Baroque questions & answers graded A+ 2023 verified to pass

BaroqueEurope in the 17th Century - correct answer Goals - correct answer -Understand the influence of the Roman Catholic Church on art and architecture in 17th century Italy and Spain -Recall hallmark formal devices used by Baroque artists and architects -Identify representative Baroque artists and their works -Identify representative Baroque architects and their works -Recognize and cite artistic terminology from this period Baroque Art - correct answer - Recognize the distinctive characteristics of the Baroque style - Identify representative Baroque artists and their works - Identify representative Baroque architects and their works - Compare and contrast the work of Italian and Spanish Baroque painters - Recognize and cite artistic terminology from this period Figure 24-2 CARLO MADERNO, facade of Santa Susanna, Rome, Italy, . - correct answer Figure 24-3 CARLO MADERNO, facade of Saint Peter's, Vatican City, Rome, Italy, . - correct answer Vatican City Map - correct answer Figure 24-4 Aerial view of Saint Peter's, Vatican City, Rome, Italy. Piazza designed by GIANLORENZO BERNINI, . - correct answer 24-1 GIANLORENZO BERNINI, Fountain of the Four Rivers, Piazza Navona, Rome, Italy, . Travertine and marble figures, granite obelisk. - correct answer Figure 24-5 GIANLORENZO BERNINI, baldacchino, Saint Peter's, Vatican City, Rome, Italy, . Gilded bronze, 100' high. - correct answer Figure 24-6A GIANLORENZO BERNINI, Scala Regia (Royal Stairway), Vatican City, Rome, Italy, . - correct answer Figure 24-6 GIANLORENZO BERNINI, David, 1623. Marble, 5' 7" high. Galleria Borghese, Rome. - correct answer 24-6B GIANLORENZO BERNINI, Apollo and Daphne, . Marble, 8' high. Galleria Borghese, Rome. - correct answer Figure 24-8 GIANLORENZO BERNINI, inerior of the Cornaro Chapel, Santa Maria della vittoria, Rome, Italy, . - correct answer Figure 24-7 GIANLORENZO BERNINI, Ecstasy of Saint Teresa, Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy, . Marble, height of group 11' 6". - correct answer Figure 24-9 FRANCESCO BORROMINI, facade of San Carlo alle Quattro Fontane, Rome, Italy, . - correct answer 24-9A GUARINO GUARINI, Palazzo Carignano, Turin, Italy, . - correct answer Figure 24-10 FRANCESCO BORROMINI, plan of San Carlo alle Quattro Fontane, Rome, Italy, . - correct answer Figure 24-11 FRANCESCO BORROMINI, San Carlo alle Quattro Fontane (view into dome), Rome, Italy, . - correct answer Figure 24-12 FRANCESCO BORROMINI, Chapel of Saint Ivo, College of the Sapienza, Rome, Italy, begun 1642. - correct answer Figure 24-13 FRANCESCO BORROMINI, plan of the Chapel of Saint Ivo, College of the Sapienza, Rome, Italy, begun 1642. - correct answer Figure 24-14 FRANCESCO BORROMINI, Chapel of Saint Ivo (view into dome), College of the Sapienza, Rome, Italy, begun 1642. - correct answer 24-14A GUARINO GUARINI, Interior of the dome of the Cappella della Santissima Sindone (Chapel of the Holy Shroud), Turin, Italy, . - correct answer Figure 24-15 ANNIBALE CARRACCI, Flight into Egypt, . Oil on canvas, 4' x 7' 6". Galleria Doria Pamphili, Rome. - correct answer Figure 24-16 ANNIBALE CARRACCI, Loves of the Gods, ceiling frescoes in the gallery, Palazzo Farnese, Rome, Italy, . - correct answer Figure 24-18 CARAVAGGIO, Conversion of Saint Paul, ca. 1601. Oil on canvas, 7' 6" x 5' 9". Cerasi Chapel, Santa Maria del Popolo, Rome. - correct answer Figure 24-17 CARAVAGGIO, Calling of Saint Matthew, ca. . Oil on canvas, 11' 1" x 11' 5". Contarelli Chapel, San Luigi dei Francesi, Rome - correct answer 24-17A CARAVAGGIO, Musicians, ca. 1595. Oil on canvas, 3' 1/4" X 3' 10 5/8". Metropolitan Museum of Art, New York (Rogers Fund, 1952). - correct answer Figure 24-18A CARAVAGGIO, Entombment, from the chapel of Pietro Vittrice, Santa Maria in Vallicella, Rome, Italy, ca. 1603. Oil on canvas, 9' 10 1/8" x 6' 7 15/16". Musei Vaticani, Rome. - correct answer Figure 24-19 ARTEMISIA GENTILESCHI, Judith Slaying Holofernes, ca. . Oil on canvas, 6' 6 1/3" x 5' 4". Galleria degli Uffizi, Florence. - correct answer 24-20 ARTEMISIA GENTILESCHI, Self-Portrait as the Allegory of Painting, ca. . Oil on canvas, 3' 2 7/8" X 2' 5 5/8". Royal Collection, Kensington Palace, London. - correct answer