Tshepang: The Third Testament is a one-act play by South African playwright Lara Foot. It is a powerful, minimalist

work that responds to the real-life rape of a nine-month-old baby (known as Baby Tshepang) in a remote Northern

Cape community in 2001. Rather than sensationalising the crime, the play uses storytelling, symbolism and

physical theatre to examine the social conditions that allowed such horror to occur — and the possibility of healing

and responsibility