Pearson Edexcel • Drama and Theatre Studies 2016
Latest uploads for Drama and Theatre Studies 2016 at Pearson Edexcel. Looking for Drama and Theatre Studies 2016 notes at Pearson Edexcel? We have lots of notes, study guides and study notes available for Drama and Theatre Studies 2016 at Pearson Edexcel.
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Courses Drama and Theatre Studies 2016 at Pearson Edexcel
Notes available for the following courses of Drama and Theatre Studies 2016 at Pearson Edexcel
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Unit 1 - Devising
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Unit 2 - Text in Performance
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Unit 3 - Theatre Makers in Practice
Latest content Pearson Edexcel • Drama and Theatre Studies 2016
Complete answer to Drama and Theatre studies sample paper. 
Questions answered on Complicite's 'Drive Your Plow Over the Bones of the Dead', Equus and Woyzeck (inspired by Brechtian methodology) 
Answers the questions: 
- Analyse and evaluate the live performance you have seen in light of the following 
statement: 
‘Live performance has nothing to say to a young audience.’ 
Your answer should: 
• include analysis and evaluation of key moments from the performance you have 
seen and the...
- Essay
- • 9 pages's •
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PEARSON•FULL model answer to past paper
Complete in depth response with reference to to other parts of the text
- Essay
- • 2 pages's •
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PEARSON•Equus
In depth well written concept for Woyzeck that helped me get FULL MARKS 
Includes visual elements, as a director, as a performer, links to bertolt brecht, links to original performance, links to context
- Summary
- • 25 pages's •
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PEARSON•Woyzeck Complete concept
An in depth example of the Equus concept including performer, visual elements and Context that is required to reach the SOPHISTICATED level in the exam, includes images
- Package deal
- Summary
- • 29 pages's •
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PEARSON•Equus
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A* WOYZECK & EQUUS concepts• By scarlett_parker
Answers the question: As a designer, outline how sound could be developed to 
communicate meaning and ideas to an audience in this extract (scene 28). 
Your answer should make reference to the performance text as a whole.
- Package deal
- Essay
- • 2 pages's •
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PEARSON•Equus
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A* WOYZECK & EQUUS concepts• By scarlett_parker
A complete well written Equus concept in which I fully explain the impact of each lighting technique and refer to other parts of the play. 
Answers the question: 
As a designer, outline how lighting could be developed to 
communicate meaning and ideas to an audience in this extract. 
Your answer should make reference to the performance text as a whole.
- Essay
- • 2 pages's •
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PEARSON•Equus
Sophisticated level response which evaluates whether Live theatre is one of the most powerful ways of communicating to an audience in 2023. In depth response which includes lighting, set, voice, sound, gesture and movement
- Essay
- • 3 pages's •
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PEARSON•Live Theatre
A complete, well written FULL MARK A* essay on my Woyzeck concept which is inspired by Brecht. Original concept that mirrors relevant social/ political context. Includes detailed OPC original performance conditions AND sophisticated key words
- Essay
- • 3 pages's •
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PEARSON•Woyzeck
A complete, well written FULL MARK A* essay on my Woyzeck concept which is inspired by Brecht. Original concept that mirrors relevant social/ political context. Includes detailed OPC original performance conditions AND sophisticated key words
- Essay
- • 3 pages's •
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PEARSON•Woyzeck
This essay was completed before my a-level exams, I regularly achieve As and A*s in Drama a-Level so I've uploaded this as an exemplar essay in which you could refer back to, to see how one would answer this question. This essay was based on the play Machinal by Sophie Treadwell.
- Essay
- • 3 pages's •
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PEARSON•Machinal and Woyzeck
Ways in which Brecht's idea of 'alienation' was used in performance (and how you can use it too)
- Package deal
- Summary
- • 2 pages's •
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PEARSON•Unit 3 - Theatre Makers in Practice
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Component 3 Section C: Lysistrata and Brecht• By 11ucy
An overview of Ancient Greek Theatre and the context in which Lysistrata was performed in
- Package deal
- Summary
- • 6 pages's •
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PEARSON•Unit 3 - Theatre Makers in Practice
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Component 3 Section C: Lysistrata and Brecht• By 11ucy
An overview of Brecht's stagecraft techniques, as well as a summary of ancient Greek theatre and the context in which Lysistrata was set.
- Package deal
- Summary
- • 5 pages's •
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PEARSON•Unit 3 - Theatre Makers in Practice
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Component 3 Section C: Lysistrata and Brecht• By 11ucy
Notes on sound design for component 3 (written exam). Includes descriptions of different styles of sound, how sound design creates impact etc. Enhanced understanding of your design concept allows access to top band marks.
- Package deal
- Other
- • 4 pages's •
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PEARSON•Unit 3 - Theatre Makers in Practice
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A Level Drama & Theatre Studies - Sound and Lighting Notes• By ediegutteridge
Notes on lighting design for A Level Drama Component 3. Includes descriptions of types of lanterns used in theatre and their effects, limitations, and advantages, as well as definitions of key vocab to use in essays / the written exam. General notes on how lighting can be used effectively which will gain you marks.
- Package deal
- Other
- • 4 pages's •
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PEARSON•Component 3- Theatre Makers in Practice
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A Level Drama & Theatre Studies - Sound and Lighting Notes• By ediegutteridge
This document gives facts on the writer of Equus, Peter Shaffer, to show the examiner a wide range of knowledge, possibly gaining extra marks.
- Other
- • 2 pages's •
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PEARSON•Unit 3 - Theatre Makers in Practice
A indepth set of notes providing information about: Answeing skills, Character/Plot of Woyzeck by George Buchner, History of the Play, Author Background Research (Buchner), and Original Performance Conditions. Also includes practitioner notes on Brecht (can vary based on school choices).
- Study guide
- • 7 pages's •
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PEARSON•Unit 2 - Text in Performance