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Rime of the Ancient Mariner

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The Mariner
The Mariner
The Mariner is suggestively both the poem’s protagonist and antagonist. Although the poem primarily focuses upon the crime of the Mariner, we as the reader nevertheless never really learn much of the character’s actual identity with the exception of his appearance. The Mariner is suggestively characterised as representing Coleridge’s ‘perspective’ towards the recognition of God by enabling the reader to understand how the neglection of God may enable somebody to suffer. The poem primarily develops from the Mariner’s sinning to his penance for such sin. Coleridge never justifies as to why the Mariner felt inclined to kill the Albatross. Many suggest that the Mariner killed the Albatross in an attempt to ‘control nature’, however it can be argued that instead the act was influenced by nothing instead of boredom and an attempt to create a likeability for himself. The Mariner’s character is nevertheless untraditional as although he achieves some redemption (evident in his ability to pray ), by the poem’s conclusion, he is still however attempting to achieve atonement, or as some may argue, still undertaking his crime’s sentence; this idea is supported when considering that the narrative ends with the Mariner explaining that his punishment is to repeat his tale. It is questionable whether or not the Mariner ever achieves such atonement or freedom, as throughout the narrative, it is unseen and remains unclarified. It can be somewhat suggested that following his crime, the Mariner becomes a herald of both the natural and spiritual world as he becomes almost a creature of fantasy with his “glittering eye” and his natural power to recognize the individuals who need to hear his story. Coleridge characterises the character as becoming characterised by his punishment as he evolves to become a supernatural figure - a feature which previously taunted him in the narrative; although Coleridge justifies this idea by describing the Mariner as becoming “wise”, it is questionable whether or not the character is actually happy.
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