MUS 1030 Exam Questions and Correct Answers Latest Update Graded A+

MUS 1030 Exam Questions and Correct Answers Latest Update Graded A+ What is a basic element of music? Introduction quiz - Answers melody What is the smallest unit of music? Introduction quiz - Answers a note Notes separated by large leaps exhibit what is called_____? Introduction quiz - Answers disjunct motion What musical element allows us to hear the difference between a piano and a trumpet playing the same pitch? Introduction quiz - Answers timbre What is rhythm? Introduction quiz - Answers the ordering of music through time What is true of E. E. Bagley's National Emblem? Introduction quiz - Answers it transforms the triple-meter melody of "The Star-Spangled Banner" into a duple-meter match A chord is ____. Introduction quiz - Answers three or more notes played at the same time When all the musicians of an ensemble sing or play exactly the same melody together, the resulting texture is called _____. Introduction quiz - Answers unison The Italian term for "loud" is _____. Introduction quiz - Answers forte What are three possible strategies for creating musical form? Introduction quiz - Answers repetition, variation, and contrast What is the musical texture of Play of Virtues? The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers monophonic What describes the rhythm of Play of Virtues? The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers free rhythm What best describes the overall melodic contour of each phrase in Play of Virtues? The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers rising sharply, then gradually falling What does Play of Virtues feature? The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers both syllabic and melismatic setting of the text What change in texture occurs from the first half of Play of Virtues to the second half? The Middle Ages: Hildegard von Bingen, Play of Virtues - Answers the texture changes from monophonic solo to monophonic unison What is the texture heard during Eagle Dance? The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers monophony What statements best describes the rhythm? The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers it is free at the beginning and then becomes metered What is the overall melodic contour heard during this excerpt from Eagle Dance? The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers Descending: It begins high and gradually works its way to a low pitch What does the Eagle Dance makes use of? The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers vocables What kind of rhythm does Eagle Dance have? The Middle Ages: San Ildefonso Indians of New Mexico Eagle Dance - Answers free rhythm The formal relationship between the soloist and chorus in Caro Mea is an example of ______. The Middle Ages: Plainchant Alleluia, "Caro mea" - Answers responsorial chant The texture heard throughout Caro Mea is ________. The Middle Ages: Plainchant Alleluia, "Caro mea" - Answers monophonic The singer embellishes and extends the word "Alleluia" by adding _____ to certain syllables. The Middle Ages: Plainchant Alleluia, "Caro mea" - Answers a melisma The rhythm of Behold, Spring is organized around what kind of steady pattern? The Middle Ages: Francesco Landini "Behold, Spring" - Answers triple meter In Behold, Spring, Landini makes use of what type of texture? The Middle Ages: Francesco Landini "Behold, Spring" - Answers two-part polphony A stopping point in a song The Middle Ages: Francesco Landini "Behold, Spring" - Answers cadence What is the texture of No More than One Man Could Count the Stars? The Middle Ages: Guillaume de Machaut "No More than One Man Could Count the Stars" - Answers three-part polyphony What structural event occurs at the end? The Middle Ages: Guillaume de Machaut "No More than One Man Could Count the Stars" - Answers a cadence Describe the melodic motion in the various voices The Middle Ages: Guillaume de Machaut "No More than One Man Could Count the Stars" - Answers the upper voice moves slightly faster and is more active than the lower two voices What is the texture of The Talking Sheep? The Middle Ages: Alfonso el Sabio "Songs to the Virgin Mary, no. 147, 'The Talking Sheep' - Answers monophonic, homophonic, and polyphonic The long note held underneath the melodic line heard in this excerpt is called a _________. The Middle Ages: Alfonso el Sabio "Songs to the Virgin Mary, no. 147, 'The Talking Sheep' - Answers drone bass What is played by themselves? The Middle Ages: Alfonso el Sabio "Songs to the Virgin Mary, no. 147, 'The Talking Sheep' - Answers shawms Renaissance is the French word for ___. The Renaissance - Answers rebirth The reformation caused a rift among Christians that began in 1517 when a long list of complaints was nailed on the doors of a church in Wittenburg by ____. The Renaissance - Answers Martin Luther The overarching intellectual and cultural movement of the Renaissance-which explored human interests and values through the pursuit of science, philosophy, literature, painting, sculpture, and music-is known as ___. The Renaissance - Answers humanism What does Baldassare Castiglione's The Book of the Courtier reveal about music in the Renaissance? The Renaissance - Answers the ability to sing and play an instrument was socially desirable How did the invention of printing by movable metal type in the mid-fifteenth century affect music? The Renaissance - Answers notated music could now be disseminated rapidly and relatively cheaply How many voices does Josquin des Prez make use of? The Renaissance: Josquin des Prez "The Cricket" - Answers 4 The replication of sounds suggested by key words such as longo verso is called? The Renaissance: Josquin des Prez "The Cricket" - Answers word painting What musical meters are used? The Renaissance: Thomas Weelkes "Since Robin Hood" - Answers duple, then triple The composer illustrates the word "skip" by using ____. The Renaissance: Thomas Weelkes "Since Robin Hood" - Answers syncopation, or accents off the usually accented beats What is the texture used? The Renaissance: Thomas Weelkes "Since Robin Hood" - Answers three-voice polyphony What musical technique does Byrd use? The Renaissance: William Byrd "Sing Joyfully" - Answers imitative counterpoint Because this music is sung by multiple singers without instrumental accompaniment, it can be categorized as _____________. The Renaissance: William Byrd "Sing Joyfully" - Answers a cappella choral music Byrd's text setting offers a clear example of ____. The Renaissance: William Byrd "Sing Joyfully" - Answers word painting How does the texture of the music change over the course of the song? The Renaissance: Giovanni Pierluigi da Palestrina Pope Marcellus Mass, "Gloria" - Answers more voices enter, creating a fuller polyphonic texture Palestrina uses _____ to reflect closure of the passage of text The Renaissance: Giovanni Pierluigi da Palestrina Pope Marcellus Mass, "Gloria" - Answers a full cadence How does Palestrina enhance the harmonic language of the phrases "Adoramus te" and "Glorificamus te" The Renaissance: Giovanni Pierluigi da Palestrina Pope Marcellus Mass, "Gloria" - Answers with both phrases, he begins with a consonance, moves to a dissonance, and then resolves back to a consonance. How does Palestina keep the music moving forward from phrase to phrase? The Renaissance: Giovanni Pierluigi da Palestrina Pope Marcellus Mass, "Gloria" - Answers he uses elided cadences Which instruments best help the dancers keep their rhythm for the entire song? The Renaissance: Tielman Susato "Moorish Dance" - Answers tabor and tambourine The thematic material in this alternates between which 2 instrument groups? The Renaissance: Tielman Susato "Moorish Dance" - Answers brass and woodwinds form of Moorish Dance which alternates between A and B musical sections? The Renaissance: Tielman Susato "Moorish Dance" - Answers binary Baroque musicians tried to create an effect on their audiences The Baroque Era - Answers through the artful portrayal of emotion During the Baroque Era, the arts were an important means of projecting power and authority, as demonstrated by kings and queens of the era