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Samenvatting - The social psychology of communication (PSB3E-SP03)

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This document contains a comprehensive summary of the course The Social Psychology of Communication, which focuses on the interaction between social psychology and communication. The abstract covers theories and research findings about how social processes influence communication, including social perception, attitude formation, group processes, and nonverbal communication. This summary is based on the lectures I attended in 2024. This document provides a clear summary of the course The Social Psychology of Communication, which focuses on the interaction between social psychology and communication. The summary covers theories and research findings on how social processes influence communication, including social perception, attitude formation, group processes, and nonverbal communication. This summary is based on the lectures I attended in 2024.

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August 8, 2025
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The social psychology of communication
Week 1 – introduc/on to the course
® Mental image: something in your head
If you think of something, you picture it in your head. Communica9on makes you able to put
these mental images in other people’s head.

® Evolu/on equipped people to communicate: we can use our whole body to say things.
® The sounds out of the mouth lead to language. Language only works
when it is shared.
® Talking consists of different aspects:

Phonology: speech sounds
Seman/cs/vocabulary: meaning of language units
Syntax & Morphology: rules on combining words (sentence
structure)/ word structure
Language: communicate mental representa9ons, self-talk

® Meaningful sounds are decoded by other people: shared language, norms, and reality
® Communica9on causes social networks, huge tasks, complex systems (ci9es,
technologies, wars). Behavior can be coordinated through communica9on.
® Social reality: the things we shape and establish by communica9ng.

The basic communica.on model
® An overall framework of basic communica9on.
® Inferences: individuals must make leaps of understanding
regarding the social behavior of another actor (what is
expected to be understood)

Types of goals in communica.on




Influence/organize: Iden%ty: Interac%on: Rela%onal Personal Arousal
teach, persuade, being a looking posi1ve resource: resource: management:
collabora1ve ac1on good and and acceptable, preserve the avoiding avoid ge@ng
consistent role consistent rela1onship repercussions stressed
person

‘Hey, you look great.’

Possible goals of this converging (bonding) remark:
- Improving the rela1onship
- Boost the other’s self-esteem
- Present yourself as friendly
- Establish a norm of closeness ® There are oKen more levels of goals.

, ® In a conversa9on, you observe, infer, (rule out uncertainty about meanings), and then
act. There are several strategies for this.




® Ac/on assembly: how people combine goals(what does
someone want, how does he communicate this?)
® Speech events: gossip, telling jokes, geNng to know,
lectures.
® Behavioral Change Techniques (persuasion) rely on
monitoring, providing feedback, implementa9ons of
inten9ons, self-affirma9on, and fear-appeal.

Week 2 – How do we speak? / Persuasion

® The meaning conveyed in Empirical studies:
communica9on is not only in the ® What is the research design?
words. Other communica/on Cross-sec1onal, experiment,
channels are also present. manipula1ons, cohort, follow-up,
par1cipants, etc?
® What are the opera1onaliza1ons/
manipula1ons?
Ra1ng of conversa1ons, dairy, self-report
ques1onnaires, observa1ons, ect?
® What are the main findings?
Descrip1ve, inferen1al
What can you hear from the voice? ® What are the weaknesses?
Paralanguage (says something about the person who speaks) No test of causality, specific sample,
® Objec9ve acous9c aspects (measures: speed, pitch) perceptual measurements, number of
® Judgement of voice characteris9cs (percep9on: fast, slow, par1cipants.
hard)
® Inference: personal characteris/cs
® Psychological states

Taxonomy of paralanguage
o Timbre: a person is recognizable through its voice
o Resonance: the deepness of a sound
o Loudness/tempo
o Pitch: how high or how
o Intona>on/syllabic dura>on
o Rhythm
o Speech dura>on (monologue vs turn-taking)
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