Macs 150 Final Exam Questions And
Answers With Verified Solutions 100%
Correct Latest Update.
Principles of good composition - ANSWER balance, contrast, focal point,
movement, perspective
shot scales - ANSWER ECU, CU, MCU, MS, MLS, LS, ELS
extreme close up shot - ANSWER singular body part
insert shot - ANSWER extreme close up of object
close up shot - ANSWER shoulders up; just the face
medium close up shot - ANSWER chest up
medium shot - ANSWER waist up
medium long shot - ANSWER knees up
long shot - ANSWER full body
extreme long shot - ANSWER shows landscape and full body
lookspace/leadroom - ANSWER negative space where characters are looking
closure - ANSWER having characters too close to the edge of the frame
"haircut" - ANSWER cropping very top of subject's head to avoid closure
exposure - ANSWER how much light is reaching the camera sensor
exposure elements - ANSWER ISO, shutter, aperture, light sources
ISO - ANSWER how sensitive film/digital sensor is to light
lower ISO = less sensitive, needs more light
higher ISO = more sensitive, doesn't need as much light
shutter speed - ANSWER how long shutter stays open and exposes the sensor to
light
aperture - ANSWER size of opening of the lens
lower f-stop = larger opening, lets in more light, shallow depth of field
higher f-stop = smaller opening, lets in less light, deeper depth of field
focal length - ANSWER determines lens' field of view (how much of scene in front
of lens is inside the frame)
longer focal length = less field of view
, shorter focal length = more field of view
wide angle lens - ANSWER wide field of view and short focal length
"normal" lens - ANSWER field of view similar to human eye
telephoto lens - ANSWER narrow field of view and long focal length
perceived focal length depends on: - ANSWER subject to camera distance; the
farther the subject is from lens, the narrower the field of view
actual focal length of lens
how do you create a moving background image? - ANSWER move camera while
exposing
Aesthetics of Light - ANSWER moisturize skin
light intensity
light quality
light direction
light color-temperture
3-point lighting - ANSWER back, key, fill
back light - ANSWER light to illuminate from behind the subject positioned
opposite of the camera
key light - ANSWER light to illuminate from side of the subject positioned next to
the camera
fill light - ANSWER softer light that fills in shadows from key light positioned
opposite of key light
high key lighting - ANSWER low contrast, lots of light sources, soft shadows
low key lighting - ANSWER high contrast, harsh shadows
white balance - ANSWER sets color temperature on camera
Web Design Concepts - ANSWER ways of seeing
ways of structuring
ways of experience
Effective graphic design: - ANSWER captures attention
controls eye movement
conveys information
evokes emotion
Golombisky and Hagen's 3 building blocks of design - ANSWER visuals
Answers With Verified Solutions 100%
Correct Latest Update.
Principles of good composition - ANSWER balance, contrast, focal point,
movement, perspective
shot scales - ANSWER ECU, CU, MCU, MS, MLS, LS, ELS
extreme close up shot - ANSWER singular body part
insert shot - ANSWER extreme close up of object
close up shot - ANSWER shoulders up; just the face
medium close up shot - ANSWER chest up
medium shot - ANSWER waist up
medium long shot - ANSWER knees up
long shot - ANSWER full body
extreme long shot - ANSWER shows landscape and full body
lookspace/leadroom - ANSWER negative space where characters are looking
closure - ANSWER having characters too close to the edge of the frame
"haircut" - ANSWER cropping very top of subject's head to avoid closure
exposure - ANSWER how much light is reaching the camera sensor
exposure elements - ANSWER ISO, shutter, aperture, light sources
ISO - ANSWER how sensitive film/digital sensor is to light
lower ISO = less sensitive, needs more light
higher ISO = more sensitive, doesn't need as much light
shutter speed - ANSWER how long shutter stays open and exposes the sensor to
light
aperture - ANSWER size of opening of the lens
lower f-stop = larger opening, lets in more light, shallow depth of field
higher f-stop = smaller opening, lets in less light, deeper depth of field
focal length - ANSWER determines lens' field of view (how much of scene in front
of lens is inside the frame)
longer focal length = less field of view
, shorter focal length = more field of view
wide angle lens - ANSWER wide field of view and short focal length
"normal" lens - ANSWER field of view similar to human eye
telephoto lens - ANSWER narrow field of view and long focal length
perceived focal length depends on: - ANSWER subject to camera distance; the
farther the subject is from lens, the narrower the field of view
actual focal length of lens
how do you create a moving background image? - ANSWER move camera while
exposing
Aesthetics of Light - ANSWER moisturize skin
light intensity
light quality
light direction
light color-temperture
3-point lighting - ANSWER back, key, fill
back light - ANSWER light to illuminate from behind the subject positioned
opposite of the camera
key light - ANSWER light to illuminate from side of the subject positioned next to
the camera
fill light - ANSWER softer light that fills in shadows from key light positioned
opposite of key light
high key lighting - ANSWER low contrast, lots of light sources, soft shadows
low key lighting - ANSWER high contrast, harsh shadows
white balance - ANSWER sets color temperature on camera
Web Design Concepts - ANSWER ways of seeing
ways of structuring
ways of experience
Effective graphic design: - ANSWER captures attention
controls eye movement
conveys information
evokes emotion
Golombisky and Hagen's 3 building blocks of design - ANSWER visuals
