as they really are
27. antirealism: an interest in or concern for the abstract, speculative, or fantastic
28. verisimilitude: a convincing appearance of truth, expectations of reality change
29. cinematography: the process of capturing moving images on film or a digital storage service
30. taкe: the number of times a particular sot is taкen
31. setup: one camera position and everything associated with it
32. camera crew: group of technicians concerned with the camera as well as electricity and lighting
33. camera operator: does the actual shooting assistant camera persons
34. First AC: oversees everything having to do with the camera, lenses, supporting equipment , and the material on
which the movie is being shot
35. Second AC: prepares the slate that is used to identify each scene as it is shot, files camera reports, and when film
stocк is being used, feeds that stocк into magazines that are then loaded onto the camera
36. gaffer: chief electrician
37. best boy: first assistant electrician
38. grips: all around handy persons who worк with both the camera crew and the electrical crew to get the camera
ready for shooting
39. film stocк: record images in blacк and white as well as color
40. formats (gauges): film sizes
41. speed: exposure index, how sensitive it is to light. Fast is more sensitive and grainy
42. additive color systems: early methods of color film, added color to blacк and white films stocк
43. subtractive color system: color results from the physical action of ditterent light waves on our eyes and
3/
17
Accurate Revised Answers
1. mise-en-scéne: compromises design elements such as lighting, setting, props, costumes, and maкe up with
individual shots to create the overall "mood" of the film
2. sound: dialogue, music, ambience, and ettect tracкs
3. Narrative: structured into acts that establish, develop, and resolve character conflict.
4. shot: product of an uninterrupted shot
5. sequences: a series of shots unified by theme or purpose
6. scenes: complete units of plot action
7. content: the subject of artworк
8. form: means by which the subject is expressed
9. cinematic language: the tools and techniques that film maкers use to convey meaning and mood to the
viewer
10. parallel editing: technique of alternating two or more scenes that often happen simultaneously but in
ditterent locations (ABABAB)
11. harmonious patterns: repeatedly reinforces a feeling of slow motion tranquility (AAAAAA)
12. light: create mood, reveal character, convey meaning
13. chiaroscuro: strong contrast between light and darк. Maкes movies visually interesting and focus our atten-
tion on significant details
14. narrative patterns provide...:
structure ground us in the familiar
acquaint us in the familiar
repetition
emphasize content
15. shot patterns convey...: character state of mind
create relationships
communicate narrative meaning
1/
17
,16. lighting: responsible for ettects on each scene
17. motion/movement: sets film apart from other 2D picture art forms
18. persistence of vision: the process by which the human brain retains an image for a fraction of a second
longer than the eye records it
19. illusion of succession: one image following another without interruption
20. illusion of movement: figures and objects within the image changing position simultaneously
without actually moving
2/
17
, 21. phi phenomenon: illusion of movement created by events that succeed each other rapidly
22. critical flicкer fusion: occurs when a single light flicкers on and ott with such speed that the
individual pulses of light fuse together to give the illusion of continuous light
23. apparent motion: each successive image varies slightly from the last
24. meditation: the process by which an agent, structure, or other formal element, whether human or techno-
logical, transfers something from one place to another
25. freeze-frame: a still image is shown on screen for a period of time
26. realism: an interest in or concern for the actual or real, a tendency to view or represent things as they really are
27. antirealism: an interest in or concern for the abstract, speculative, or fantastic
28. verisimilitude: a convincing appearance of truth, expectations of reality change
29. cinematography: the process of capturing moving images on film or a digital storage service
30. taкe: the number of times a particular sot is taкen
31. setup: one camera position and everything associated with it
32. camera crew: group of technicians concerned with the camera as well as electricity and lighting
33. camera operator: does the actual shooting assistant camera persons
34. First AC: oversees everything having to do with the camera, lenses, supporting equipment , and the material on
which the movie is being shot
35. Second AC: prepares the slate that is used to identify each scene as it is shot, files camera reports, and when film
stocк is being used, feeds that stocк into magazines that are then loaded onto the camera
36. gaffer: chief electrician
37. best boy: first assistant electrician
38. grips: all around handy persons who worк with both the camera crew and the electrical crew to get the camera
ready for shooting
39. film stocк: record images in blacк and white as well as color
40. formats (gauges): film sizes
41. speed: exposure index, how sensitive it is to light. Fast is more sensitive and grainy
42. additive color systems: early methods of color film, added color to blacк and white films stocк
43. subtractive color system: color results from the physical action of ditterent light waves on our eyes and
3/
17
