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THL1501 Assignement 2 2024 (ANSWERS/SOLUTIONS)

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THL1501 Assignement 2 2024 (ANSWERS/SOLUTIONS) ASSIGNMENT 02 (Written Assignment) ESSAY: POETRY Due date: 22 March 2024 Unique number: 674286 Lecturers: Miss UN Ngada Tel: (012) 444 8814 E-mail: Prof Alwyn Roux Tel: (012) 429 6401 E-mail: NOTE ON ASSIGNMENTS 02, 03 & 04: These assignments count 20% of your final mark for the module. Since they form the basis for the examination it is advised that you complete and submit all three. You need to hand in all three assignments on the relevant due date. Please make sure that your mark count for Assignment 02, 03 and 04 add up to 100: Assignment 02: Assignment 03: Assignment 04: Total: /30 /35 /35 /100 Please complete and attach the plagiarism declaration to Assignment 02, 03 and 04. PRESCRIBED READING: • Part I: Poetic texts (found under “learning Units” on myUnisa: THL1502-24-S1). RECOMMENDED READING: • Kennedy, X.J. & Gioia, D. 2012. Literature: an introduction to fiction, poetry, drama and writing. London & New York: Longman. ASSESSMENT: Students’ answers are evaluated by taking the following aspects into consideration: • If the theoretical discussion and analysis of the chosen text are presented in a balanced manner, i.e. students must first discuss the theoretical issues asked in the question and then apply this theory to their chosen example. • Length of answers: the following guidelines can be kept in mind: Approximately half a page (typed) for 5 marks, Approximately one page (typed) for 10 marks, Approximately one and a half page (typed) for 15 marks, Approximately two to three pages (typed) for 20 marks. • Answers must be structured logically, and your formulations must be given clearly and succinctly. • The language used in the assignment, e.g. is it free of grammatical and spelling errors? Are the references correctly given? PART ONE: POETRY (SEMESTER 1) ANSWER ALL THREE PARTS. NOTE THE CHOICES BETWEEN QUESTIONS 3 & 4. Read the following poem and answer the questions below: A Dream Within A Dream By Edgar Allan Poe Take this kiss upon the brow! And, in parting from you now, Thus much let me avow You are not wrong, who deem That my days have been a dream: Yet if hope has flown away In a night, or in a day, In a vision or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream. I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand How few! yet how they creep Through my fingers to the deep While I weep while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream? QUESTION1: METAPHOR [10] 1 What is the most widely used figure of speech in poetry and what is its specific characteristic? (2) 2. Which specific metaphorical construction is “the pitiless wave” in line 23? Mention and briefly describe the different constituent parts. (2) 3. Name the other three metaphorical constructions found in poetry and give examples of each (the examples do not have to be from the poem printed above). (3) 4. Identify another example of a metaphorical construction in the second stanza. (1) 5. Give an example of another figure of speech from the poem above that is not a metaphor. (2) QUESTION2: SOUND [10] 1. What are we referring to when we refer to “the poetic use of language”? (1) 2. Why do we study sound in a poem? Explain briefly. (1) 3. What four aspects do we need to distinguish in order to study a poem as a vehicle for communicating meaning in a poem? (2) 4. Distinguish between vertical and horizontal sound patterns and provide one example of each from the poem above. (2) 5. What is the distinguishing characteristic of end rhyme? Explain with reference to two appropriate examples from Edgar Allan Poe’s poem. (2) 6. Identify by means of the following examples different patterns of sound repetition in the poem above (remember to underline the consonants and vowels in question): (2) 6.1Assonance: 6.2Alliterartion: . QUESTION 3: SYNTAX [10] 1. Briefly explain your understanding of the term, “syntax”. (1) 2. To create poetry of quality, the poet purposely needs to apply three techniques. Name all three. (3) 3. What is the function of syntactic deviations in poetic language? (1) 4. Briefly explain what “extra patterning” in a poem is and give one example from the poem? (2) 5. Briefly explain three other techniques, also known as syntactic deviation, which can be used within the poetic sentence. (3) OR QUESTION 4: RHYTHM AND METRE [10] 1. How would you explain to a someone who never reads poetry what rhythm and metre are? (2) 2. Name six types of metrical patterning found in poetry. (2) 3. Name the metrical pattern which occurs prominently in poetry. (1) 4. Write down the signs referring to prominent and unstressed syllables in a poem. (1) 5. Explain in your own words why you think that rhythm and metre are core components of “A Dream Within A Dream” by Edgar Allan Poe. (2) 6. Scan the following lines from the second stanza of Poe’s poem: “I stand amid the roar / Of a surf-tormented shore” (lines 12-13). Which metrical pattern occurs in these lines? Is this metrical pattern followed throughout the poem? (2) [Total: 30

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, QUESTION1: METAPHOR
[10]
1 What is the most widely used figure of speech in poetry and what is its specific
characteristic? (2)
Metaphor is the most widely used figure of speech in poetry. A metaphor involves making
a direct comparison between two unrelated things, suggesting that they are alike in some
way without using "like" or "as."
In the poem "A Dream Within A Dream" by Edgar Allan Poe, the following lines exhibit
metaphorical elements:
1. "That my days have been a dream:"
• In this line, the poet metaphorically compares the speaker's days to a dream,
implying that they are ephemeral and perhaps not fully tangible or real.
2. "All that we see or seem Is but a dream within a dream."
• Here, the entire existence is metaphorically described as a dream within a
dream, emphasizing the transient and elusive nature of reality.
Metaphors, such as those used in this poem, contribute to the depth and richness of poetic
expression by conveying complex emotions and ideas in a vivid and imaginative way.


2. Which specific metaphorical construction is “the pitiless wave” in line 23?
Mention and briefly describe the different constituent parts. (2)
The specific metaphorical construction in the line "One from the pitiless wave?" (line 23) is
an example of personification.
Personification is a figure of speech in which human qualities are attributed to non-human
entities or objects. In this case, the "pitiless wave" is personified, as it is described as
being "pitiless," suggesting a lack of mercy or compassion, characteristics typically
associated with human emotions.
Briefly describing the different constituent parts:
1. "Pitiless": This adjective ascribes human-like qualities of cruelty or lack of
compassion to the wave, imbuing it with a sense of harshness and indifference.
2. "Wave": Literally, a wave is a natural occurrence in the ocean. However, in this
metaphorical construction, the wave is given the attribute of being pitiless,
transforming it into a force that seems intent on causing harm or destruction.
This personification enhances the emotional impact of the poem, creating a vivid image of
the relentless and unfeeling nature of the challenges or adversities faced by the speaker.

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