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Duality and Mirrors in Wuthering Heights: The Reflective Structure of Brontë's Masterpiece

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Dive into an in-depth analysis of Emily Brontë's Wuthering Heights with this comprehensive document that explores the novel's intricate use of mirroring and duality. Published in 1847, Wuthering Heights was initially met with criticism but has since been recognized as a literary masterpiece, renowned for its complex narrative structure and rich symbolism. This analysis, meticulously examines how Brontë employs mirror-like structures throughout the novel, creating a duality that reflects—and distorts—the characters, settings, and relationships. Just as a mirror presents a reversed image, the elements within the novel mirror each other in ways that reveal deeper, often darker, truths about the characters and their world. Ideal For: Students, educators, and literary enthusiasts seeking a deeper understanding of Emily Brontë's Wuthering Heights. This analysis provides a nuanced perspective on the novel’s structure and themes, making it an excellent resource for academic study or personal exploration of one of English literature's most enigmatic works. Format: The document is well-organized, with clear headings and sections that guide the reader through the analysis. Each point is supported by textual evidence and critical insights, making it a valuable tool for anyone looking to enhance their appreciation of Wuthering Heights.

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Institution
Junior / 11th Grade
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English literature and composition








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Written for

Institution
Junior / 11th grade
Course
English literature and composition
School year
3

Document information

Uploaded on
August 13, 2024
Number of pages
3
Written in
2022/2023
Type
Presentation
Person
Unknown

Subjects

  • ap lit
  • wuthering heights
  • literary

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Kersaw 1




The Reverse Reflection in Wuthering Heights

In 1847 Wuthering Heights by Emily Brontë was published. This novel was criticized by

many at the time, but it is not considered a masterpiece. One reason for this is the mirror-like

structure many book components have. By definition, a mirror is a reflective surface that reflects

a clear image. What isn’t included in the definition of a mirror is that the “clear image” is

reversed. If a person stands in front of a mirror with a sign that says, “Hello” the mirror will read

“olleH”. The dual components in Wuthering Heights do the same thing. Wuthering Heights is

made up of doubles: two manors, two generations, and two women who are stuck between the

love of two men. From the outside, the manors, generations, and characters look very similar, but

as you take a closer look you realize that they are mirrored and not the same.

The novel begins with Lockwood, a tenant at Thrushcross Grange, visiting his landlord's

manor, Wuthering Heights. In a summary of the book, the information given is that Thrushcross

Grange and Wuthering Heights are both manors located in the moors of Yorkshire adjacent to the

town of Gimmerton owned by families with high social regard who are raising children with a

very expensive education with the intention of continuing the family legacy. The readers soon

learn that these two manors are the perfect yin and yang.

Wuthering Heights is described by Lockwood, who says, “'Wuthering' being a significant

provincial adjective, descriptive of the atmospheric tumult to which its station is exposed in

stormy weather. Pure, bracing ventilation they must have up there at all times, indeed: one may

guess the power of the north wind blowing over the edge, by the excessive slant of a few stunted

firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as

if craving alms of the sun. Happily, the architect had foresight to build it strong: the narrow
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