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1). How does performance create a model for human action?
Ans: 1. All communicative acts are performances
2. All communication is motivated by individual desires
3. All communication is scripted by (a.) cultural and linguistic expectations and (b.)
unique characteristics of the individual speakers
4. All communication is a process in which people create meaning
5. All communication is open to interpretation
2). Performance
Ans: In the most general sense, is the execution of an action
3). What is at the root of performance?
Ans: Creating meaning
4). How might we categorize human kind if not 'homo sapiens'?
Ans: Homo Histrio, performing species
5). How is drama related to everyday communication?
Ans: All performances are dramatic as is everyday existence
6). Dramatisic features
Ans: Who? speaker(s)
What? saying particular things
How? in a particular manner
Why? for a particular reason
When? in a particular time
Where? in a particular place
To whom? to a particular audience
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, 7). What are the four elements of artistic performance events in human communication?
Ans: 1. performance is culturally defined,
2. performance recognizes no territorial bounds,
3. performance skills may determine individual worth,
4. all performances contain verbal dueling
8). The three ways of understanding performance: object of study, method for studying,
metaphor
Ans: Object of study, method for studying (human communication and aesthetic texts),
metaphor for human communication
9). What is the central interest of performance studies?
Ans: The process of dialogic engagement with one's own and other's aesthetic
communication through the means of performance
10). What is dialogic engagement?
Ans: When the performer encounters another voice
11). What is the defining characteristic of dialogic engagement?
Ans: It's transactional, it requires an exchange, an ongoing communicative transaction
12). What is aesthetic communication?
Ans: Calls upon speakers and listeners to become engaged in the power of art
13). What are the characteristics of aesthetic communication?
Ans: Has unique qualities, appealing patterns, sensuous, figurative, rhythmic, and
reflexive language
14). What is the performer's main concern in aesthetic communication?
Ans: Lies within using performance as a way of knowing rather than as an artifact or
product
15). What is the audience's role in aesthetic communication?
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