,Historical Painting Techniques,
Materials, and Studio Practice
,
, PUBLICATIONS COORDINATION: Dinah Berland
EDITING & PRODUCTION COORDINATION: Corinne Lightweaver
EDITORIAL CONSULTATION: Jo Hill
COVER DESIGN: Jackie Gallagher-Lange
PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas
SYMPOSIUM ORGANIZERS:
Erma Hermens, Art History Institute of the University of Leiden
Marja Peek, Central Research Laboratory for Objects of Art and Science,
Amsterdam
© 1995 by The J. Paul Getty Trust
All rights reserved
Printed in the United States of America
ISBN 0-89236-322-3
The Getty Conservation Institute is committed to the preservation of
cultural heritage worldwide. The Institute seeks to advance scientiRc
knowledge and professional practice and to raise public awareness of
conservation. Through research, training, documentation, exchange of
information, and ReId projects, the Institute addresses issues related to
the conservation of museum objects and archival collections,
archaeological monuments and sites, and historic bUildings and cities.
The Institute is an operating program of the J. Paul Getty Trust.
COVER ILLUSTRATION
Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy
of the British Library.
FRONTISPIECE
Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After
Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting,
Amsterdam.
Library of Congress Cataloguing-in-Publication Data
Historical painting techniques, materials, and studio practice :
preprints of a symposium [held at] University of Leiden, the
Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma
Hermens, and Marja Peek.
p. cm.
Includes bibliographical references.
ISBN 0-89236-322-3 (pbk.)
1. Painting-Techniques-Congresses. 2. Artists' materials-
-Congresses. 3. Polychromy-Congresses. I. Wallert, Arie,
1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961-
ND1500.H57 1995
751' .09-dc20 95-9805
CIP
Second printing 1996
iv
Materials, and Studio Practice
,
, PUBLICATIONS COORDINATION: Dinah Berland
EDITING & PRODUCTION COORDINATION: Corinne Lightweaver
EDITORIAL CONSULTATION: Jo Hill
COVER DESIGN: Jackie Gallagher-Lange
PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas
SYMPOSIUM ORGANIZERS:
Erma Hermens, Art History Institute of the University of Leiden
Marja Peek, Central Research Laboratory for Objects of Art and Science,
Amsterdam
© 1995 by The J. Paul Getty Trust
All rights reserved
Printed in the United States of America
ISBN 0-89236-322-3
The Getty Conservation Institute is committed to the preservation of
cultural heritage worldwide. The Institute seeks to advance scientiRc
knowledge and professional practice and to raise public awareness of
conservation. Through research, training, documentation, exchange of
information, and ReId projects, the Institute addresses issues related to
the conservation of museum objects and archival collections,
archaeological monuments and sites, and historic bUildings and cities.
The Institute is an operating program of the J. Paul Getty Trust.
COVER ILLUSTRATION
Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy
of the British Library.
FRONTISPIECE
Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After
Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting,
Amsterdam.
Library of Congress Cataloguing-in-Publication Data
Historical painting techniques, materials, and studio practice :
preprints of a symposium [held at] University of Leiden, the
Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma
Hermens, and Marja Peek.
p. cm.
Includes bibliographical references.
ISBN 0-89236-322-3 (pbk.)
1. Painting-Techniques-Congresses. 2. Artists' materials-
-Congresses. 3. Polychromy-Congresses. I. Wallert, Arie,
1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961-
ND1500.H57 1995
751' .09-dc20 95-9805
CIP
Second printing 1996
iv
