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Summary Chapter 6 - Emotion and affect

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The notes are based on Chapter 6 in 'Social Psychology, a South African perspective' textbook.

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Chapter 6 –
Unit 4
Emotion and affect
1st Topic
 Explain the duplex mind’s contribution to our emotional experience, and contrast conscious emotion
and automatic affect
 Compare the three theories of emotion, and identify the role of physiological arousal
 Explain how specific emotions ̶ such as happiness, anger, guilt, shame, and disgust ̶ serve interpersonal
functions
 Describe the role of emotion in feelings of belongingness and relationships, in behaviour, in thinking and
learning, and in decision making
 Describe the research on whether emotions differ across gender and culture



Introduction

– Emotions make life rich and interesting.
– Provide us with feedback and information about the world.
– The feedback helps us change our behaviour.



What is emotion?
Emotion: Conscious evaluative reaction that is clearly linked to some event.

Mood: Feeling state that is not clearly linked to some event.

Affect: the automatic response that something is good or bad. (positive affect – good or negative affect –
bad)

Positive effect: good emotions.

Negative effect: bad emotions.



Conscious emotion versus automatic affect
 These correspond roughly to the two dimensions of the duplex mind.

1. Conscious emotion: A powerful and clearly unified feeling state, such as anger or joy.

2. Automatic effect: A quick response of linking or disliking toward something, may occur outside of
consciousness.

, Emotional arousal
Emotion has both mental (such as subjective feelings and interpretations) and physical aspects (such as
racing heartbeats and tears)

Arousal: A physiological reaction, including faster heartbeat and heavier breathing.

James-Lange theory of emotion: the theory that bodily processes of emotion come first and the mind’s
perception of these bodily reactions then creates the subjective feeling of emotion.




 William James and Carl Lange linked mental and physical aspects of emotion in 1884.
 Studies have proved that the body’s response seemed to be similar for different emotions.
 The James-Lange theory of emotion suggests that the bodily processes of emotion come first and
the mind’s perception of these bodily reactions then creates the subjective feeling of emotion.
 When something happens, your body and brain supposedly perceive it and respond to it, and these
physiological events form the basis for the emotion you feel.



Facial feedback hypothesis: Facial expressions can evoke or magnify emotions because the brain reacts to
facial muscles.

 The James-Lange theory leads to the contemporary hypothesis of the facial feedback hypothesis.
 The feedback hypothesis states that facial expressions can evoke or magnify emotions because the
brain reacts to what the facial muscles are doing.
 An example: When you hold a pen between your teeth, you resemble a smile but when you hold a pen
between your lips, your face resembles a frown. The facial feedback hypothesis holds that if you are
smiling you will enjoy things more than when you are frowning.



Schachter-Singer theory of emotion: The idea that emotion has two components; a bodily state of arousal
and a cognitive label that specifies the emotion.

 Stanley Schachter and Jerome Singer invented the theory in the early 1960s.
 They developed their theory partly in response to the failure of the James-Lange theory.
 Instead of claiming that feeling emotion is a direct result of the bodily reaction, they said that
emotion has two separate components (physiological arousal and cognitive label).
 Physiological arousal: Similar in all emotions. (Remember this is the problem that scientists found
when testing the James-Lange theory)
 Cognitive label: Different for each emotion.
 The Arousal is the mix of feelings that you get when your sympathetic nervous system is activated
(e.g your heart beats faster or more blood flows to your brain)
 In the Schachter-Singer theory of emotion, emotion is something like a television program. The
arousal is the on/off switch and volume control. It determines that there is going to be an emotion,
and how strong it will be. The cognitive label is like the channel switch; it determines what emotion
will be felt.
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