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️Gothic Tropes A-Level OCR Notes - Thematic Goldmine for Any Gothic Essay

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Master the Gothic genre with this detailed breakdown of common tropes, narrative techniques, character types, and key thematic elements - all linked to a range of core texts on the OCR spec. Includes: • Clear definitions of Gothic tropes (terror vs horror, unreliable narrator, epistolary, etc.) • Narrative devices explained (3rd person, stream of consciousness,) • Character types (Byronic hero, femme fatale, villain, etc.) • Setting and atmosphere analysis • Quick-reference text-to-trope links (Dracula, Dorian Gray, Frankenstein, Carter, etc.)

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GOTHIC TROPES

 3rd person narrator  presents an omniscient narrator who is essentially watching over the characters and telling the story from afar
 elicits feelings of unease/tension etc.  reader is left unaware of character’s true emotions  often told in a passive voice
 Structure  discontinuities/delays in narrative = builds inner tension  shifts in voice = creates confusion  sentence lengths 
convoluted or simple discourse
 1st person narrator  told thru singular character  heightens the emotional experience of the reader as our emotions are based on
their experiences (vicarious attachment) [can create an unreliable narrator]
 Setting  metaphors + personification = atmosphere of dread  visibility + darkness = obscurity of danger  stressing the
physicality of the environment with violent/powerful imagery  manifestation of the character’s feelings  setting becomes a
metonymy/reflection of inner thoughts  everything mirrors something = rhetoric of contrasts
 Mystery/suspense  usually created in the middle of an extract  deliberate obscuration/reader is left in the dark  an inherent
gothic trope in not having full knowledge of their surroundings  usually leads to the reader’s realisation of the character’s
vulnerability in an unknown setting
 Terror  Anne Radcliffe, it is primarily concerned with a greater psychological and intellectual response  reflects the
powerlessness of individuals in the face of more dominant forces -> common sources include grotesque, light/dark, sublime settings
etc.
 Horror  deals with alarmingly concrete imagery, a more physical response, lurking force (personification), character’s inability to
communicate their emotions, loss of control
 Stream of consciousness  literary style whereby the narrative form reflects the thoughts of the character
 Unreliable narrator  one whose account is limited either by their absence from certain events or their biased perspective
 Epistolary  narrative told in form of letters  advantage = insight!!  better than unreliable narrator
 Chinese box structure  the central story is framed by another but is completely separate
 Men  gothic heroes that battle evil and act in a chivalrous way toward women  promethean hero, Byronic hero, satanic hero
 Women  heroines that demonstrate chastity and moral purity = damsel in distress  or sexualised deceiver = female fatale
 Villain  from foreign countries (Orientalism) or possess supernatural powers

TEXTS

 Uncanny  Dracula, Pic of Dorian Grey, Treasure of abbot thomas
 Monster  Dracula, Lady of House of Love, Frankenstein, Treasure of Abbot Thomas
 Obscurity  Jane Eyre – revelation of bertha
 Psyche  pic of d grey – pic in attic, tiger’s bride – animal within
 Sexual Deviancy  Dracula, COW
 Science  Dracula – blood transfusion, Frankenstein – artificial creation
 Women  Snow Child
 Foreign setting  Dracula – Transylvania
 Labyrinth setting  Dracula doors doors doors
 Supernatural  Dracula, Lost Hearts
 Liminal Id  Dr Jekyll + Mr Hyde
 Doppelganger  Dr J + MH
 Light vs dark  the small hand susan hill
 Fear of unknown  tale of abbot thomas
 Return of repressed  Dracula harker
 Madness  crescendo of horror in tell tale heart
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