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Summary - Mediacultuur (S0n78a)

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Mediaculture
INTRODUCTION: HIGH CULTURE VS POPULAR CULTURE

WHAT IS CULTURE? SOCIOLOGICAL ROOTS

Emile Durkheim and Max Weber

Culture = the shared beliefs, values, norms and social actions that provide meaning in an (otherwise)
meaningless world

 The human condition: in contrast with other animals
o Homo sapiens = culture-creating animal
 The social function: create order in meaningless world
o Durkheim: being ‘outside’ culture = anomie
 Social construction
o We shape it but it also shapes us
o It liberates but it also limits us
 Differs in time, place and varies per social group
 Provide ingroup cohesion and outgroup conflict
 Researcher is neutral

HIGH CULTURE VS POPULAR CULTURE


A SHORT CULTURAL HISTORY
Norbert Elias (the civilizing proces)

 Analysis: how the cultural elite has defined the standard culture
o Values, manners,…
 Looking down on the popular culture
o Uncivilized, simplistic
 Distinction through high art, refined manners and controlling emotions
o Regime of civilization
 Trickling down = overtime ordinary people take over the cultural standards of elite
 Spiraling up = over time civilization level increases


HIGH CULTURE VS MASS(MEDIA) CULTURE
20th century: the rise, popularity and influence of mass media

 1920: golden age of Hollywood
 Mass consumption, advertising
 Cultural elite: concerned about the influence on culture and high values

Critical theory about the culture industry (Horkheimer and Adorno)

 Elitist theory
o The standardization of and commodification of culture
o Passive consuming audiences?

In academia mass media culture has been neglected or seen as a decline of high culture

 Walter Benjamin, Herbert Marcus, Neal Postman




LES 2: IDEOLOGY AND HEGEMONY

,Mediaculture
MEDIA TEKST EN CULTURELE BETEKENIS

Media content: texts containing cultural narratives that both reflect and shape society

 Mirroring elements of our society
o Ideologies, …
 Media texts may be original but always reflect values, norms of the society in which it is
produced
 Media texts are consumed, appropriated and internalized by audiences and hence reproduce
and shapes values
o Vb. Mocro Maffia
 Reflecting reality

MEDIA TEXT AND CULTURAL MEANING

Roots: neo-Marxisist perspective on the reflection and reproduction of inequality

 Theory: economy and culture
o Basis and super structure
 Ideological hegemony: dominant ideology consolidates the interests of those in power
 False consciousness: the lower classes consider this normal
 Function ideology: conceals inequality and exploitation in a society

IDEOLOGY AND MEDIA TEXT

Louis Althusser and Antonio Gramsci

 Critical analysis shifts from economy to culture
o We should study how culture spreads,…
 Don’t focus to much on the industrialism
 Critical analysis shifts from economic tot inequalities
o Gender, ethnicity,…
 Focus: ideology spreads via institutions
o School, journalism, media texts

Research agenda

 Analyzing hegemonic ideology and inequality in different fields, various texts and across
different media
 Political goal: equality and emancipation minorities
o Gender roles, heteronormativity, race & ethnicity
 Women are often objectified and men are superior
 Western society: homosexuality are not a part of it
 They’re treated stereotypical

THE IDEOLOGY OF NEO(LIBERALISM)

Liberalism = a political ideology promoting a minimal role of the government

 A free market and individual responsibility
 Neo-liberalization since 1980’s (Thatcher, Reagan), and 1990’s (Clinton)
 Embrace global capitalism/ decline social care
 From particular political current to hegemonic ideology
o Shared ideology
 Gives a lot of pressure
 Makes u person who he/she is
o Capitalism and consumption are good
o Individual responsibility of success and failure

,Mediaculture
o Disciplining the self (mind/body)

Critics in the social science

 Naomi Klein, Loic Wacquant and Mark Elchardus
o Structures who neoliberalism dismiss

THE IDEOLOGY OF NEOLIBERALISM IN MEDIA TEXTS (REALITY SHOWS)

It might be funny but we have seen the double mindset

The apprentice (reality show)

 About Donald Trump
o Gives the message that we should work hard
 Reality shows the ideology
o Every episode ends with a loser
 Direct message that you don’t want to be that
 Explicit celebration of neo-liberalism
o Capitalism logic
 Self-responsibility, open competition, lack of empathy

Survivor (reality shows)

 Romantic-nostalgic narrative and setting
o You have to win

The meaning of weight loss in reality-shows

 People who apparently fail to self-optimize by normative social standards (overweight) are
failures who have only themselves to blame
o Failure is a failure of will

The biggest loser

 Connotation fat: not taking control of your life (unsuccessful)
 Connotation slim: taking control over your life (successful)

Message: fat is for losers slimness is for winners

 Biological narrative: conquer personal problems
 Social confirmation: the audience gives a massive applause when contestants lose weight
 A naturalization of neo-liberal perspective on the body

THE NEOLIBERAL BODY

Is this natural of normal?

 Not only talking about weight but also plastic surgery

Extreme makeover (reality show)

 Surgeon: your face now looks much more natural!
 Patient: I feel good – more like myself
 Neo-Marxist interpretation: false consciousness
 The naturalization of western neo liberal ideology
 Legitimation: it’s natural, healthy,…
o We have braces because straight teeth are natural, beautiful,…

, Mediaculture
Assumption: hegemonic ideology spreads and normalizes since it is dominant across different
mediaforms

ADVERTISING: ICONIC BRANDS AS IDEOLOGICAL PARASITES

Douglas Holt

 Iconic brands consciously use existing hegemonic ideologies to appeal to audiences
 Given their omni-presence  reinforces ideologies and explains success
 Ideological parasites
 Brands are viewed as symbols
 Case-study Jack Daniel’s America – culture branding
o Reviving the ideology of the wild west
o Locating the meaning and value of brand symbolism in a particular historical context
 You like it because it context and meaning
o Intertextual (referring to other products)
 Vb. Western movies
o Cultural agents (referring to celebrity drinking)

CONCLUSION

Protest: cultural and political resistance against any hegemonic ideology

 Traditional gender-roles,…
 Defending tolerance, diversity,…

IS REALITY TV NEOLIBERAL?


Reality TV development

 Emerged as a unique television genre in the past 20 years.
 Reflects the social and economic context of its time.

Neoliberal logic in Reality TV

 Shows are often described as having a neoliberal framework.
 Participants are depicted as self-reliant and responsible for their own success.

Entrepreneurial subjectivity

 "Ordinary people" are cast to perform competitive, entrepreneurial roles.
 They strive for extraordinary rewards with little expectation of fair compensation.

Media's narrative construction

 Media industries create stories that align with neoliberal values.
 These narratives reflect the decline in collective social support and growing inequality.

Rise of Reality TV

 Defined early 2000s pop culture.
 Over 20% of U.S. primetime programming since 2001.
 Linked to media convergence, celebrity culture, and international format trade.

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