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Samenvatting - Popular Media Culture and Diversity

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Course summary, powerpoint, and lesson notes. I myself got a 16/20 with my summary. Each chapter is clearly delineated with a centered title at the top of the page. I've also included examples so you can study everything clearly without it being too abstract or incomplete.

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May 22, 2025
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2023/2024
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Ageism in children content
Theories and debates on age and ageing

Definition age

 Natural or socially constructed?
o When you became 10, you were very proud like ‘wow i’m getting older’, but from a certain
age on it is like a taboo if you’re birthday comes, sometimes it’ts a taboo to ask for
somebody’s age and so on
 Boundaries via age categories & life course
o Different age categories have different expectations of how you have to represent yourself
and how you should behave (eg sexuality not appropriate at older age)
o Life course: At this age you have to be married, at that age you have to buy a house
o Institutionalized (eg retirement systems)
o Intertwined with other identity axes (eg gender)
 What does it mean to be seen as old?

Definition ageism (Robert Butler (1969))

 "the prejudice by one age group against another age group”
 = discrimination, stereotypes and prejudice based on age
 Can be present in any age category
o Yet, societal and academic focus has been on older persons

 Age(ism) is everywhere
o 1 in 2 people are ageist towards older people (WHO, 2021)
o In 2022, more than one fifth (21.1 %) of the EU population was aged 65 and over (Eurostat,
2022).
o Different domains, including media
o But: not talked about as much as gender discrimination or ethnic discrimination

 Age and power
o Different age categories have different statuses
o Privileges based on age (mostly people in 20s en 40s)

 Age and context
o Often focus on Western concept of age

The process of decline vs successful ageing discourse

 Getting older is seen as a decline on different parts in life (eg; physical, social (isolation), less
happy, less sexual active)
o <-> Successful ageing discourse: alternative to negative view on age
▪ Older people should have an active life style, so that they can change the
stereotypes about them
▪ How to de-stereotype
• Minimalize risk of illness and disability
• Maintain physical and cognitive function
• Continue engagement with life
▪ Individualistic approach: individual itself has to change its life
▪ Standards not reachable for everyone

,  Related to
o The ideal of youthfulness/compulsory youthfulness (Gibson, 2016)
o Third (or ‘golden ager’) and fourth agers
▪ Third agers = successful older persons, who live the ideal

Agelessness and anti-ageing






Intersectionality

 Close intertwinement with dis/ability,
o Body as key marker for age
 Normative life course: often heteronormative
 Successful ageing: linked to consumption and SES
 Gendered ageism

Studies on age in popular media culture

Images and representation

 Who and how?
o Ageism by invisibility (McGuire, 2016)
o = total absence of older characters
o Cf. symbolic annihilation
 Lack of diversity
o Overrepresentation of certain identities (eg white male heterosexual) £

 Stereotypes and recurring narratives/tropes
o Role attribution
o They’re just there, but don’t really contribute to the story
o Often linked with (intersecting) identities
o Some stereotypes:
▪ Doddery but dear
• Old people are warm and cute
• So actually aso imcompetent and that we need to help and support them
▪ The schrew
• bitter, angry at the world, nagging
▪ Humor
• The comic relief in the story, ageist jokes
▪ Wise old mentor
• Supporting role in narrative, always helping other younger characters, but
don’t have a personal character development
▪ The villain
▪ Asexual

,Geena Davis Institute

 Content Analysis: longitudinal
o An analysis of the ten top-grossing domestic films from 2010 to 2020 (top 10, per year).
o An analysis of the most popular television shows (broadcast and streaming) from 2010 to
2020 (top 10 per year, per platform).
o In American context!
o However: also largely watched in other contexts




Reception

 What do older people themselves recognize in movie and tv representations?
 physical aging
 romantic and social relationship dynamics
o eg; older people who have no children not represented
 financial realities
 mixed feelings about social progress

production

 underrepresentation in both on-screen and off-screen

focus on children content

recent debates

 roald dahl: can you just change the sentences he wrote? (authorship)
can’t we just give a reflextion rather than rewriting?
 Debate on responsibility of streaming platforms to provide diversity




What makes children content special?

 Cultivation theory (Gerbner) & social learning theory (Bandura)
o These theories are very one-way where child is seen as very passive
o Idea of the innocent child

,  However:
o Children are active and television is an important storyteller
o Children content as valuable for society as well as for research

Recent findings Geena Davis Institute






 Good tv show from Disney: the owl house




Historical overview: longitudinal study of Disney

 Follow-up study of Towbin et al. (2004) en Robinson et al. (2007) → longitudinal
o Sample: 42 Disney movies between 2004-2016 (following up from start)
 Coding book based on previous research on the representation of older characters
 Who is old:
o Coding instruction involved training on (1) older character identification, (2) physical
features, and (3) mental/personality characteristics. Older character identification involved
one or more of the following subjective criteria: (1) an appearance of retirement; (2)
extensive gray hair; (3) wrinkles of the skin; (4) extensive loss of hair or balding; (5)
cracking voice; (6) use of an aid such as a cane or wheelchair; (7) the parent of a son or
daughter who is middle-aged or older; and (8) evidence of grandchildren or great-
grandchildren
 Results
o Lack of representation of older adults
o Overrepresentation of male older characters (66%)
o Overrepresentation of white characters (72%)
o Decline in presence and significance to the story
o Slight increase in stereotype of ‘villain’
o Trend towards depicting older characters as less physically old
o Overall negative portrayal of older characters (44%) (eg; loss of power)
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