Music for orchestra in the nth century
Debussy Nu
ages from Three Nocturnes
-
:
-
Ravel : Menuet and Rigaud on from Le Tom bean de Couperin
-
Bernstein : Three Dance Episodes from on the Town
-
Bartok concerto for orchestra, First movement
:
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:
,Debussy Nuages from
: 3 nocturnes
-
creates moods / atmosphere through
tneuseot non-functional harmonies + delicate orchestration
-
three nocturnes composed
between 1897-71899
-
Bminor & Ternary Form / ABA )
☒ Opening Themes
"
Main them Timpani roll
Bassoons-1 Clarinets Solo Anglais
Cor
suggest
-
in octaves
Motif B. minor
playing alt perfect 5143rd interval of tritone 1
-
-
2nd' Bassoon -1 Clarinets acciaccatura
→
_y
contradicted by
-
chromaticism
rising / falling
-
-
repetition b. 4=6-3 -
Scania movement whole tone chord
b. 2=6.1 t
3 note figure ambiguous GHB
-
descending
in oboe
Restatement of divided
b.21 develops rhythm opening theme in violins
coranglaistheme return nsinghemiola -
parallel b. 14
dominant 9th chords
+ ←
-
against ← woodwind
ostinato in ascends chromatically
divisi strings
-
diatonically
based on Golchords unrelated
calls
dominant chords
-
Tritonalhorn
answered by Bbq → GII → Eb9
-
Falling perfect 5th
by cello and basses
↓
, Transitional passage -
woodwind play
-
alternating ascend chromatic movement
[ major + F- minor chords while
violas , cellos in octave
ascending sequence
Cor Anglais Theme return ↓
answered by
Ascending sequence
-
wholetonetminor} #
muted horns passed onto strings
-1lb
"
accompaniment
a
-
while the string sustain an
pizzicato string altering
Em -1Gt over Bipedal restatement of
-
Pentatonic melody_ opening theme
in oboes
from Cor Anglais
Cello and basses play +
/
for Solorio 9
-
descending whole tone scale countermelody
_
chords
4:27 ) descending parallel 7th
☒ (Maincontrastihg
ottnismovemene)(
section bardon biarbasedonwholétonechord
-
soloflnteharp Pentatonic
based on pentatonic scale scale
-
sustained # minor chord # pagodestrom
indivisi strings
Estampestor
Theme repeated solo piano
→
-
by solo violin Violoncellos/
in octaves aHE9+G# 9 chords
/
-
pentatonic solobyflute
- enhanced by
harmonics
harp
,☒ retnrnottrrst
-
coranglais theme
}
Bargo -86
-
use of repetition
-
harmonies
alternate
-
string ttremolando
sur la touche
'- violins
natural harmonics in
↓
Coranglais melody
-
accompanied only be
the 3 pitches
-
based II. Dimasa
tremolando in
cellos , double basses and timpani roll
.
↓
pentatonic tlutetneme
opening phrase →
-
Shifted -6 the off -
bent
in the bassoons by one quaver
+
subsequent fragmentation triforia / horn
_
call
*
slowing upot Tempo
-
reduction in dynamics
pizzicato B
return
↓
signifies a
← Tonal uncertainty
tothetonic
Timpani oscillates B+D
/ '
unresolved 47
,
,SPEC
, 2023
Debussy Nu
ages from Three Nocturnes
-
:
-
Ravel : Menuet and Rigaud on from Le Tom bean de Couperin
-
Bernstein : Three Dance Episodes from on the Town
-
Bartok concerto for orchestra, First movement
:
, I
I 1 I 1 I 1
1-
{ :&
I
ᵗÉ¥¥¥¥÷§ ' '
§
:÷÷÷¥ ÉÉ&§
E- # I
&
- -
s
-
s - :* →
& . -
e
S S € . .
- S
¥¥É
1-
5¥
- s
go §
_ .
s
•
≥
§
→
as
s
a -
o
§ I
1-1 ¥? ◦
§ -
→
→
§
E
I I 1 I '
l •
I i
S
E§→
0
§§
*
§ Er § s
a 3 T
- F "
9
°
§ a §
5 Io ←
,
_
§ ^
I
◦
s -1 A V
I
-
s o I 1
¥
-
+ - s
a
§
-
§ - s t s I •
T
'
to
-
so
§ , se s I
§ 4 IS -
.§É
a
so ° is s
↳ ~
S
§
•
S g 1- is *
{
_
1- s
[ e <
§
: :} §
~
8 a -
S § s
G-
>
I a
s •
%
s
§ =
&
- o
-
s .
•
o
±
I § o - f - a S
§ 5s C
&
e
a- s S o
g
S S
§
_.
-
± E. ⑤ §
¥
'
-
o o s
¥
s s
1 F S s
5 -
F- §
ˢÉÉ
✗
%
¥ a
.
s
¥98 ←
+
a
s °
s ← §
g- ☒ 1-
£ s
-
*= s -
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§ I §
% -
.
s
s
§
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e
°
→
I
e
e E e g
{
I. -
± - E p 0
et s €
←
-
i n s
Go
s
-
. _
☒ § & E
-
it
in
5-
5 5 § t
-
§
-
§
.
o - e
3 E's '
≥ s
§
o
s ↳
< 1-
s
-
{
-
≥ @
t
S
- o
0 ↳
§ §
in ~
•
-
& s
in
É
,
§
s
p §
I 1 I
- e o I I 1 I
got
-
◦
s
÷ I
s§§g
→
Ss - e-
I -15 go
as
§ I -
&
#
-
:÷÷÷÷
s sp _ -
+ §
:
→
g
§ = .
S
C £ its _
_ , so
s
-
•
g s e E
G
o -
-
s
S
9- E
÷
-
- .
=
n o
n •
8¥ §
§
E 1-
s
s S s -
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e
I {8
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- -
&
G
±
s
.
¥; 1-
:-P
-
IF
*
,1
¥
I 1 I 1 I
:§&
;¥:÷:÷÷
÷÷
÷, ¥
;÷÷÷÷÷÷÷÷
÷
S
S
S
-
•
.
↳
:
,Debussy Nuages from
: 3 nocturnes
-
creates moods / atmosphere through
tneuseot non-functional harmonies + delicate orchestration
-
three nocturnes composed
between 1897-71899
-
Bminor & Ternary Form / ABA )
☒ Opening Themes
"
Main them Timpani roll
Bassoons-1 Clarinets Solo Anglais
Cor
suggest
-
in octaves
Motif B. minor
playing alt perfect 5143rd interval of tritone 1
-
-
2nd' Bassoon -1 Clarinets acciaccatura
→
_y
contradicted by
-
chromaticism
rising / falling
-
-
repetition b. 4=6-3 -
Scania movement whole tone chord
b. 2=6.1 t
3 note figure ambiguous GHB
-
descending
in oboe
Restatement of divided
b.21 develops rhythm opening theme in violins
coranglaistheme return nsinghemiola -
parallel b. 14
dominant 9th chords
+ ←
-
against ← woodwind
ostinato in ascends chromatically
divisi strings
-
diatonically
based on Golchords unrelated
calls
dominant chords
-
Tritonalhorn
answered by Bbq → GII → Eb9
-
Falling perfect 5th
by cello and basses
↓
, Transitional passage -
woodwind play
-
alternating ascend chromatic movement
[ major + F- minor chords while
violas , cellos in octave
ascending sequence
Cor Anglais Theme return ↓
answered by
Ascending sequence
-
wholetonetminor} #
muted horns passed onto strings
-1lb
"
accompaniment
a
-
while the string sustain an
pizzicato string altering
Em -1Gt over Bipedal restatement of
-
Pentatonic melody_ opening theme
in oboes
from Cor Anglais
Cello and basses play +
/
for Solorio 9
-
descending whole tone scale countermelody
_
chords
4:27 ) descending parallel 7th
☒ (Maincontrastihg
ottnismovemene)(
section bardon biarbasedonwholétonechord
-
soloflnteharp Pentatonic
based on pentatonic scale scale
-
sustained # minor chord # pagodestrom
indivisi strings
Estampestor
Theme repeated solo piano
→
-
by solo violin Violoncellos/
in octaves aHE9+G# 9 chords
/
-
pentatonic solobyflute
- enhanced by
harmonics
harp
,☒ retnrnottrrst
-
coranglais theme
}
Bargo -86
-
use of repetition
-
harmonies
alternate
-
string ttremolando
sur la touche
'- violins
natural harmonics in
↓
Coranglais melody
-
accompanied only be
the 3 pitches
-
based II. Dimasa
tremolando in
cellos , double basses and timpani roll
.
↓
pentatonic tlutetneme
opening phrase →
-
Shifted -6 the off -
bent
in the bassoons by one quaver
+
subsequent fragmentation triforia / horn
_
call
*
slowing upot Tempo
-
reduction in dynamics
pizzicato B
return
↓
signifies a
← Tonal uncertainty
tothetonic
Timpani oscillates B+D
/ '
unresolved 47
,
,SPEC
, 2023
