Thea 210 Exam 1 JMU Questions With 100% Correct Answers!!

Theatrical Conventions - Answer-Rules of conduct and understood communication codes of the theatre Universals of theatre (4) - Answer-1. Theatre is live- mistakes are possible, audience, reciprocity, energy is shared between actors and audience 2. Theatre is ephemeral- theatre always changes, it can't be repeated, recorded theatre (film) 3. Theatre is collaborative- working towards a common goal 4. Theatre is a synthesis of many arts- actors, sets, lighting, costumes, music, sound, director "Magic if" - Answer-the magic'if' is where you as the actor puts yourself in the position of your character and you use how you would react in that situation. It is a technique used for developing a character using Stanislavski's 'system. To help connect the character to the actor, performers must ask themselves "What if this situation happened to me?" Through this activity, actors identify with characters as possible aspects of themselves, allowing them to think like the characters, rather than just impersonate them. Performance studies - Answer-Theatre is only one type, collection of continum of events that possess "preformative" elements. Ex story telling, parades, games, religious rituals. Conflict - Answer-Tension between two forces working against each other. Creates struggle and obstacles for character to overcome. Objective - Answer-Acting technique, What a character wants at any given moment that drives the action. Action - Answer-a term in Western theatre practice refers to a principle from actor training first developed by Russian Konstantin Stanislavski in the first half of the 20th century. It forms part of his overall structure of systematized acting training. Subtext - Answer-Characters withholding information, interpretation of what is said and what is meant"Willing suspension of disbelief" - Answer-the people in the audience know that what they are seeing on stage or screen is a pretend reality, but they are pretending that they do not know that. They accept the given premises of the story being told in order to empathize with the actors. An example would be knowing that Superman cannot, in reality, fly - and then pretending that you don't know that. The storyteller tells the audience that, in this story, a man can fly. The audience suspends its disbelief and goes along with that premise. Postmoderism - Answer-A late-twentieth-century concept that replaces absolute values with relativism, opening up the possibility of many new and equally valid forms of artistic expression. Globalization - Answer-People travel from place to place and bring their unique culture of theatre with them, Everyone became exposed to a new style. Breaking boundaries. Multiculturalism - Answer-A respect for neighboring cultures living under the same political system Interculturalism - Answer-The blending of traditions from various cultures. Orientalism - Answer-Glamorizing the unusual type of Asian arts, Now implied an imposition of western perspective on Asian forms Stage Directions - Answer-an instruction in the text of a play, especially one indicating the movement, position, or tone of an actor, or the sound effects and lighting. Story vs plot - Answer-Plot is how it unfolds and the Story includes everything that happens in the play, sometimes including information that happened before the play began. climactic structure - Answer-A tight-knit form of play created by Aristotle that limits the scope of events , The number of characters to whom they happen to, and the time in which they transpire. Types of directors - Answer-Modern Director= Much more authoritative goal High concept directing= Changing drastic things to show themeEpisodic structure - Answer-traces the characters through a journey to a final action and to an understanding of what the journey meant.