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Outline and Critically Assess Arblaster’s Theory of Democracy

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For Anthony Arblaster democracy is still ‘unfinished business’ . Despite the capitalist victory over the communist Soviet Union in the late twentieth century, the democratic principles that triumphed over that of the communist regimes are far from perfect. In Arblaster’s view, many undemocratic anomalies remain in our current conception of what defines democracy today. Arblaster suggests that in order to overcome these anomalies democracy must be established on a higher level than simply t...

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Atonement Lecture Notes - Core Themes

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Core themes of Atonement: - Life and Family of the author - Setting of the novel - Character analysis - Narrative technique

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A close critical analysis of Elizabeth Barrett Browning's Sonnett 43

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Elizabeth Barrett Browning’s Sonnet 43 is principally a poem about the intense love and compassion a woman feels for her husband. The poem is taken from a collection of sonnets, entitled Sonnets from the Portuguese, which trace the interlude between 1945, when Elizabeth met her partner Robert Browning, to 1846, when they were married. Browning lived and wrote during the Victorian era, a time of major societal and economical change. This is reflected in her work, which draws on religious, polit...

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Late Victorian Gothic fictions ‘encode an anxiety about “otherness”, about the possibility of a dual self, where the externally moral individual masks a primitive “other” within that threatens to engulf the civilised’ (Linda Dryden). Discuss.

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Gothic fiction of the 1880s and 1890s dramatises the late Victorian fear of “otherness”. In fin-de-siècle Britain, the concept of racial and cultural degeneration spawned fears of a primitive “other”. This fear is encoded in The Strange Case of Dr Jekyll and Mr Hyde (1886) and The Picture of Dorian Gray (1891). In both texts a primitive “other” threateningly lurks within externally moral men. Indeed, both Stevenson and Wilde suggest that the threat of “otherness” comes from with...

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How does Atwood introduce us to the world of the novel in chapters 1- 3 of The Handmaid’s Tale?

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The novel, The Handmaid’s Tale’ is set in the Republic of Gilead, a land where women have to breed, or face being hung at the wall or sent out to die slowly of radiation sickness. The world of the novel is set in the future after a nuclear war. The United States, where the novel is set, does not exist as a union of states anymore, but still exists as a land mass. The people are governed in a very sanctimonious way and the society is theocratic, and many of their freedoms and liberties have ...

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Contrapuntal analysis of Charlotte Bronte's Jane Eyre and Shirley

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Contrapuntal analysis, advocated by Edward W. Said, demands a vision in which imperialism and literature are viewed simultaneously. Reading a Charlotte Brontë novel contrapuntally is considering how the text interacts with its metropolitan context alongside the historical context of British imperialism. In Jane Eyre (1847) the colonial histories of the West Indies and India intertwine with the experiences of women in the metropolis. The metropolitan history of Shirley (1849) can be situated in ...

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What do you find interesting about the ways the writer presents rebellion in the novel?

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Throughout her novel (The Handmaid’s Tale) Margaret Atwood expresses various forms of rebellion through different characters and situations. The Handmaid’s Tale in its own context is not considered a novel when referring to rebellion, but the expression of a satirical dystopia which is mainly expressed through the beliefs and actions of different characters. It is therefore often compared to George Orwell’s nineteen eighty-four with the expression of freedom from and freedom to.

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‘The past is never dead. It’s not even past’ (William Faulkner). Taking this statement as your starting-point, discuss how this applies to Toni Morrison’s novels, Beloved and Jazz.

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Toni Morrison’s fiction is preoccupied with the persistence of the past. Indeed, in Beloved (1987) and Jazz (1992) the past continually resurfaces in the present. In Beloved, for example, Sethe is haunted by her past in the form of her departed daughter. Whereas in Jazz, the past is tragically repeated in the lives of Joe and Violet Trace. In both texts, Morrison’s characters must confront their past in order to move on. Accordingly, their experiences demonstrate Morrison’s ‘concern to b...

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