Bram Stoker’s
Gibbet Hill and
Other Lost Writings
An Anthology
Edited by
Paul S. McAlduff · John Edgar Browning
, Palgrave Gothic
Series Editor
Clive Bloom, Middlesex University, London, UK
,Dating back to the eighteenth century, the term ‘gothic’ began as a desig-
nation for an artistic movement when British antiquarians became dissat-
isfied with the taste for all things Italianate. By the twentieth century,
the Gothic was a worldwide phenomenon influencing global cinema and
the emergent film industries of Japan and Korea. Gothic influences are
evident throughout contemporary culture: in detective fiction, televi-
sion programmes, Cosplay events, fashion catwalks, music styles, musical
theatre, ghostly tourism and video games, as well as being constantly
reinvented online. It is no longer an antiquarian pursuit but the longest
lasting influence in popular culture, reworked and re-experienced by each
new generation. This series offers readers the very best in new interna-
tional research and scholarship on the historical development, cultural
meaning and diversity of gothic culture. While covering Gothic origins
dating back to the eighteenth century, the Palgrave Gothic series also
drives exciting new discussions on dystopian, urban and Anthropocene
gothic sensibilities emerging in the twenty-first century. The Gothic shows
no sign of obsolescence.
, Paul S. McAlduff · John Edgar Browning
Editors
Bram Stoker’s Gibbet
Hill and Other Lost
Writings
An Anthology