MTTC Question and answer 100% solved 2023

MTTC Question and answer 100% solved 2023Pentatonic scale. 5 notes. Major: 123, 56. minor: 13457 Blues Scale 1 b3 4 #4 5 b7 sequence immediate restatement of a motif or longer melodic (or harmonic) passage at a higher or lower pitch in the same voice. Mordent rapid alternation between an indicated note, the note above or below. The upper mordent is indicated by a short thick squiggle (which may also indicate a trill); the lower mordent is the same with a short vertical line through it: Turn short figure consisting of the note above the one indicated, the note itself, the note below the one indicated, and the note itself again. phrase grouping consecutive melodic notes, both in their composition and performance. Twelve-bar blues I I I I IV IV I I V V I I Simple Binary If the second reprise lacks such a return of the opening material Rounded Binary ABA′ Sectional Binary A section ends with an Authentic (or Perfect) cadence in the original tonic key of the piece Continuous Binary A section ends with any other kind of cadence Balanced binary the end of the first section and the end of the second section have analogous material and are organized in a parallel way. variation formal technique where material is repeated in an altered form. The changes may involve harmony, melody, counterpoint, rhythm, timbre, orchestration or any combination of these. Monophony Melody without harmony. Homophony a texture in which two or more parts move together in harmony, the relationship between them creating chords. polyphony a texture consisting of two or more simultaneous lines of independent melody Authentic cadence V-I Half cadence any cadence ending on V, whether preceded by V of V, ii, vi, IV, or I—or any other chord. Because it sounds incomplete or suspended, the half cadence is considered a weak cadence that calls for continuation Phrygian half-cadence half cadence from iv6 to V in minor Plagal half-cadence I-IV progression. The plagal half-cadence involves a descending fifth.