The Tempest, act five, scene
one
summary
Ariel tells Prospero that the day has reached its “sixth hour” (6 p.m.), when Ariel is
allowed to stop working. Prospero acknowledges Ariel’s request and asks how the
king and his followers are faring. Ariel tells him that they are currently imprisoned, as
Prospero ordered, in a grove. Alonso, Antonio, and Sebastian are mad with fear;
and Gonzalo, Ariel says, cries constantly. Prospero tells Ariel to go release the men,
and now alone on stage, delivers his famous soliloquy in which he gives up magic.
He says he will perform his last task and then break his staff and drown his magic
book.
Ariel now enters with Alonso and his companions, who have been charmed and
obediently stand in a circle. Prospero speaks to them in their charmed state, praising
Gonzalo for his loyalty and chiding the others for their treachery. He then sends Ariel
to his cell to fetch the clothes he once wore as Duke of Milan. Ariel goes and returns
immediately to help his master to put on the garments. Prospero promises to grant
freedom to his loyal helper-spirit and sends him to fetch the Boatswain and mariners
from the wrecked ship. Ariel goes.
Prospero releases Alonso and his companions from their spell and speaks with
them. He forgives Antonio but demands that Antonio return his dukedom. Antonio
The Tempest, act five, scene one 1
, does not respond and does not, in fact, say a word for the remainder of the play
except to note that Caliban
is “no doubt marketable” (V.i.269). Alonso now tells Prospero of the missing
Ferdinand. Prospero tells Alonso that he, too, has lost a child in this last tempest—
his daughter. Alonso continues to be wracked with grief. Prospero then draws aside
a curtain, revealing behind it Ferdinand and Miranda, who are playing a game of
chess. Alonso is ecstatic at the discovery. Meanwhile, the sight of more humans
impresses Miranda. Alonso embraces his son and daughter-in-law to be and begs
Miranda’s forgiveness for the treacheries of twelve years ago. Prospero silences
Alonso’s apologies, insisting that the reconciliation is complete.
After arriving with the Boatswain and mariners, Ariel is sent to fetch Caliban,
Trinculo, and Stephano, which he speedily does. The three drunken thieves are sent
to Prospero’s cell to return the clothing they stole and to clean it in preparation for
the evening’s reveling. Prospero then invites Alonso and his company to stay the
night. He will tell them the tale of his last twelve years, and in the morning, they can
all set out for Naples, where Miranda and Ferdinand will be married. After the
wedding, Prospero will return to Milan, where he plans to contemplate the end of his
life. The last charge Prospero gives to Ariel before setting him free is to make sure
the trip home is made on “calm seas” with “auspicious gales” (V.i.318).
The other characters exit and Prospero delivers the epilogue. He describes the loss
of his magical powers (“Now my charms are all o’erthrown”) and says that, as he
imprisoned Ariel and Caliban, the audience has now imprisoned him on the stage.
He says that the audience can only release him by applauding, and asks them to
remember that his only desire was to please them. He says that, as his listeners
would like to have their own crimes forgiven, they should forgive him, and set him
free by clapping.
analysis
In this scene, all of the play’s characters are brought on stage together for the first
time. Prospero repeatedly says that he is relinquishing his magic, but its presence
pervades the scene. He enters in his magic robes. He brings Alonso and the others
into a charmed circle (V.i.57, stage direction) and holds them there for about fifty
lines. Once he releases them from the spell, he makes the magician-like spectacle of
unveiling Miranda and Ferdinand behind a curtain, playing chess (V.i.173, stage
The Tempest, act five, scene one 2
one
summary
Ariel tells Prospero that the day has reached its “sixth hour” (6 p.m.), when Ariel is
allowed to stop working. Prospero acknowledges Ariel’s request and asks how the
king and his followers are faring. Ariel tells him that they are currently imprisoned, as
Prospero ordered, in a grove. Alonso, Antonio, and Sebastian are mad with fear;
and Gonzalo, Ariel says, cries constantly. Prospero tells Ariel to go release the men,
and now alone on stage, delivers his famous soliloquy in which he gives up magic.
He says he will perform his last task and then break his staff and drown his magic
book.
Ariel now enters with Alonso and his companions, who have been charmed and
obediently stand in a circle. Prospero speaks to them in their charmed state, praising
Gonzalo for his loyalty and chiding the others for their treachery. He then sends Ariel
to his cell to fetch the clothes he once wore as Duke of Milan. Ariel goes and returns
immediately to help his master to put on the garments. Prospero promises to grant
freedom to his loyal helper-spirit and sends him to fetch the Boatswain and mariners
from the wrecked ship. Ariel goes.
Prospero releases Alonso and his companions from their spell and speaks with
them. He forgives Antonio but demands that Antonio return his dukedom. Antonio
The Tempest, act five, scene one 1
, does not respond and does not, in fact, say a word for the remainder of the play
except to note that Caliban
is “no doubt marketable” (V.i.269). Alonso now tells Prospero of the missing
Ferdinand. Prospero tells Alonso that he, too, has lost a child in this last tempest—
his daughter. Alonso continues to be wracked with grief. Prospero then draws aside
a curtain, revealing behind it Ferdinand and Miranda, who are playing a game of
chess. Alonso is ecstatic at the discovery. Meanwhile, the sight of more humans
impresses Miranda. Alonso embraces his son and daughter-in-law to be and begs
Miranda’s forgiveness for the treacheries of twelve years ago. Prospero silences
Alonso’s apologies, insisting that the reconciliation is complete.
After arriving with the Boatswain and mariners, Ariel is sent to fetch Caliban,
Trinculo, and Stephano, which he speedily does. The three drunken thieves are sent
to Prospero’s cell to return the clothing they stole and to clean it in preparation for
the evening’s reveling. Prospero then invites Alonso and his company to stay the
night. He will tell them the tale of his last twelve years, and in the morning, they can
all set out for Naples, where Miranda and Ferdinand will be married. After the
wedding, Prospero will return to Milan, where he plans to contemplate the end of his
life. The last charge Prospero gives to Ariel before setting him free is to make sure
the trip home is made on “calm seas” with “auspicious gales” (V.i.318).
The other characters exit and Prospero delivers the epilogue. He describes the loss
of his magical powers (“Now my charms are all o’erthrown”) and says that, as he
imprisoned Ariel and Caliban, the audience has now imprisoned him on the stage.
He says that the audience can only release him by applauding, and asks them to
remember that his only desire was to please them. He says that, as his listeners
would like to have their own crimes forgiven, they should forgive him, and set him
free by clapping.
analysis
In this scene, all of the play’s characters are brought on stage together for the first
time. Prospero repeatedly says that he is relinquishing his magic, but its presence
pervades the scene. He enters in his magic robes. He brings Alonso and the others
into a charmed circle (V.i.57, stage direction) and holds them there for about fifty
lines. Once he releases them from the spell, he makes the magician-like spectacle of
unveiling Miranda and Ferdinand behind a curtain, playing chess (V.i.173, stage
The Tempest, act five, scene one 2
