THEA 3030 Final Exam New Update Actual Test with complete solution

The convention for representing depth on a flat surface is called: - Perspective The idea that all drama should be "true to life" is called: - Verisimilitude Who developed the pole-and-chariot system? - Torelli Which of the following is NOT true of a proscenium stage? - It also includes an orchestra, mezzanine, an balcony. A play with shepherds and mythological creatures who inhabit the forests and countryside, with serious actions but a happy ending would be a(n): - Pastoral Which of the following is NOT true of Sacra Rappresenttazioni? - They were written in the 1500s and 1600s. Which of the following is NOT true of opera? - The first opera scores (music) grew out of liturgical tropes. Which of the following is NOT the name of a character in Commedia dell'Arte? - Harpo The Teatro Farnese in Parma is most significant because of its: - Proscenium-arch stage Which of the following is NOT true of the raked stage in the Italian Renaissance? - Wings and shutters couldn't be used for scenery because of the slant. Which of the following is NOT one of the three neoclassical unities? - DecorumWhich of the following was NOT a neoclassical "rule" of drama? - No stock characters A repeated "bit" of comic business in Commedia dell'Arte is called: - Lazzi Criticism that argues for a certain point of view and sets down rules is called: - Prescriptive criticism These devices were a series of individual wings on each side of the stage, parallel to the audience, and placed in a progression from the front to the back of the stage. - Flat wings Which of these theatre production technologies was NOT used by Inigo Jones? - Spoken decor The playwright(s) who succeeded in writing romantic, witty tragicomedies in the Jacobean period was/were: - Francis Beaumont and John Fletcher Elizabethan theatre companies were organized under a sharing plan, which included: - Shareholders, hirelings, and apprentices Which of the following is NOT true about the patrons of acting companies? - They made decisions about which plays were performed. One of the most typical ways that Elizabethan drama changed locale between scenes was by: - using "spoken decor" Elizabethan private theatres were: - indoor spaces