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CMY3703 Assignment 1 (COMPLETE ANSWERS) Semester 2 2025 – DUE August 2025; 100% correct solutions and explanations.

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CMY3703 Assignment 1 (COMPLETE ANSWERS) Semester 2 2025 – DUE August 2025; 100% correct solutions and explanations.1 INTRODUCTION (5) In the introduction, you should identify/indicate what you will discuss in the assignment and also how your assignment is going to be structured. You should refer to all four themes/study units that you are covering in your assignment, as well as the particular topics within the theme that you will answer questions on. Furthermore, in your introduction, you need to identify by name/title any media texts that you use as examples in answers to questions. The introduction should ideally comprise at most a paragraph of approximately eight sentences that cover approximately half a page. 2 COMMUNICATION AND MEDIA SEMIOTICS (20) 2.1 The media can communicate in various ways. Define the field of media semiotics and explain how it relates to communication. (2) [25 per cent deduction for not referencing sources] 2.2 According to Fourie (2017:50), a sign “…is never the real object. It is not reality but represents and serves as a means of referring to reality”. Name and briefly discuss the three characteristics of a sign. (6) [25 per cent deduction for not referencing sources] 2.3 A sign is made up of three

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, CMY3703 Assignment 1 (COMPLETE ANSWERS)
Semester 2 2025 – DUE August 2025; 100% correct
solutions and explanations.
1. INTRODUCTION
This assignment explores four central themes from the study
material: Communication and Media Semiotics, Narrative Analysis,
Film Theory and Criticism, and Media Audience Theory. Each
theme is discussed with reference to relevant theoretical
frameworks, supported by examples from media texts. The section
on communication and media semiotics defines the field, outlines
the characteristics of a sign, and examines different types of signs,
illustrated with visual examples. Narrative analysis is conducted
using the sitcom Modern Family (Season 8, Episode 19: “Frank’s
Wedding”, directed by Beth McCarthy-Miller, 2017), applying
Barthes’ five narrative codes, binary oppositions, and the four
phases of narrative progression. Film theory and criticism are
examined through an analysis of Black Panther (2018),
incorporating Eisenstein’s film theory types, De Putter’s criticism
categories, and examples from auteur directors. Finally, the media
audience theory section applies the Uses and Gratification Theory to
explain why audiences engage with telenovelas, using The Queen
(Mzansi Magic) to illustrate key concepts. The assignment is
structured to provide both theoretical explanation and practical
application, ensuring a comprehensive understanding of the topics
discussed.
2. COMMUNICATION AND MEDIA SEMIOTICS
2.1 Definition of Media Semiotics and its Relation to
Communication

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